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Relationship in sentence

4215 examples of Relationship in a sentence

Now, Lorelai and Rory have a relationship that many mothers and daughters envy.
It also deals with his relationship with various members of his company, especially with his dresser.
It is about Rory and Lorelai's relationship.
Instead of the classic mother-daughter relationship it is a story of the best friend relationship-- about a mother and daughter.
but i love how Luke and Lorelei's relationship is finally shaping up.
The musical interludes, inspired by Grace Chang, are perplexing but welcome mile-markers that add new dimensions to the slowly evolving relationship between the young man upstairs and the woman downstairs.
The subject matter of this film is potentially depressing: a man about thirty, with no job, little education, three kids from a failed relationship, living in his parents' house, but with a dream of directing feature films.
They live together but are both having doubts about their relationship.
The other relationship between Hanna & El-masy is yet another "layer" of the movie which is totally enchanting (and heart-rending).
The real estate agent who has an erotic relationship with his listings is loads of fun.
I dunno, maybe it's like a bad relationship I can't get out of or just a ridiculous guilty pleasure.
Since he had plenty of failed relationship with other woman, while he's married.
I only hope that some way they go back to the Cassie relationship next season (if there is a next season??) i would like to see her come back into their "supernatural" lives especially Dean's.
When i watched it, I didn't know particularly what it was about, i knew it was about some type of forbidden relationship, but other then that I was clueless, and as I began to see what was taking place between these two wonderfully depicted characters, i was in shock, disbelief, confusion and surprise.
Blind to their love, to their intimacy, to their connection, to their pureness as human beings, to their relationship.
The second time I watched this film, I opened those eyes of mine that had stayed closed the first time, and really looked, not at the type of taboo relationship part that I'd heard about all my life, but simply at two human beings in love.
She is a bit of a loner and has never had a serious relationship, insisting that she is "waiting" for the right person.
But the real controversy is not the subject matter but the fact that Paul and Michelle's love is presented as a natural and healthy relationship.
I especially like the relationship between Rainbow and Darian and find it very amusing.
Whether it's long involved ensemble scenes with the camera whizzing around a mah-jong table or entire weeks confined to a single shot between two other scenes, dialog from the scenes before and after bleeding over them, Park doesn't keep to a specifically structured style but focuses more on telling the entire story of a couple's relationship from virginal remove through utter codependence to utter self-annihilation--and uses vampirism as the link and priestliness as the drama.
They used to be friends in the old days but now their relationship is strained because one of the women has become a successful moneylender and the other two owe her.
Natalie Portman is absolutely fantastic as the daughter in this lovely mother-daughter relationship film.
The woman wants out of the relationship, and the man wants an explanation.
You see him having a loving relationship with his grandmother as well as trying to find companionship, but of course we witness the side of him that everyone remembers.
Society demands some role playing, but what happens when that extends to the parent-child relationship?
There are some nice little sub-plots, particularly the relationship that develops between the character played by former Conan sidekick Andy Richter.
Easily one of my favourite dramatic TV films, in many ways beautiful yet sad, heart-warming and thought-provoking, this is a superb dramatisation of a few years in the life of C.S. Lewis and his relationship with Joy Davidman.
It is also a film about two men's relationship to each other (also unusual - not a 'buddy film', no homosexual tension, no ego/phallic competition).
Ms Audran, not here the ice maiden but a drunken mother, Donald Pleasence does a cameo as a child molester, David Hemmings has his eyes on underage sex and the central theme involves the relationship between a brother, sister and niece.
Two women progressively find themselves ensnared in each other's arms (as corny as the expression sounds, that is exactly what happens) and fins that they cannot answer their own question as to what defines their relationship when their very own society has no name to what they are.
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