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Score in sentence

1768 examples of Score in a sentence

It will be remembered for the story and the direction, an interesting performance by Virna Lisi, and a somewhat creditable score by Ennio Morricone.
Kiyoshi Kurosawa's "Kairo" has to be one of the most mesmerizing supernatural horror films I have ever seen.The film is loaded with extremely dark and brooding atmosphere and some scenes actually scared me.The photography by Junichiro Hayashi is truly beautiful and the score is very haunting.The theme of "Kairo" is that at the end of the line there isn't anything except a fearful nothingness-no heaven or hell,just a miserable eternity of living in between states.The film is cold and bleak,even nihilistic in its portrayal of total isolation."Kairo"
It could have been a really good movie, but it's dragged down by the rest of the cast - particularly the overacted, one dimensional "mad artist", the seedy atmosphere and the corny score.
Director Raoul Walsh orchestrates every tense, tender, and action-packed scene very well and Max Steiner's haunting score kicks the film's mood to high gear.
Who gave this a score of "10"?
I give it a score of 2 out of charity--for at least trying something different.
Elmer Bernstein contributes a forgettable music score which is well below his usual standard.
The dialogue and acting (including that of lead Sean Connery) are both poor, and the Quincey Jones score is horrid; the camera work is better but insufficient to compensate for a movie where none of the characters seem wholly real (in a way quite typical of indifferent movies from this era).
The score is unforgettable and the characters are so easy to get into.
(When I give a low score for this reason I always comment so that it's clear I'm not slamming the entire run of the show but only the later seasons.)
The lush score by Franz Waxman really seals the films brilliance.
I enjoyed hearing the rim sky korsakov cut and paste score actually, at least there wasn't some really annoying music slapped on as in the Gloria Swanson version of "rain" "sadie Thompson" also directed by Raoul Walsh and an infinitely better movie.
Still, The Fury with its telepathic visions, its pulse pounding score by John Willams and Richard H. Kline's elegant deep focus cinematography is far superior to junk like The Eyes of Laura Mars.
if it wasn't for the score that makes a huge effort in trying to generate at least some kind of suspense, this movie simply is unutterably boring.
So much is thrown at us in the last 5 minutes of the movie- characters, motives, red herrings, misunderstandings, that I needed a score card to keep track of who was with who and who knew what with who.
Dull, boring, talky horror flick with a disappointing score and just about all the action and scares confined to the end, but by then it is too late.
The immediate grabbing feature of this movie is its score, very imaginatively composed and created by Alan Silvestri whose other credits include the Back to the Future series and other gems like Who Framed Roger Rabbit.
The tempo and build up which the score lends to the film engage its viewers with feelings of fear and nerve wracking suspense for what lurks within the thick of the forest.
The Academy failed to honor Hugo Friedhofer's excellent musical score but it deserved a nom as well.
Or they jack up the saxophone score on Long's "me so cute" smile, and even add a head tilt for Byrne's predictable, "I love you".
As far as the cinematography goes it's quite nice, brilliant in fact along with the score.
Probably the best example of Bollywood cinema from the early 80's, AAA is eye catching and wonderfully acted with a brilliant score.
Another mention is the haunting and poignant music score, that makes me cry.
In the case of FROM THE EARTH TO THE MOON, I would have to say the cinematography and lighting were very nice and I liked some of the music score.
The only major flaw is Kaufman's obvious adoration of his temp (music) score.
Man, this is everything I want while watching a Spaghetti Western, great characters, a solid story, superb action sequences, and best of all a fantastic score that is the just the icing on the cake.
The score just puts a smile on my face anytime I hear it, catchy stuff.
The soundtrack and score were terrific mixing punk rock and an intense symphonic score... again - very interest but it works.
Still though, this isn't a bad film, although it's rather typical Italian stuff where you have to pay attention because otherwise you can't keep track of the players without a score card.
Try a hackneyed plot, pedestrian direction with self-important pretentious, a grandiose score, and pointless dialogue.
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