Remote
in sentence
1023 examples of Remote in a sentence
After fighting over the remote, Timon and Pumbaa decide to tell the audience "their story".
Hearing his smarmy lisp and salacious comments made my
remote
tremble with outrage.
The following day director-actor Clausen traveled to the
remote
Town of MAMERS, Pays de Loire, for a provincial festival of new European cinema, where "Villa Paranoia" picked up three more prizes -- Best film, Professional Jury; Best Film, Audience prize; and Best film of another youth jury composed of "lycéens", French high school students.
The individual band members go their separate ways and uncomfortably settle into lackluster middle age in the dull and uneventful 90's: morose keyboardist Stephen Rea winds up penniless and down on his luck, vain, neurotic, pretentious lead singer Bill Nighy tries (and fails) to pursue a floundering solo career, paranoid drummer Timothy Spall resides in obscurity on a
remote
farm so he can avoid paying a hefty back taxes debt, and surly bass player Jimmy Nail installs roofs for a living.
Soon, the Enterprise is headed for the remote, forbidden planet of Talos IV.
The tourist season has just ended on a
remote
island off the coast of Scotland, winter is beginning to set in and the inhabitants, both humans and sheep alike are settling down to much quieter times ahead.
Best-selling horror novelist Cheryl (a solid and sympathetic performance by the lovely Virginia Bryant), her husband Tom (the likable Paolo Serra), and their son Bobby (nicely played by Patrizio Vinci) go to a
remote
castle located in the countryside for summer vacation.
Imagine turning out the lights in your
remote
farmhouse on a cold night, and then going to bed.
Since all the local hotels are booked solid, the three lovely ladies are forced to seek room and board at a swanky, but foreboding
remote
mansion owned by freaky Ernest Keller (deliciously played to geeky perfection by the late, great Sydney Lassick) and his meek sister Virginia (a solid Lelia Goldoni).
If the 700 Club offends you, I suggest reaching for the
remote
control and turning the channel on your TV set.
Engrossing drama of four men on a canoing weekend down a
remote
river.
See for example the opening scenes, with the
remote
village in the Serbian mountains, with the low-tech devices that defend the integrity and way of life of the inhabitants, the nostalgia for the good days of the Communist rule, and the awakening of the young brat watching his nude teacher at the sounds of the Soviet hymn.
Stoic and laconic soldier Sergeant Todd (a fine and credible performance by the ever reliable Kurt Russell) gets dumped on a desolate
remote
planet after he's deemed obsolete by ruthless and arrogant Colonel Mekum (deliciously played to the slimy hilt by Jason Isaacs), who has Todd and his fellow soldiers replaced with a new advanced breed of genetically engineered combatants.
Reportedy based on actual historical events, this disturbingly violent, bloody, and shocking period epic sustains viewer interest by creating a verisimilitude missing in the majority of films set in a
remote
era.
In their search for a place to stay, the trio runs into the exaggeratedly friendly but suspicious museum curator Ernest Keller who invites the girls to stay at his
remote
countryside mansion.
The real story (took place in Kansas in 1959) of a murder (Perry and Dick, two ex-convicts who broke into a
remote
house on a rainy night to steal and kill everyone they met).
Mercenary for Justice starts as corrupt CIA agent John Dresham (Luke Goss) & all round bad guy Anthony Chapel (Roger Guenveur Smith) arrange the kidnapping of the French Ambassador in a
remote
African island using hard as nails Gulf war veteran John Seeger (co-executive producer & uncredited co-writer Steven Seagal) & some of his mates as cover, plausible deniability & all that apparently.
This movie was deserves to be buried in a forest, somewhere in the
remote
mountains of Canton.
Voyager would be stranded in a
remote
sector of space unknown to mankind, truly exploring the unseen while looking for a way back.
Ironically my favorite episode (along with a 3-part story I shouldn't mention; it wasn't based on a book) of which I've seen was one of these, "Click" - I doubt it was meant to be scary, but it did make me laugh expecting that the boy who exploited a space- and time-controlling
remote
could so easily be punished!
Seems that there's a rich American developer that wants to build a hotel on a
remote
island, and he hires a guy with a boat to take him and his recent acquisition (Laura Gemser) to this place.
This movie about a guy who moves into an apartment where he slowly gets murderous after a dinner of rather potent 'wine' and 'yogurt' starts off extremely slow and will leave you searching for the remote, but about a half hour in it gets slightly interesting.
Sol Svanetij (Salt for Svanetia) was made in 1929 about a
remote
Ukraine primitive Northern isolated area of the Ukraine where the people are poor, preyed upon and severely lack salt (animals lick blood, urine to find the precious commodity).
I realize that the military isn't all heroes and has a lot of wasted time, money and attracts a lot of real pigs and bullies too, but these men were located in a civilized country in the middle of Europe, not in some
remote
third world environs.
Two young girls, surprisingly cute-looking and sympathetic, are picked up by bored rednecks and brought to a
remote
place where they get raped and beaten for hours!
I truly wish it would get issued on DVD but I realize the chances of this are
remote.
Written and directed by Chuan Lu from China and sponsored in part by National Geographic the film was distributed as 'travel/foreign places/environmental issues' product, and while it satisfies those designations, it resonates as a story that is not only based on fact, but one that opens our eyes to another way of life in a very
remote
area.
Then a woman who buys it becomes ill, and when the dress is hanging out to dry after washing (apparently she barfed on it) it blows away and ends up in the hands of a young woman who lives with an eccentric painter, who is then set upon by a deranged ticket taker from a train, a bus driver, and then gives up the dress to send to Africa, but it's of course snagged by someone else who cleans it up, trims it a bit, and it ends up on this young lady who also ends up on this train with the deranged ticket taker, who then stalks her to her
remote
home while her parents are away, etc. etc.
Rafe traces Caleb to a
remote
whorehouse on the edge of town that's disguised as a mortuary and populated by luscious lady vampires led by the evil and alluring Madam Lilith (ravishing redhead Angie Everhart having a whale of a wicked time).
An evil lethal bright orange yellow fireball comes to earth and goes on a rampage in a
remote
lakeside area; the flaming thing rolls over various hapless folks and reduces them to ashes.
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