Product
in sentence
1680 examples of Product in a sentence
After this recent viewing, I have a better appreciation of the finished
product
and wonder at the curious division of directors, Minnelli and Reinhardt, and committee of script writers, which may account for the structural and dialogue flaws in the film.
it's a
product.
it's the grocery chain generic version of laundry soap or pop corn or a cheap version of a scouring pad/sponge. in order to sustain an industry you have to have
product
and this is pure
product.
If this had been the first film by the Quirozes I believe it would have been a good attempt, however, after more than ten films apiece the
product
is very poor.
Another thing was how the matches were made.The actors were added into real matches digitally and the final
product
ended up so fake !
And Polanski's
product
leads to a powerful representation of man's instinct and obsession for beauty, sensuousness, and the ideal everyman's woman.
A young man whose specialty lies in marketing takes over his dead father's ailing shoe-making factory, turning the
product
away from mens-wear into a boot business for drag queens.
Nolie from South Africa said it much better in His/Her review a few days back "exquisite to look at but more than a little flat" and "stolid affected version of Pleasantville for the faux Hollywood cineast crowd, people in love with themselves as much as the film makers are in love with their
product"
I grew up in the fifties and their was more REAL drama going on in my neighborhood and in the lives of my family and my neighbors in a single afternoon than in the entirety of this "FILM".
It starts nicely visually like for an advertising for any high end contemporary luxury product; as if it was the only intention of the director, to prove that he could do it nicely (with tons of cash).
The final
product
appears totally distorted and annoying--unless you are a die-hard film historian or you are 100% drunk!
I enjoyed the abundant MAC, Quick Time and Lycos
product
placements, a nice now to the media savvy.
And like any business there is a
product
they want to sell to you.
In order to sell the
product
they need advertising, and this is where the star-system steps in.
In order to sell a movie to the American target audience you need a "typical American looking" leading actor, which will be quoted like a commodity(this quote will determine the further use of him to endorse another product).
But in the end there is little excuse for a production company backing a film with this many visible flaws in a finished
product.
Some story elements have been altered here and there but it never undermined the finished
product
significantly as to throw off die-hard fans, although I was disappointed that Gambit wasn't included.
This company's research department missed the boat when it comes to certain actual events and even, in one episode, makes mention of a mouthwash
product
that didn't "make the scene" until the mid-'60s.
10/10 for effort, but 4/10 for the finished
product.
This must've been after numerous bottles of vodka, because I don't see how you ever can earnestly even give attention to this
product.
Now one might think that was quite a coup for the filmmakers, but on viewing the finished product, it seems very constrictive.
To be confessional, I didn't have the bar set high for this recent installment of "the comical bridges of the races" Bernie Mac-Ashton Kutcher
product.
"Petulia" is among those motion pictures, but it is obvious Warner Brothers executives did not realize what had director Richard Lester delivered, and handled the
product
badly, as the original trailer eloquently shows.
This is told in a most innovative way for its time, which makes it more regrettable that the film was handled as a pop extravaganza, when it was an innovative and puzzling
product
with a structure that demanded a more intellectual participation from the audience; and with an organic use of the flash-forward technique (proposed by its editor, Antony Gibbs), an anticipation device that would become common practice in later years (it is interesting to note that five years later the cinematographer of "Petulia", Nicolas Roeg, would direct Julie Christie in the horror drama "Don't Look Now", which contains a scene film editors often mention as an outstanding example of the flash-forward technique, a sex scene inter-cut with takes of the following scene, edited by Graeme Clifford).
I didn't see the first season of "Project Greenlight" but I did watch the
product
of it "Stolen Summer", a mediocre, bland, and safe offering from Damon and Affleck who don't want to take a risk considering their history for risky and edgy indies like "Mallrats", "Chasing Amy", and "Gerry".
The final
product
that director Richard Harrah presents us with is nothing short of boring film-making, extremely grating 'come on' moments, erroneous use of wolves, and a very empty script.
With poor acting from most of the cast, a weak plot obviously drawn from Robin Hood, this movie proves to moviegoers that marketing can go much farther than the quality of a
product.
The original Beverley Hills Cop is one of those films that remains a cult classic because of the fact that it's such a
product
of the time it was made.
Twenty years elapse, and Elizabeth has remarried to businessman Larry Hamilton, who has coincidentally recruited Kessler to test the company's new
product
formula.
There are a lot of surprise cameos here, but that doesn't make the final
product
much better than an interesting diversion.
One of the most annoying aspects of this film is the incessant
product
plugs, particularly those of Gap, which will not even be around in 2054.
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