Realism
in sentence
502 examples of Realism in a sentence
The gist of the plot is that Forster's character wants to push the boundaries of
realism
in films, and while making a new film manipulates his cast and crew to perform unknowingly to his master plan.
Bad Boys is lock stock yank jock, typically missing the point of emotional shading and
realism
in movies of this fare.
Cop Gig Young and burlesque floozie Mala Powers go adulterous and the
realism
of the noir photography created on actual Chicago streets allow the viewer to be completely absorbed into their cheap backstreet world.
If you want to see an intelligent French gangster film, with pathos and a sense of
realism
get 'The beat that my heart skipped'.
I personally thought Mr. Thibault was an older gentleman, with more years of personal life experience to draw upon, as he was able to depict in his writing and directing, more
realism
then most big name writers and directors with "Major credits" show in their movies.
The
realism
in the show during the rescues really made you feel like you were there, and the combination of drama and comedy was handled really well.
It reminded me a bit of Pan's Labyrinth in that way, i.e. the way there is an 'adults world' and a 'child's world', although Pan's Labyrinth focuses more on childhood escapism, but 'Blame in Fidel' is more about childhood
realism.
The only redeeming value of the film is the high level of
realism
and social commentary that portrays an America torn apart by violence, class warfare, predjudice, and Hi-C.
"Tropical Malady" is a lush, beautifully directed love story from Thailand that uses magic
realism
to spin a tale derived from Eastern folk wisdom.
I can't stand movies that have no
realism.
Nonetheless, "Lamerica" will beg a strange fascination from those who find grizzled
realism
interesting.
realism
to the characters and sympathy.whoever
it is true that the plot balances on the old carpe diem type thing, but unlike every hollywood dungheap to tread this ground in the last 20 years, this film manages to do it with some grace, some originality, and with a large dash of
realism
amongst the severe surrealism.
Finally, a film which portrays autism with some
realism.
The story has a stark
realism
to it that makes one realize that things weren't that different almost seventy years ago.
In many ways it reminded me of a poorer version of the film THEY LIVE BY NIGHT, except that
realism
and believability were completely ignored.
It meandered pointlessly and unevenly with no hint of
realism.
although i appreciated a lot about it including great performances by silverstone (ah, those brits ...) and charlotte brittain (who as linda has the most hilarious and poignant mini-soliloquy from the point of view of a "fat girl" i have ever heard) and most of its
realism
including a great ending, i thought there were several elements which were rather contrived, including a "coming out to the entire school" scene which veered dangerously towards cheesiness.
The original 'Hills Have Eyes' was a genuine classic, was frightening because of its
realism.
The acting (even among the supporting cast) is top-notch, and the
realism
of the battlefield and of the characters make "War Stories" even more impressive.
It balanced the emotional content with
realism
and humour.
As with 98% of horror movies from the 90s to present this film is missing that "raw" video, which made horror movies in the 70s and 80s so scary, they felt real, it was the basic nature of them, the true to life scenarios and the film quality itself that gave it that gritty
realism.
The interplay between characters has also got a fresh kind of
realism
to it ala Ken Loach.
The quality script adeptly walks a line between mythologising and
realism
giving the film greater depth and intelligence than a lot of its kin.
It can hardly be compared to a British 'La Haine' because, unlike La Haine it is so lacking in aesthetic material, i.e. inspired cinematography, gritty realism, and a portrayal of philosophic ideas that it comes across more as a day time soap such as 'Doctors' (as British readers will agree).
Okay
realism
is something I truly look for in a horror film(along with characters and story structure), because it seems to me that if a horror film(of any kind) can in some way be portrayed very realistic to even a not so realistic situation than it has more potential to scare people like me.
Speaking of which a lot of stuff didn't really fit the atmosphere or
realism
of the film, plus some things(such as the buried alive thing) didn't really call for what they were doing to the scene, and all in all around the last 20 minutes kind of transcended into a very realistic horror film to almost a monster film.
There is close to nothing from real Tchaikovsky in this movie, just a glossed Stalinist version of the composer, the kind they indoctrinated in every music classroom to every youngster - that he was a progressive genius whose works fit socialist
realism
and Lenin's ideas about socialist culture very well.
Despite all the
realism
depicted in THE GREY ZONE amid the actual day to day operations of a Nazi prison camp, there's a certain stage quality in the dialog that serves as a reminder that you're watching the screen version of a stage play and not what should seem more like a true life documentary.
It is better than the best US movies, such as "Enemy of the State" due to the higher complexity and the high social
realism
which is more typical of European movies.
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