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Relationship in sentence

4215 examples of Relationship in a sentence

The story focuses on his relationships with females throughout his life, and in particular, his relationship with Martha (Gene Tierney).
A horrible mish mash of predictable story lines and toe-bendingly poor delivered PC clichés ad nauseam (races working together, the heroine being smart as well pretty, a guy sacrificing himself to save another life, a father/daughter relationship etc etc etc).
Why not develop Erica and the cop's relationship slowly and convincingly?
Maybe contrast Eric's metamorphis by including some other post-event facet, relationship, etc., in her life that she now rejects?
Turns out A is wrong, although I don;t know about B. I will bet she attended boarding school, though, and had a rather terrible same-sex relationship of SOME kind.
Come on, at least you could let them develop their relationship a bit first.
Dull characters, poor acting (artificial emotion), weak story, slow pace, and most important to this films flawed existence-no one cares about the overly dramatic relationship.
But the idea behind it is sound: an attempt to open America's eyes to the cozy relationship between the government, and the journalists that are supposed to be keeping an eye out against it.
I've been OK, but I feel like our relationship isn't the same anymore and we're growing apart.
For the first fifteen minutes the story of NAKED FAME is interesting: two late thirties male porn stars in a seemingly healthy relationship decide to leave the Porn industry and try for the world of singing and acting.
"Dead Calm" provided well drawn characters to root for in the form of Sam Neil and Nicole Kidman's grieving parents attempting to re-define their relationship on an ocean cruise.
To enjoy this movie I recommend to concentrate on the paternal relationship between the characters of Vince Edwards and David Mendenhall.
The relationship between the Bad Girl (usually a Latina-- even in the great "Duck Soup" [1933]) and the 'heroine' Polly Ann Young, a Loretta Young look-alike (hey! it's her sister!)
We don't believe her relationship with David Krumholtz's character for one minute and the way she is brought back into play after the one-hour mark is particularly pitiful.
For a start, in concentrating on the relationship between Gabriel (McFadyen) and his family, it utterly fails to show how he has managed to hold so much influence on the community.
Even at this full (?) running time, figures appear and disappear with alarming suddenness: the Deborah character is fleetingly established in child form, a cold and unattainable 'trophy' female, not even hinting at the gravity with which she will re-establish her relationship with a post-prison Noodles, the said re-union henceforth rings completely false.
Writer-director Stephan Elliott follows every potentially mean-spirited moment with a little humor and sympathy, but there are puzzling gaps in his narrative, a dire subplot about a gay man's relationship with his ex-wife and estranged pre-teen son (both of whom are comfortable--and the child wise--with his lifestyle), and a third act with no energy whatsoever.
None appear to have a true relationship, family or otherwise, with another.
His best friends Joseph and Domino are not much more, their relationship based on sex (this film perhaps gives new meaning to the phrase "gratuitous sex"); Domino and Pharaon's mother are the two characters who display some emotion, but not much.
The entirety of the film's watchable value is garnered through modest suspense over whether and when the partners' family members will say something discouraging about their lesbian relationship.
A girl who has an imaginary boy/friend that gives up a relationship with a real one because her imagination is jealous....but i think it figures...she takes after her parents who also have some mental issues...plus the character who is supposed to be I think the laughing stock of it, the thing that should make you laugh, cal's room mate is a serious nut case and just makes me feel sorry for him...and the whole movie
In between, their relationship is now solely constructed of uncertain acting, asinine dialogue and half-hearted slapstick.
So much great chemistry between Kristen Scott-Thomas and Harrison Ford, but every time the story about their relationship began to gather momentum the script cut away and dealt with some irrelevant sub-plot that did nothing to advance the story.
I do not feel that it had much of a storyline, the characters were not likable and the relationship between the characters was dysfunctional at best, and the ending only made me dislike the movie more.
The progression of their relationship is erratically presented and this, coupled with choppy editing, leads the viewer to be less than assured as to what is transpiring, motivation being almost completely ignored in the writing.
More controlled direction would have allowed the performers, even the limp Wagner, to scale their acting along the lines of an engaging relationship; as it was released, there is, for the most part, an immense lack of commitment.
One new development is an apparent romantic relationship between Scotty and Uhura and suffice it to say one does not exactly sense flames of passion burning between the two.
Add a love story too and a tragic relationship between mother and daughter ending.
But when his brother (Brad Renfro) falls into a sultry - and dangerous - relationship with Annie (Fairuza Balk), the sister of a Viper, and his own girlfriend is brutally attacked, Leon and his gang are plunged into an all-out war to save his brother, his girl - and his neighborhood!"
He is not known to have caught his mother making love to another man, and is not known to have had an homosexual relationship with anybody, and he did not end up on skid row in Sydney.
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