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Score in sentence

1768 examples of Score in a sentence

I also recall the jazzy-brassy score and the bare black and white photography.
This is definitely one of the best movies I've ever seen-- it has everything-- a genuinely touching screenplay, fine actors that make subtlety a beautiful art to watch, an actually elegant romance (it's a shame that that kind of romance just doesn't seem to exist anymore), lovely songs and lyrics (especially the final song), an artistic score, and costumes and sets that make you want to live in them.
There's even an uplifting score and beautiful mountain scenery.
How can people give this a low score and still go and see Titanic without a guilty conscience I do not know.
There's no sex whatsoever until the very end of the 45 minute film, but the score is cheesy-trippy and the plot's not a total bore.
The score by Richard Whiting and Johnny Mercer has a number of other gems, however, including the charming "I'm Like a Fish Out of Water," and "Silhouetted in the Moonlight."
I truly regret ever having delivered any 10s to some very few films, because then I must score this one with 12 or 13, which is not possible.
The musical score, cinematography and sound are absolutely stunning as you might expect from an Imax production.
A beautiful score from Badalamenti, exquisite photography of rural life (love those aerial corn-field shots), and a sly director's hand that reveals man's basic humanity, this is a beautiful slice of life film.
Stunning black & white cinematography from Conrand Hall, excellent country - road music score from Quincy Jones, amazing performances in two principal roles from Robert Blake and Scott Wilson and first time in a movie a sad comment about capital punishment at the last moments before their deaths.
Gianni Ferrio's funky score hits the get-down groovy spot.
It's nearly a silent, relying mostly on its miraculous images, and also its fantastic, symphonic score by Giuseppe Becce.
The flavorsome, harmonic score by Pray for Rain likewise hits the spot.
Another necessary ingredient of a superior giallo is a catchy, hummable score, and Bruno Nicolai provides one for this film that should stay with you for days.
This is pure Hitchcock with an 80's dash of lurid perversion, an affectionately told tale of lust and murder with plenty of twists, huge helpings of style, a stunning Pino Donaggio score, and a trashy, giallo-inspired plot.
Full of light hearted joy, its impossible not to give this the highest score.
Fabulous ladies in fabulous outfits in wonderful settings and the whole thing constantly on the move and accompanied by a wonderful Bruno Nicolai score.
Along with the leads, Donald Crisp and George Brent give fine supporting performances, and Max Steiner's score is one of the best of its era.
I think that score's fair.
Writer/director Ruben Galindo, Jr. trots out all the expected endearingly hokey 80's teen fright feature clichés: we've got a couple of false scares, a corny lovey dovey montage set to infectiously bouncy 80's rock music, a generic spooky'n'shuddery ominous score by Pedro Plascencia Salinas, a tasteful make-out scene, and even the always amusing psycho in the back seat of a car bit.
fun, fun, fun; well made in every detail; fantastic score, beautiful photography, story with twists, lots of action, fun actors - having fun doing the movie and being fun to watch, this western comedy is a delight.
While this is definitely a better than average film, no sane person could say it deserves a score akin to that of GONE WITH THE WIND or THE GODFATHER.
The sound track is to die for, especially since it is an original score.
Brilliant music score by Alan Rawsthorne is available on CD through Amazon.com on a collection called Rawsthorne:Film Music.
Effective score.
My score: 4/10.
The score works beautifully with the plot.
But, I gave this one an "8" score for one very good reason: It accomplished what it set out to do, and it did leave me happy that I'd watched it.
The previews made it look significantly more coherent and put together, but the plot lines in this movie are all over the place, and the weak music score does little to tie it all together.
The score for the movie is merely adequate, as is the entire movie itself.
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