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Relates in sentence

144 examples of Relates in a sentence

Before you watch any other Gregg Araki movies (such as the amazing "Mysterious Skin"), watch "Nowhere" because it relates to his other films and really gives you a good idea of his film-making style.
He relates the story of his life to her, seen in flashbacks.
Unfortunately being "average" as it relates to direct-to-video Teen Slashers does not make it "average" in quality.
The movie relates the story of a young man's rise in the criminal underworld in prohibition-era urban America.
I would like to say i cried for an hour at least on this movie, and not how my life relates to it, but on the actually movie and how bad I felt about their lives.
Director/co-writer Robert J. Rosenthal relates the amusingly silly story at a constant snappy pace, does a solid job of maintaining a light and breezy tone throughout, and tosses in an entertainingly nonstop barrage of admittedly dumb, but still funny lowbrow humor.
This film is a gimmick film that relates the same event through the eyes of eight different characters that each hold a piece of the puzzle.
In a flashback story, Roy Rogers relates how he obtained "My Pal Trigger".
The way Joe relates to the various characters, causing them to easily open the hearts and souls seems contrived today and perhaps seemed that way even in the late 40's, but I suspect Saroyan was not particularly interested in "realism".
Daniel Karslake is in fact a gay man so he relates to a lot of the issues that his subjects had to deal with.
One speaker is clearly an omniscient voice who helps put the story of the gladiators into historical perspective, providing facts and details to enlighten the modern viewer; the second narrator is one of the gladiators, Verus, who tells the viewer whatever is on his mind as it relates to his story.
It's basically an autobiographical look at the childhood of the writer, Mordecai Richler, as he relates the last days of his grandmother's life and his mother's devotion to her.
Director Stuart Gordon relates the absorbing story at a brisk pace, does an expert job of maintaining a tough, gritty tone throughout, and stages the thrilling action scenes with rip-roaring verve (the climactic jailbreak sequence in particular is quite tense and stirring).
I've heard recorded sermons and viewed most all other video material that relates to her story.
This film is not so much about a particular story or narrative as it is about analyzing, exploring, and creating a visual palette for ideas about traveling to and from the past, present, and future as it relates to our constant journey back and forth into our own psyches and our collective unconscious.
Joseph Sargent's able direction, working from a smart and provocative script by James Bridges, not only wrings plenty of tension from the arresting premise, but also relates said story in a taut, involving and above all convincing manner.
I believe this movie is edutainment in the purest sense: A fictional tale, which relates the utter brutality, beauty and social grace that were the Mayan people.
Writer/director Richard Tuggle relates the compellingly sordid plot at a gradual, yet steady pace, develops a good deal of tension, delivers a vivid and intriguing evocation of the seamy Big Easy red light district, and, most of all, offers a strong and provocative exploration of the extremely warped and disturbing aspects of severely aberrant male sexuality and perversity (for example, Block likes to handcuff woman while making love to them in order to have a sense of control).
Violent Cop is somewhat styled after the classics of the ultraviolent genre a la Clockwork Orange (SPOILER: the opening scene here closely relates to the infamous opening sequence from Kubrick's deviants' study).
The lone survivor, played by Thora (GHOST WORLD) Birch, relates her horrific tale as the movie unfolds to investigators, including a doctor (Embeth Davidtz) who follows Birch through her recovery and eventually takes her back down into the shelter.
This point relates to the character at the start of the film before she goes back to the past.
Director Paul McGuigan, working from a bold and sharp script by Johnny Ferguson, handles the dark and gritty material with tremendous bravura style, relates the arresting story at a snappy pace, laces the whole thing with plenty of wickedly funny black humor, and punctuates the gritty narrative with several jolting outbursts of raw, savage violence.
It doesn't attempt to glorify the War, it simply relates what happened to America's most decorated soldier based on his own story and actually staring him.
Director/co-writer Leigh Scott relates the absorbing premise at a steady, snappy pace, maintains an admirably serious tone throughout, and stages the thrilling action scenes with a reasonable amount of flair.
After Annie's husband John (John Alderton) dies of leukemia, Chris comes up with an idea that also relates to John's love of sunflowers, and expressing yourself (or whatever), to pose for a nude calendar.
It excellently portrays the world of the book as it relates to the story, with keen attention to the details of costume, the furniture, etc.
Another challenge relates to data.
Perhaps the most obvious balancing act relates to how much money is actually delivered to each citizen (or legal resident).
Privacy relates not only to who knows how much about us, but also to how we feel about it.
When people see an institution that relates to something that they feel passionate about failing so publicly to abide by simple rules, they lose faith not only in that institution, but also in the idea that good governance is achievable at all.
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