Racial
in sentence
558 examples of Racial in a sentence
She then assigned these works
racial
identities, basically saying to me that the work on the right, clearly, was made by a black artist, the work on the left, clearly, by a white artist, when, in effect, that was the opposite case: Bob Colescott, African-American artist; Leon Golub, a white artist.
I wanted to focus on activities that would help to alleviate poverty, fight disease, combat climate change, bridge the religious,
racial
and other divides that torment the world, but to do it in a way that would either use whatever particular skills we could put together in our group to change the way some public good function was performed so that it would sweep across the world more.
And so now, when I reflect back on my spiritual quest, even though I did not find God, I found a home in this: even today, in a world fractured by religious, ethnic, political, philosophical, and
racial
divides, even with all of our obvious differences, at the end of the day, and the most fundamental level, we are all the same.
Ignoring the face of the
racial
stereotypes, this was just awful.
Overall, this movie depicts the violent secession movement by Texas' Anglo-Saxon
racial
minority to be a positive and just revolution against Mexican tyranny as personified by the general Antonio Lopez de Santa Anna, the so-called "Napoleon of the West".
Sometimes putting in racial, ethnic and other types of slurs has a point, illustrating the bigotry that exists.
The Troma films are known for being more than a little irreverent, but if you're gonna use humor involving
racial
stereotypes, at least make it funny.
(I Apologise But That Really Happens In This Show I Really Am A Guy Who Is Fine With The Black Community) People Might Say Hey Lighten Up But Even When You Take The
Racial
Slurrs Away It Is Un-Funny No New Jokes Badly Acted & I Can Swear In One Episode I Saw Someone's Eyes Focus On Something Unconnected With The Situation.
The story line is so simple - "the good guys sometimes do bad things and the bad guys sometimes do good things" - dressed up into a
racial
setting to make it seem clever, sophisticated and meaningful.
So to all you Australian aspiring film-makers out there, don't bother putting thought into your film or choosing people who can actually act, or even getting your facts right - just write a script about some poor family trying to make ends meet, or someone of a foreign race coming to Australia and having to deal with
racial
prejudice and stereotypes, or, if you want to take a leaf out of these people's book, some ethnic gang fighting some other ethnic gang that isn't actually plausible in the period the film is set, and your film will win five academy awards regardless of how pathetic it is!
Richard Donner shows off his liberal credentials with this ludicrously overcooked simplistic attack on the politics of South Africa.It's not as if America is the cradle of
racial
harmony and brotherly love - and further irony is added by the fact that the movie is set in the city that was the home of Rodney King and glorifies the Police Department that did so much towards community relations with their brutal racist behaviour.
I found it an anachronistic affair, more representative of the old fashioned
racial
humour of the Australian cinema of the 1960s and 1970s.
This was terrible, mean-spirited, and full of the worst clichés and
racial
stereotypes I've seen in a looong time.
Apart from this,
racial
tensions in Germany can be an interesting subject but in the Germany I know there are no gangs shooting each other in the middle of the street in clear daylight.
Pick a stereotype, any stereotype (whether racial, sexual, cultural, etc.), and I bet you'll find it in Wassup Rockers.
Lampooning ethnic and
racial
stereotypes?
Carlos wants to make fun of affirmative action,
racial
stereotypes and related topics on his show which makes him a lot like Supreme Court Justice Thomas.
The passage of time has not treated the character of Isaiah, as well as other
racial
and religious notions, well, although the movie is somewhat progressive on the roles of women and the mistreatment of Native Americans.
It looked like the license plates were from Mississippi, which may explain why there was so much
racial
tension.
No doubt some
racial
prejudices still exist in many parts of the world not just the States but really, in this day and age I doubt they'd get away with all the ridiculous alibi's presented in this.
There are extremely stereotypical(to the point of
racial
slur) 'Native Americans' who speak without using verbs(as in, Me Make Camp Fire type speech).
The
racial
game-shows, the
racial
olympics, it seems like a lot of the skits are merely reworked Chapelle Show skits, that are just way less funny.
It creates characters not in the book, and some of them are ethnic or
racial
stereotypes.
The brothers can't prevent two more similar "accidents" before discovering the ghost-truck sudden presence relates all the way back to a
racial
dispute of the 60's, involving both of Cassie's parents as well as several more prominent inhabitants of the little town.
Some of my fellow reviewers around here tend to label "Route 666" as one of the weaker entries in season one, mainly because the script is too preachy regarding
racial
issues and shows a different and more emotional side of Dean's character.
The writers eventually had to give an explanation to the presence of the ghost truck, and
racial
conflict is an acceptable one as far as I'm concerned.
The story deals with
racial
tensions, society frowning on mixed relations and extra marital affairs.
He also heavily plays with the
racial
element and the sexual ambiguity he builds all the time.
I am not a historian, but all the events that preceded the decade (a few being the violent deaths of major figures of the American political and cultural scenes, the
racial
struggles, the emergence of the 1960s counter-culture, the increase of violence and death in the streets...) seemed to influence the vision of filmmakers who were willing to dare, be different, and create entertaining and intelligent motion pictures.
A March 1947 New York Times article described Crossfire as one of the first Hollywood films of the 1940s to "face questions of
racial
and religious prejudice with more forthright courage than audiences have been accustomed to expect."
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