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Potentially in sentence

1547 examples of Potentially in a sentence

This is an excellent film dealing with a potentially exploitative subject with great sensitivity.
But, the manager advised Torrance about the loneliness in this place during the winter, potentially dangerous, and told him that some caretaker in the past went crazy and murdered his family.
Even the potentially cheesy sub-story line of corporate takeovers is believable, and you find yourself cheering at the end!
Equally though, director Yoshio Inoue presents potentially sleazy scenes in a more experimental way as per Kenji Misumi's less well handled work in Sword Of Justice, with consequences sometimes very nice, as with a man playing a tune on the koto, with close ups of his fingers plucking at the strings as unbeknownest to him Hanzo ploughs his wife, and sometimes a bit weak, as with an orgy that is reduced to a nudity free psychedelic whirl of limbs in motion that just looks confusing.
In conception a splendid film, investigating the tensions that occur in family life in the idyllic setting of Galiano Island off the coast of British Columbia, _The Lotus Eaters_ is marred by the fact that it has been packaged as a made-for-TV movie, diminishing itself throughout by the addition of chirpy music over potentially powerful scenes, as if to get ready for the interruption of commercials.
The girls are forced to make serious decisions about sex, drugs, alcohol, commitment, and so on at a tender young age when they're not fully prepared to completely own up to the potentially harmful consequences of said decisions.
One gasps at the way the women are treated and yet ultimately they seem to come through very well and it is much credit to all concerned that so many potentially disastrous scenes all work so very well.
The film also includes many flashback sequences (potentially) explaining this family curse.
Director Sam Pillsbury and screenwriter Mari Kornhauser lay on the tawdry soap opera-style histrionics something thick while attempting to tell a wannabe serious and insightful story about desire run amok and its potentially dangerous consequences; the plot goes gloriously off the rails in the laughably histrionic last third.
O'Toole takes a character that potentially could have been a buffoon and creates a hilarious yet touching portrayal of an aging action film star who has to do American TV for his "new business associate- the IRS"...assigned to watch over our British invader is Mark Lynn-Baker, who is lucky to still have hair by the end of the show...which by the way is one of the cooler endings ever...and ya gotta get the movie to see it for yourself...I could say something wonderful about each member of the cast...and you'll want to pay particular attention to Joseph Bologna as "King Kaiser"...in fact, rent this movie, enjoy it, then buy it...you can watch it over and over again and love it each time...one note...the scene with the firehose on the roof is one of the funniest movie sequences ever...but it is all good...and I loved it!
Potentially a good idea, spoiled by woeful direction and some of the worst acting I have seen outside of a school play.
How could all these potentially great elements be combined into one of the worst movies I've ever seen?
The actors have little ability in comic timing (what halfway decent comedic director would willfully hire George Lopez to be in their movie?), and Robert Ben Garant often fails to sell the jokes, even when they are potentially amusing.
You might think a movie about conjoined twins would be wacky or even funny, but somehow the Farrelly brothers knew how to suck every bit of comedy out of a potentially hillarious film and leave the viewer with nothing more than a few sparse chuckles.
But most of the fight scenes in this movie are laughably excessive (Yen runs through entire armies of villains like the Tazmanian Devil, punching people left and right), and even those that could potentially be good (like one where the opponent has chains wrapped around his right arm, or the final showdown) are spoiled by the cartoon-like, hokey sound effects.
The situations are conspicuously overdone to drive the underlying story, but the side walk interviews do succeed in neutralizing this potentially myopic trap.
Jeff Burr does a bad job here with dull camera work, using a potentially good setting, only problem is it moves along too slowly, for me to really give a damn.
A potentially good movie became way too pedestrian.
It is a real shame it potentially could have been a great looking make up job.
Far too wishy-washy, almost apologetic in handling potentially gritty situations.
Yet here's the most unbelievable bit - read this and weep: given the opportunity to cast Richard E. Grant as potentially the most electrifying Sherlock Holmes in decades, our bumbling Watson of a casting director elects to cast him in the role of the villain, thus relegating the characterisation of Holmes to the usual mediocrity we have sadly come to expect.
Plot sounded entertaining but the cast simply could not pull off a potentially entertaining script.
For at its heart, Bill Forsyth's film captures two eternal realities, the (potentially charming) essential uselessness of a certain sort of teenage male, and the particular uselessness of just about all males when confronted by a sufficiently pretty girl (Dee Hepburn, although Clare Grogan, later a pop star, appears in a secondary role).
It is too bad that such a potentially good film with such a great plot has to be flawed by such poor talent in every other area.
I was left disappointed, at what potentially could of been very good.
Not since Hudson Hawk have I seen a film with a potentially amusing idea go so badly wrong.
Seldom has there been such an outrageous premise, so original a conception of simple religiosity, such a deft accomplishment of a potentially disastrous idea.
It suffers from special effects overkill, and the plot, which potentially contains some interesting developments, makes little sense.
Bride Wars (2009), I potentially thought this movie could turn out to be one of those quirky, funny, well thought out and acted comedies that occasionally come out of Hollywood.
This painfully predictable comedy tries to delay the inevitable by coming up with a series of forced scenes and situations, and it's also visually dreary, despite the potentially majestic locations.
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