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Relatively in sentence

2521 examples of Relatively in a sentence

After the railway journey she is seen alighting in a supposedly war-torn, yet oddly blimp-free and undamaged London from a post-war (indeed relatively modern) London bus.
"A Taste of Blood" (1970) is a relatively goreless rarity for Herschell Gordon Lewis, aka "The Wizard of Gore."
There were a couple of relatively decent scenes (Heat Miser -- Snow Miser, and Snow in South Town.)
Well, even though it was relatively early in his career, he had plenty of charisma and star status that it just didn't make sense having him play second to Edward Arnold--who played an annoying and ridiculous version of the life of Jim Fisk.
Conan Doyle's original novella - often regarded as one of the finest detective stories ever written - is a pretty straightforward affair, one which would seem relatively a breeze to adapt for the screen.
The Alison in the book was a shy, quiet, gawky teen - this Alison is relatively confident and beautiful.
In fact, the central thriller is downplayed compared to the book and this is not necessarily a bad thing, as that part of the story is relatively one-dimensional (in the way that thrillers often are), whereas it's the hinterland of this tale that is more ambiguous and interesting.
"Widow..." is more about integrity, honor, love, and other intangibles than it is about its relatively simple storyline and the characters involved.
The supporting cast is even better, with Breckin Meyer, Lacey Chabert, Archer, and especially Robert Forster and Douglas, adding nice animation to a relatively routine script.
The only relatively interesting scene was when Hope and her boyfriend hook up.
I'm not sure why many had loathed Paul Harris' relatively recent meteoric rise.
In 1934, the major studios all agreed to abide by the dictates of a stronger Production Code--eliminating sex, nudity, cursing and "inappropriate" plots in films (these had actually been relatively common in films in the early 30s).
What started out as enticing, quickly became boring and relatively unbelievable.
The movie was a hit and made Bronson a star relatively late in his career.
Visually the film is very well made: In the first 9 minutes we just watch Neville driving through LA and as a prime example of showing vs. telling without any dialogue we begin to understand what has happened so that the following flashback really is unnecessary and relatively crude for such a well made and well written film.
It is stable, a first for the Federation The Cardassians and Bajor were both relatively young races for Star Trek, but both were interesting and had so much room for development.
The first is it's one of Chaplin's first films where he plays a relatively straight role throughout the film, and the second reason is it contains perhaps his first real attempt at pathos in his films: He draws a smiley face on the bar room floor of the girl who left him.
The movie suggests that the Army was a relatively nice place to be, as Dan Forester (the rich boy) says: "I like the Army more and more each day."
Christopher Lloyd takes a relatively low-key approach to his role and does well for it, allowing for Lithgow's extravagance.
(Ravi K Chandran should already have a few lifetime achievement awards at his relatively young age.)
Story was relatively boring.
The only people who come out relatively unscathed are the traditionally camped-up hammer-horror-style bad guys and Ewan McGregor's continuing pastiche of Alec Guinness.
Surprisingly fresh for a relatively unknown director , perhaps , the best ultra-real action film of the year , 1000% better then self-proclaimed pure action like Wanted !A story of an abduction of the US president , played by great W. Hurt, is somehow reminiscent of the following genre of macabre war thrillers : The Domino Principle , The Parallax View , Enemy of the State , except that it is told from different perspectives, thus the title !
Though the film's storyline is nothing new, the sheer reality of the drama, the wonderful performances Holland wrests from some relatively unknown actors, and Otto's tour-de-force makes this film eminently worthy.
Never thought I would place any Robert Mitchum or Teresa Wright (despite her relatively minor role) movie on my not-to-watch-again list of older movies, but that's where this film goes.
It wasn't until after I saw the movie on Channel 4 tonight that I found out something relatively important and that is that the source novel by Emile Zola was set in 19th century France and not sometime 20th century Yorkshire .
I say 20th century Yorkshire but I am very confused as to the time period because characters wear relatively modern clothes , have electricity and have access to tractors but often cut wheat with scythes .
You can buy it relatively cheap at Video/DVD markets (5-10 Euro).
The plot is relatively simple, but small exchanges between the characters that seem irrelevant bring a great deal of humanity to the film.
Part of the appeal of 3-D is that can lift a relatively boring movie to more than it should be.
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