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Remote in sentence

1023 examples of Remote in a sentence

Set in a remote Union outpost for captured confederate prisoners during the Civil War, Sturges set out to give the story an authentic look so he filmed in the stunning locations of Death Valley and in and around the New Mexico Badlands.
Even so, you'll have to endure some pretty stiff acting from then newcomer Forrest Tucker in the lead role of Jerry Barton, a pilot who's half of a team that's developed a remote control device for guiding aircraft.
The concept of a macho hunter obsessed with the combat-to-the-death against an invincible animal predator, taking place on a remote and inescapable island, is undeniably intriguing and potentially very suspenseful.
Director/co-writer Joe D'Amato makes inspired use of the remote lush tropical setting, expertly creates and sustains a strong mood of pure flesh-crawling dread, and handles the extremely disgusting gore set pieces with lip-smacking nasty brio.
A bunch of looser marines are sent to a remote island to diffuse it of bombs.
The same was true with Klaus Kinski because his performance was too remote and did not narrate the story all the way through.
U.S. government worker Jim Farrell (John Ashley) is going to a remote island to help the natives build houses and irrigation ditches.
This is one of the films which cause my wife to hide my remote from me, so that she doesn't have to endure any more of my weird movie selections.
A group of young person's at a remote campsite are picked off, one by one, by a deranged maniac inhabiting the dark woods.
A group of American students travel to a remote part of Serbia to witness an ancient pre-Christian ritual.
She tracks down the property and moves into the house, in a small remote area close to a little town.
KING OF THE ZOMBIES begins with a three-man airplane crew making an emergency landing on a remote island.
This movie was almost unwatchable... the only thing that keeps you from banging your head against the remote is that you want to see the "were-crocodile" for the laugh itself....
This is about a girl who takes a job as a forest ranger up in some remote area.
"Bad Day at Black Rock" director John Sturges' first period horse opera, "Escape from Fort Bravo," takes place during American Civil War at a remote cavalry stockade doubling as a Confederate prisoner-of-war camp.
Seven years later we witness a group of friends getting ready to spend a weekend at a remote cabin in the mountains.
A group of researchers travel to a remote island of the English coast to investigate the brutal murders of three Americans.
The paramedics David Vaughn (Johnny Messner) and Victor (Jon Huertas) receive an emergency call from the girl Libby (Saige Ryan Campbell) in a remote gas station.
It has the feel and tone of the kind of made for television movie you might watch out of sheer boredom and exhaustion on a Sunday afternoon when you're too tired either to locate the remote or to fire a bullet at the television screen.
And the "Deleverence/Straw Dogs"-esquire story about an English couple vacationing at their friends house in a remote part of Spain where they find a poor child locked away in chains and have to face the wraith of local villagers, started off well enough.
I had to press the return function of the remote control when I believed to hear that Paul Gégauff, main actor and writer of the novel which is the base of Chabrols "Une partie de plaisir", says about his wife: "She sides with Korzybski who claims to refuse Aristote, but she hasn't read either one".
My finger itched for the FF button on my remote from the movie's very first scene.
Charle (Rob Lowe's affably boyish younger brother Chad) and Rachel (delectable blonde hottie Kristy Swanson, who originated the part of everyone's favorite bloodsucker-stomping high school cheerleader in the flop movie "Buffy the Vampire Slayer") are a sweetly pure and innocent young couple who make the usual mistake of driving down a remote desert dirt road.
I'd say half of the movie is Hollywood fiction, and the other half could be a remote possibility- only because I believe that the Earth's magnetic poles have shifted, in the distant past.
Smelling the biggest deal of their career, Jim, Sara and their two children pay a visit to the mansion, located on a remote bayou.
What's less so is Herman Raucher's painfully expository dialogue ("Bobbie Lee, you know the Rural Electrification Project doesn't provide power to remote areas!"), the cast's excruciating Southern accents (all bad, but not even uniformly so)and the teenagers' Gone With the Wind diction.
Alex is attacked and savaged by the animal, and made permanently lame as a consequence, and his offer of a ten thousand dollar reward for the beast if captured unharmed is soon claimed by successful Siamese beaters, following which the hunter keeps the caged mankiller at his remote palatial home while preparing for a rematch.
The film is littered with moments wherein the music reaches such a pitch that we cannot but feel for these ostensibly detached and remote characters, and therein lies Reygadas skill.
A commercial airliner crashes in a remote Amazon jungle.
Granted, there are some very weak sections, e.g. the Matthau, but I laughed even as this absurd chapter came to a close...it's a product of an era when not only sex, but laughter and freedom, were celebrated and must be seen in that mindset...this is a movie that people who write certain modern movie guidebooks will never, ever, ever understand...for the simple reason that, in this era, as prurience increases, thus does narrowmindedness, so that we come to forget completely the now remote atmosphere in which such a film could be made.
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