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Provides in sentence

1974 examples of Provides in a sentence

The only reason it escapes a 1-out-of-10 rating is that the Egyptian backdrop provides infinitely more fascination than the story itself.
The gore looks as if it was from Andreas Schnaas' "Zombie 90: Extreme Pestilence"; with this being the "watered-down type blood", but now that movie is actually decent, and provides humor-something that this movie terribly lacks.
"Hooper" provides none of this.
(And I'm not talking about a fence or anything, just ONE LITTLE POLE) This movie shows the decay of films and the film industry to cheap gags and dull, unrealistic action, which this movie provides in huge quantities.
If there is ever an historical marker which indicates the superficiality and shallowness of an era, Myra Breckinridge provides that marker.
The beasts go on a rampage and provides the best moments of action in the picture.
As Pops Romano, he provides a respectable mix of gangster charm and straight man to Chris Kattan's manic foolishness.
This film does not really have a lot to offer, but it provides several hilarious moments that are well-worth a watch.
Will Ferrell's wrestling fetish provides the only (briefly) humorous moments.
the children in the movie are mostly 3/4 years old, and they are genuine and the movie provides glimpse of the Italian life..
Needless to say the film's very badness also provides an historical insight into bad, or simply evil, filmmaking as a propagandist's tool.
(And Kristofferson is playing a robot) despite the miscasting, Kristofferson provides the few moments of interest.
Old salt Victor Jory (as Professor) provides the other half of the map.
As Dean Slesinger & Dr. Hackenstein eat they talk about Hackenstien's experiments which Dean Slesinger has always been opposed to, Dr. Hackenstein shows Dean Slesinger his laboratory in his attic where he keeps the severed head of his wife Sheila (Sylvia Lee Baker) who died in an unfortunate 'accident' & can telepathically talk to him (Christy Botkin provides Sheila's voice apparently).
This film fails on practically every level, not in the least frightening, or funny, it is simply terrible film-making, and never provides the audience with anything worth seeing.
He provides wonderful insight into the world of the trainables and allows the audience to really 'connect' with internal horror this film exhibits.
my little sister's elementary school talent show provides greater range and depth of emotion.
What the composer, who is credited as Robert Marry, provides is nothing but the strangely insistent BEVERLY-HILLS-COP-tasted music.
Whether it's your last day or not, I beg you not to waste any part of it watching this! Nichole Hiltz provides some nice moments of eye candy (that alas, stays wrapped) and David DeLuise shows why he should stick to the small screen or dog food commercials.
Carlos Aured, who also directed Naschy in Blue Eyes of the Broken Doll and Curse of the Devil provides dull direction here, which likes the dialogue does nothing to help the film.
Extremely thin 'plot' of satanic rituals or some such mumbo-jumbo provides the hokey excuse to thread copious amounts of sex scenes together.
The dubbing/translation in this movie is downright hilarious and provides the only entertainment in this otherwise dull and derivative zombie flick.
The actors are first rate and the script provides good dialog best capturing the ambiance of a tightly knit, likable family.
While this film provides food for thought it leaves the viewer wanting much more than it delivers.
All in all, this film provides an eerie premonition of a great comic's death, and an even eerier documentation of his dying.
Expertly directed by Alan Gibson with a fine sense for balanced narrative movement, the film provides freshness in nearly every scene, as felon Martin Steckert (Richard Harris), believing that his rejection for parole was particularly undeserved, contrives a convoluted but ultimately successful escape plan, following which his spontaneous nature comes to the fore as he flees to the lakeside residence of his childhood.
Once one swallows the premise that all modern technology can be brought to a standstill by "the Pulse," it provides an entertaining landscape for exploring the personalities of and relationships between the two primary characters--Max (the Dark Angel/bike messenger) and Logan (the rich rebel).
Newton Thomas Sigel ("The Usual Suspects", "Three Kings") provides the film with some impressive shots of the Canadian wilderness.
The dialog the director provides for his character gives him enough malice to be proved as a strong and even intimidating leader.
What we have here is a damn good little nineties thriller that, while perhaps lacking in substance, still provides great entertainment throughout it's running time and overall does everything you could possibly want a film of this nature to do.
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