Production
in sentence
6080 examples of Production in a sentence
When this movie was in
production
and heard it described as a rugby movie.
Garlin outdoes himself as writer-director-actor in his indie
production
about a big guy (Garlin) wandering around Chicago with an eye for every woman he sees.
The
production
values might be charitably called inexpensive and the pace and atmosphere take a while to get settled, but the film has a "look", especially in some wonderful shots contrasting the dry flatness of the land with the cluttery nouveau-riche opulence of the mansion interior: Michael Almereyda had a good eye even then.
A young theater actress reluctantly accepts her first major part in a staged play as Lady Macbeth thanks to the mishap of the
production'
s diva falling in front of a moving car.
North and South is a miniseries from the "golden age" of television miniseries in the 1980s, which was a time for long, sweeping epics with high
production
values and lots of star cameos.
Costumes, scenery, and
production
values are good, too.
This production, unlike the later remake by Carlton, is more impressionistic, and presented more from the children's own perspective.
"Mishima: A Life in Four Chapters" is a visually stunning
production
that handles complex issues with evocative ease.
It was a joint Polish French
production
filmed at the time of the beginning of the end of the Soviet system.
Betty is an understudy for the lead in a
production
of Verdi's Macbeth.
Production
design / art direction are especially impressive; the shots of the exterior of the Arctic camp are so reminiscent of the earlier film as to automatically create feelings of deja vu for some viewers.
What makes this low budget
production
one of my favorite movies?
Great
production
design, appealing stars, great lines ("Miss Bender, I don't care if you beat it out on a native drum!", says Joan Crawford's Amanda Farrow to Hope Lange when Lange incredulously asks how she is expected to read a summarize a large amount of manuscripts in a very short time).
This
production
was quite a surprise for me.
Excellent story, wonderful acting, amazing
production
values and a cool, action-packed short with a perfect twist at the end.
There wasn't anything amateurish about the
production
or the acting, the characters were gritty and real and the location could have been any desert area in the world instead of a not too warm beach just north of Aberdeen.
Combine that with the fantastic and creative cinematography, editing, writing, etc., and you have a film that shows the fine quality of its
production.
Excellent
production
values, acting, camera work, and music, make this movie well worth watching.
First, it must be said that Traffik contains some of the most incomparably and unforgettably haunting scenes I have seen in a film or television
production.
This essentially tradition rooted melodrama is given only a moderate budget, despite the presence of a goodly number of well-known players, including Steve Buscemi, Anthony Quinn, and Stanley Tucci, and was kept in the can for about a year before its rather desultory distribution and leaden marketing efforts on its behalf, more's the pity as its solid
production
characteristics are firmly complemented by Alexandre Rockwell's admirably controlled direction, a consistent virtue of his work, and on display in this film from its very opening scene, frames that form a montage behind the credits, featuring Perez at Skid Row's Fifth and Main Streets.
I thought of contacting the
production
company.
This wonderful 3 part BBC
production
is one of the sweetest love stories that I have seen in a while.
This was easily one of the weirder of the Ernest movies, especially in regards to the
production
design.
I saw this
production
in November 1980 at Kennedy Center in Washington--and fell in love with a pre-"Murder She Wrote" Angela Lansbury.
But this movie is so good, I'll be in the odd position of wondering if the stage
production
will measure up to the movie.
The admiral in the 1971 version lacks the gruff presence and human warmth of the one in the 1995 version and lacks any feeling of the power an admiral certainly would convey; I found him the one truly weak element in the
production.
Lastly, it is true, the
production
values of the 1971 version are a lot less than the 1995 version, but given the year (1971), the TV format, and the budget, we can't blame the artists for it.
Contemporary viewers who can make a mental allowance for the lower
production
values can find this version well worth their time.
I really enjoy this particular
production
of "The Mikado."
This
production
is well-choreographed with some 1920s dance styles, and there are some extra dancing maids and bellhops to keep your eyes (as well as ears) entertained during the songs.
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