Roads
in sentence
770 examples of Roads in a sentence
Zombies starts with the breaking news that the unidentified disease that is spreading across America leaves the sufferer with homicidal & cannibalistic tendencies... Travis Fontaine (C.S. Munro) & his teenage daughter Jenna (Bonny Giroux) listen to the radio as they drive along the isolated backwoods
roads
to try & escape the disease when Travis runs over a guy who I assume is meant to be a zombie.
A teenage girl walks the back
roads
looking for her sister and no one offers to help her -- despite an obvious limp and lack of food or water (no backpack, etc.).
Did anyone else notice whenever they are in the car each time the camera takes a new angle they switch
roads.
After Dark, My Sweet is a great, modern noir, filled with seedy characters, dirt roads, and, of course, sweaty characters.
By 1984, African Americans had made some in
roads
into Minneapolis, and, thus, they established a firmly embedded culture of their own as well!!
You don't have to be a movie buff to love it, to live with it, to smile and sigh at it, to follow the good-hearted young Doctor Benjamin (first role in a Danelia film of famous singer and actor Wachtang Kikabidze with whom Danelia would go on to make two more films including one of my all time favorites, Mimino) on his journey through the
roads
and mountains of Georgia.
Hotel Du Nord is a gripping drama of guilt in which Marcel Carne portrayed an entertaining tale of ill-fated love which also functions as a revolt against the cruel world.The film is based entirely on a pair of hapless lovers.Pierre and Renee were mistaken when they believed that suicide would put an end to their misery.Hotel Du Nord has its own inimitable charm as its inhabitants have become an essential part of the establishment.There is an element of togetherness as everyone flocks to Hotel Du Nord to eat,chat etc.Marcel Carne has remained true to the spirit of the films produced in 30s and 40s as Hotel Du Nord has a certain kind of nostalgic feel.Carne,while recreating the life of Parisian
roads
was able to create a sort of nostalgia for black and white giving a unique genre of poetic realism to his oeuvre.Hotel Du Nord can be termed as a quintessence of cinematographic populism.The 14th July ball scene on the banks of Saint Martin canal remains a magnificent sequence.The film's immense popularity can be judged from the fact that Hotel Du Nord has been declared as a national monument.
If he is the one who is going to get the university scholarship, because his friends gave him precedence, his friends will also be able to get on their own
roads
and tracks and step out of the mining fate, thanks to the energy his inspiring example sets in front of their eyes.
The script of this sadly neglected crime gem funnily alters gritty action & suspense with light-headed bits of comedy, like the grotesque car chase through the narrow French mountain
roads
for example.
My feeling regarding this film is that it is not afraid to travel the darker
roads
of loneliness, failure, disappointment and sorrow.
Its heros are a couple of dud detectives whose sophomoric attitudes lead them down some very silly
roads.
James Taylor and Dennis Wilson portray two car fanatics on the
roads
of America racing their custom '55 Chevy.
There is an awful attention to detail and you can see today's Romania everywhere in the so called '89 era..., from the plastic chair in the train stations, signs, renovated roads, and even foreign cars.
There's nothing more exciting than seeing a slick Hollywood player like Sally Field getting down-and-dirty like she does in "Back
Roads"
.
This is why these boys fall into isolated
roads
of growth.
His deranged stepfather executes the sheriff that is going to arrest Thomas, and assumes his identity, wearing his clothes, driving his car though the
roads
in Texas and entitling himself as Sheriff Hoyt (R. Lee Ermey).
About the only people who will have any appreciation for this movie are homesick Vermonters...I grew up riding my bike on the same
roads
as Adam, so it was a hoot to see Marshfield & Barre from back in the day.
The story has many twists and turns and does keep you on the edge of your seats, watching fancy cars going crazy on narrow mountain
roads
with plenty of sharp turns.
The majority of this movie takes place in broad daylight, under clear skies, in a forest full of roads... Sure, not the best setting in which to derive "scares", yet there are some excellently perpetrated scenes involving ominous and jolting ghost encounters in a genuinely - and dare I say - refreshing way!
Back
Roads"
, a pointless movie which lacks direction and is void thematically, concerns a cross-country journey of discovery that is uninspired and uncovers little.
But this one absolutely killed me, bludgeoned me with a big fat dull fence post and left me by the side of one of the many long
roads
I'd watched the actors drive interminably and wordlessly down.
Then we would drive around those back
roads
full of trees and Spanish moss and eat an early dinner: fried cat fish, fried okra, rice, and whatever fresh thing they had that our small stomachs could contain.
And so up they go and down they go, the
roads
and the tramps, and all the other people in that village, uphill and downhill, upstage and downstage, upriver and downriver, up the strokes and down the strokes to paint and paint and paint reality till no one recognizes it or sees it.
A motley group of people are forced to seek shelter at a remote inn run by the snooty, sarcastic, but suave Amos Bradford (a perfectly unctuous George Zucco) because of a raging thunderstorm that has flooded out the bridge and the
roads
alike.
This is one of my personal favorites not just because it has a truly awesome car,The Tubo Interseptor,but it also has a cool almost Western like plot.The story starts with a bizarre spirit forming in the middle of a vacant Arizona road,he apparantly comes from outter space,along with his super-flashy car.This spirit or Wraith as he is referred to in the title is actually the avenging spirit of a murdered local kid back to take on the gang who killed him and that has been terrorizing the
roads
of Arizona.Charlie Sheen plays the Wraith and Sheryle Fenn plays his girl-friend who is being practically held captive by the leader of the same motor gang that killed Sheen's characterfrom the beginning.Naturally,The Wraith,or Jake as he is called when in human form,takes on these motor thugs one-on-one in some very cool and dizzying death races.In my humble opinion,the best part of this film is the soundtrack.With awesome hard rock from Ozzy,Billy Idol,Robert Palmer,Lion,Honey-moon suite and my personal fav Motley Crue.
I can totally identify with aging boomers, growing older, contemplating the
roads
not taken, the missteps, and the changing relationships with lifetime or oldtime friends
While driving on the Interstate Charlie decides to take a shortcut but finds out he should've listened to his girlfriend and just kept driving on the main
roads.
Horrifying image.. Secondly, we do have roads, security cameras where the traffic is intense, internet, cable TV, cars.. like in which junkyard did they find those heaps?
The film just doesn't stop attempting to prepare us for tension and excitement and building up these encounters and situations before resulting in a huge anti-climax and more stretched out, aimless
roads
to nowhere.
A group of five close friends are heading through the back
roads
of Texas on the way to their grandfather's vandalised grave.
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