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Recognizable in sentence

161 examples of Recognizable in a sentence

This movie is a good example of where the directors names start to become adjectives, because the director follows the same theme in their own movies, to the point where they are recognizable and distinguishable, almost expected.
Violence is at minimum for even a Hammer film, but what we also get which is a trend at this time are films where there is no recognizable star power.
Burt Reynolds, Hal Needham and crew capitalized on the success of the first two Bandit movies, threw in some hot babes along with recognizable stars for a blast of a film.
Peter Cushing plays the doctor who needs bodies in this fine adaptation of the Burke and Hare grave robbing case.Donald Pleasance and George Rose are both excellent as the infamous grave robbers.The film is truly atmospheric-full of packed bars,foggy streets and deep shadows-and the performance by Peter Cushing is simply amazing-Cushing is probably one of the most recognizable faces in the horror genre.The film has an eerie cinematic style reminiscent more of films from the 1940's than 1959.The first half of Gilling's story moves extremely slow,but the second half has some gruesome murder scenes.A must-see for fans of British horror!
Anime is everywhere these days, even some of our most beloved American cartoon/comic characters have been revamped into something that are no longer recognizable and are adopting strange features that they are not supposed to have!
The misgivings continued through the credits when I saw a cast of names that, although recognizable, hardly signal quality in a motion picture.
The Great New Wonderful - a mixture of 5 stories in NYC set in Sept 2002 - a mix of comedy and angst- this low budget movie has several recognizable faces including Stephen Colbert,Edie Falco, Jim Gaffigan , Maggie Gyllenhal,Will Arnett & Olympia Dukakis- but the guys that stole the movie were the 2 Indian bodyguards that lived next to each other.This felt like an art-house movie- nothing wrong with art-house flicks I guess- but after awhile I get tired of the meloncholia and the intrusive soundtracks.This comes out on Tuesday and has the option of watching the movie either as one story or as 5 stories- while all 5 stories have some interesting moments- the best one is the bodygaurd arc.
Aside from the blatant attempt to cash in on the popularity of Arthurian legend (this story has nothing whatsoever to do with King Arthur, despite the use of some recognizable names), this movie is just plain terrible.
They seem to think that as long as you have a couple of recognizable faces in the film, it means that it is going to be box office gold.
Nikita squares this problem away just with the protagonist: a young punk (Anne Parillaud, in her most recognizable, near star-making performance) who kills a cop in the midst of a shoot-out is sentenced to life, but then sort of resurrected following the lead of a member of a covert spy organization, and given an ultimatum: become a spy/assassin, or die.
I like the choice of protagonist, a lesser-known actor surrounded by more recognizable peers, similar to Donnie Darko.
I'm very disappointed from this work of the Italian director Sergio Martino.We can't call this as a movie Also the Italian thrilling specialist writer Ernesto Gastaldi is hardy recognizable and it would be better for him to forget this text.
York comes closer to portraying a recognizable human being, but not close enough.
It's not that he does it better (although compared with most Hollywood releases, he really does it better), but that his work is instantly recognizable as unique, clearly identifiable, unlike anything we've seen before.
There are actually other recognizable people in this movie, I am not sure why they agreed to be in this.
It featured a number of Australian actors (that happens when you film the movie in Australia) but there were a few recognizable actors, such as Antonio "Hubba Hubba" Sabato Jr. and Joanna Cassidy.
Seeing it at the Chicago Film Festival, I noticed the gradual cessation of the audience's chuckles, so common among Americans viewing foreign films portraying experiences not immediately recognizable to them.
And so it was that the 1963 Hammer version totally ignored the original, and used the famous and popular '43 version (my Dad saw it while in the army and LOVED it) as its springboard, to do the typical "Hammer" thing of "different for the sake of different", crafting a film where every single frame screams "Hammer" (was there ever a studio where the finished product was SO uniquely recognizable?).
As I read the credits at the end, I was surprised there were 8 or so songs - none recognizable.
Serling's unsentimental script (based on Irving Wallace's book) includes intrigue and plot twists, and the amazing confluence of recognizable character actors under effective direction transcend the usual TV movie standards, making this one of the better TV movies I've ever seen.
The second chapter follows Alma (Salma Hayek, the only recognizable name from the cast) as a lovely ghetto girl who is torn by the absence of her fiance who is in America and the desires, needs and temptations of being young, lovely, and inexperienced.
The characters are written in such a way that they are not even recognizable as human, but rather just qualities.
At least not any recognized or recognizable language.
There are quite a few supporting actors who have made their niche over the years and are recognizable.
I wanted to see it first and foremost because it was filmed in Madrid, Spain (having lived there, some things were recognizable), and I am a fan of supernatural horror flicks.
Enzo Castellari's B movie "Quel maledetto treno blindato" is nowadays probably most recognizable because its English title "The Inglorious Bastards" inspired the title of Quentin Tarantino's 2009 movie.
There are way too many character flaws, plot inconsistencies, and easily recognizable props and footage from other movies included in "Stealth Fighter" to make it believable.
Now, I know that movie's always take artistic license, but this one just took too much; it wasn't even recognizable as the same story as the one I had just read.
The story line is minimal, with an overpowering message of "death to all aristocrats (capitalists)!" immediately recognizable to any student of French history.
Loosely based at best, with location and characters changed to the point where they are barely recognizable.
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