Production
in sentence
6080 examples of Production in a sentence
Of course, from a more professional viewpoint, this
production
can't exactly be called a masterpiece!
A good tight
production
at around only 80 minutes, probably produced on a very limited budget, but a success, which should see Fellowes directing again for the big screen.
As a movie, this would probably rate a 2, given it has zero plot, no structure besides randomness, and very little
production
value.
you know I've seen a lot of crappy hong kong movies in terms of
production
and were good.
It's a shame that most people won't sit through anything black and white anymore because in many respects this earlier
production
- which doesn't even show up in the IMDb listings when you put "Peter Pan" into the search engine! - is superior to the cutesier color version most people have watched.
This concert production, with its hypnotic editing, amazing dancing, hallucinatory lighting effects, and trance-inducing arrangements, blows away all previous efforts.
Thanks to her assemblage of the remarkable talent of everyone involved in this production, "Confessions Tour Live from London" places her once again among the top ten artists working anywhere in the world in any medium.
I can't comment on the accuracy of this production, historical or literary, but I can say that I enjoyed it.
If you overlook the cheapness of the
production
and delve deeper, you'll find an excellent performance by Cushing, a stunning opening score, some nice photography and the ever reliable Mr.Douglas McClure, my childhood hero!British police constables guarding the Whitehouse at the end!
This is an excellent Anderson
production
worth comparing with the best episodes of UFO or SPACE 1999 (first series).
This covers just about every area of the creative process, and goes through the three stages chronologically, with the main focus squarely placed on the
production.
I read the book before, and I found the BBC
production
dealing with this difficulty in the best way possible.
The only reason that the series doesn't rate a full 10/10 is for the low-budget
production
values in some areas.
'Checking Out' is an extraordinary film that towers above most film
production.
Oliver Smith's
production
design is stagy in the "Li'l Abner"-"Guys and Dolls" '50s adaptation mode, but it works well for this work's folkloric, unrealistic quality.
This movie basically is a very well made
production
and gives a good impression of a war situation and its effects on those involved.
His first film, which is entirely his own creation and production, tells the story of a struggling Chicago actor James Aaron with whom Jeff obviously identifies.
The casting of Robert Culp is probably the only decent move the
production
team made with this film.
Don't Torture a Duckling really is head and shoulders above a lot of the Giallo genre in terms of
production
values and unlike many of Fulci's later films, everything about this Giallo is great.
Some of the scenes look like they have been shot on much higher
production
values than what they really have been.
The gore level is reasonably high, the photography and set design and
production
values are first rate, the acting isn't all that bad, and the scares are definitely there.
I think it says a lot about a television
production
that EVERY single cast member would return, many after years of absence, to once again portray their characters and bring closure to an incredible program.
Everything else ranges from good to outstanding, even the recent Appointment with Death, despite the many deviations from the book, which I admit isn't a favourite, was surprisingly good, thanks to the marvellous
production
values, stellar ensemble performances and outstanding music score.
Back to After the Funeral, the
production
values are fantastic.
I watched it, not really expecting much from an obviously low budget
production.
The only downside is that this is a British production, and some of the actors lack skill in affecting a convincing American accent.
A year after her triumphant first special, "My Name Is Barbra", Barbra Streisand regrouped with her
production
team to produce this follow-up CBS-TV special in then-revolutionary color.
Sure, Shakespeare's text can give you goosebumps even when hammered out with self-importance, but to see a
production
where true inventiveness makes wonderful words even more so - by the provision of context or nuance not found in the stage directions is simply awe-inspiring.
This is a cross between "The Last Don" and " Godfather 2".One large plus for this
production
is that it is claimed to be a true story of Joseph Bonanno.
Julie Andrews gives a mesmerizing performance at the beginning and end of this film with the "Whistling in the Dark
" production
number.
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