Roles
in sentence
1991 examples of Roles in a sentence
Judge Reinhold, John Ashton, Ronny Cox, and Paul Reiser all reprise their
roles
from the first film along with Murphy.
Penelope Keith CBE OBE is better remembered for her
roles
as Audrey Fforbes-Hamilton in "To the Manor Born" and "The Good Life" as Marjery Ledbetter.
For Robert Wagner fans, I would say this is one of his better roles...Especially if you measure his performance by hotness, as well as acting and character likability.
Paltrow and Foch also were effective in their
roles.
All of the actors did a fantastic job in their
roles!
OK so its not the best vampire flick ever made ( the lost boys, was better) but its pure fun - Did you honestly think any of the actors would take there
roles
that seriously in a tales from the crypt movie?? Angie Everhart is great as the wise cracking vamp and Erika Eleniak is not much different from her bay-watch character, so you can kind of get the idea what its going to be like - go in open minded and just go with the flow.
Una Merkel made herself into a star by playing secondary
roles
such as Kitty Kelly in The Merry Widow with Land Tuner and the housekeeper in Rich, Young, and Rretty, again, with Jane Powell.
Kelly Brown appeared in the movie Oklahoma and Seven Brides for Seven Browthers as one of town-folks line-dancer, but if you were a dancer you knew who he was, and Tommy Noonan made himself into a star by playing secondary
roles
such as Marily Monores dim-witted husband to be in Gentlemen Prefer Blondes, but his best role was as the gum-chewing Pianist in A Star is Born with Judy Garland.
Kurosawa uses the actors that he uses in so many classic movies - Toshiro Mifune (a breakout role for Mifune, who had been typecast as a yakuza in his movie
roles
thus far), Takashi Shumura (Detective Sato) and the first movie appearance for Minoru Chiaki.
Its supporting
roles
are also weird and unconvincing.
As they eat, the characters find themselves shifting
roles
- those under siege take over the siege, those who staged the siege want out - and everyone wants to exploit their 15 minutes of fame.
1950s crime thriller 'The Big Combo' has some good points: some nice acting in the minor
roles
(Lee van Cleef's performance among them), an interestingly sympathetic portrayal of some of the lesser villains, and a lively, entertaining pace.
The actors playing the main
roles
tried hard but Charles came out looking like a social misfit (seemingly the only woman who took to him, according to this film, were Lady Diana and Camilla--actually he had serious relationships).
This is puzzling inasmuch as he was a good-looking fellow with a fine voice and real acting talent but perhaps the cold, cynical nature of his two major
roles
kept audiences from warming to him.
This is a breakthrough movie for him, and shows a range far exceeding my expectations Dakota Fanning gives a remarkable performance (I want to see her in other roles).
While Garai occupies the center of the film, some of the other players shine in their roles, especially the always entertaining (and perpetually unclothed, yes, she's naked again here!)
Andre Gregory and Wallace Shawn, apparently playing themselves in the two leading
roles
in which for almost two hours they sit in a restaurant and engage in a completely believable conversation ranging from the surreal to the social to the metaphysical also write the film.
The garishly Technicolor film marked Crawford's highly trumpeted return to MGM after she was unceremoniously pushed out in the early 1940's only to make a comeback at Warner Brothers in a series of meaty
roles
in classic films like "Mildred Pierce" and "Humoresque" and prove she had the chops to handle older
roles.
This movie would be well viewed by Samurai film aficionados and people interested in gender
roles
in cinema.
As much as I liked the film, I do believe the two leads should have flipped
roles
to make this even more effective.
However darkness cannot hide the film's defects.The film maker has surely not done his homework well due to which viewers are forced to watch a crude succession of abominably cruel scenes in which women are traded like cattle.Most of the actors too suffer in this film as their
roles
have not been defined properly.Recommendation:better watch this film and be bitter about it rather than being sullen without having seen it.
( both Zouganelis and Boulas in the leading
roles
are very much worth being noticed)
She alone gives her role any gravitas at all; the other characters (particularly the female offspring) have clearly trained for their
roles
by watching crappy American reality TV shows.
Yul Brynner and Kirk Douglas bring intensity to their
roles.
Tierney & Brody give wonderful performances in each of their
roles
and the direction is almost spotless.
I'm a big fan of Jack Lemmon's dramatic
roles
but not this one.
Peck and Jourdan are totally wrong for their
roles.
The supporting
roles
are delightful.
As much as I was surprised by Christian Slater I felt the exact opposite about Elisha Cuthbert, how she continues to get
roles
amazes me, I guess there are directors and producers that are just so mesmerized by they way she looks that they are fooled into thinking she is anything but god awful.
The rest of the cast perfectly executes their
roles.
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