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Score in sentence

1768 examples of Score in a sentence

Just think about the terrific "Duelling banjos" musical score and, of course, the unforgettable homosexual "squeal like a pig" rape scene.
Both Curtis Clark's agile cinematography and J.A.C. Redford's shivery, skin-crawling score greatly enhance the considerable claustrophobic tension.
I was also fascinated hearing Grover Washington Jr.'s version of "Ain't No Sunshine" heard as part of the score.
Sammy Davis Jnr,has a cameo as himself who amusingly croons the national anthem of Parador as well as Begin the Beguine, Frog Number one(Fernando Rey pops up as a kindly servant, Charo is also on hand as A busty maid, The score by Maurice Jarre,is excellent.
It even has the SAME EXACT score of Monty Python and the Holy Grail.
After reading the comments to this movie and seeing the mixed reviews, I decided that I would add my ten cents worth to say I thought the film was excellent, not only in the visual beauty, the writing, music score, acting, and directing, but in putting across the story of Joseph Smith and the road he traveled through life of hardship and persecution for believing in God the way he felt and knew to be his path.
Finally, Carpenter's hauntingly masterful score adds to the tension.
don't let the kids watch) The film is TOTALLY 70's full of bad clothes(polyester suits and tacky ascots) and decor, bad hair,over bloated music score, and familiar looking cinematography.
Secondly, the score is very effective at simultaneously pulling us into the story and the fantasy world in which it takes place and pushing the story along, while creating just the right amount of awe and excitement necessary to make the magic believable within the realm where the characters exist.
This movie also had a wounderfull score.
Rozsa's score is especially beautiful.
Jack Goga's ominous rattling score likewise does the trick.
This movie is well done on so many levels that I am in awe that the score is as low as it is (5.9/10(576 votes) as of this writing).
The main problem I see with this film is its score, which screams with every note, "This is a cheap-ass movie."
I'm on the positive side regarding this film but one thing really caught my attention as I watched: the beautiful and sensitive score written in a Coplandesque Americana style.
My surprise was great when I discovered the score to have been written by none other than John Williams himself.
And another recent score of his, for Catch Me if You Can, shows still more wit and sophistication.
The build up towards the typical mafia execution sequences (guided by an excellent Riz Ortolani score) are extremely tense and the actual killings are sadistic and merciless, which is probably why the film is considered to be somewhat of a grindhouse classic.
The film is based on Kipling's heroic lines that inspire Hollywood's biggest movie 1939.Out of the drumbeat rhythm of Kipling's most famous 85 lines rises a picture that will become known as the one great movie of the year.Big on the score of its armies in battle,its war elephants,its bandit hordes,its terror temples Thugs and mystic mountains of India .The picture is bigger still in its scope and sweep,is thrill and action but biggest biggest of all in the life breathes through three(Gary Grant,Victor McLagen and Douglas Fairbanks Jr) roaring,reckless,swaggering sons of the thundering gunfighters men who stride its mighty scenes in the flesh and blood of high adventure,it's a honest film of it all that makes Gunga Din a new experience in entertainment .Joan Fontaine gambled her against the valiant sergeants three.The romance between Fontaine and Fairbanks Jr aflame through dangerous days and nights of terror in a land where anything can happen.
In the second hour, an instrumental score takes over.
The score, though not bad, gave the film almost a music video feel.
Music score was too loud, and in some places drowned out the dialog completely.
The music score by James Horner was lovely, though I never was a huge fan of the song My Heart will Go On.
The best aspects of DM was the fast pace, witty scripts and of course the toe tapping score.
The acting is magnificent, the 70mm cinematography is gorgeous, the Oscar-nominated costumes and sets are stunning, and Patrick Doyle's score (also Oscar-nominated) is sensitive and moving.
This is a fine musical with a timeless score by one of my favorite composers (Gershwin) and a nice 'Parisien' atmosphere which gives the movie a lot of charm, but in terms of a story.. well it's not really there.
Kudos are also in order for Ray Parslow's crisp cinematography and the shuddery score by Michael Dress.
The same is true for The Informer, which is on occasion very dreadful indeed, and yet it boasts splendid photography, some fine acting, a wonderful score and a good, decent simple story.
While some of the lyrical songs are not so hot when recorded in English, the musical score is nevertheless captivating.
Jerry Van Rooyen's splendid score pulsates as the viewer is thrown from one bizarre scenario to another as we follow the trials of a striptease artist (Reynaud) who may be schizophrenic, or may indeed (as one mysterious character states) be a devil, attempt to come to terms with the world she inhabits.
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