Portrait
in sentence
420 examples of Portrait in a sentence
If you loved "Henry -
Portrait
of a Serial Killer", you may hate this terrible sequel.
You might argue that this is a
portrait
of just one teacher, but why are we not provided any examination of Auster's motives or character flaws?
The director gives us vignettes of life in Pakistan, circa 1980 and 1999, and paints the
portrait
of a country in the grip of a ruinous Islamization.
HENRY:
PORTRAIT
OF A SERIAL KILLER 2- MASK OF SANITY (2 outta 5 stars) Uh, long enough title, you think?
Fred Ward gives an unforgettable
portrait
of gruff and down to earth Henry Miller.
A
portrait
of a "regular" guy, who spends his days barely getting by in a series of dead-end jobs, and his nights perfecting his comedy routine in a series of sparsely-attended "open-mike" sessions at local comedy clubs, this film fails to deliver anything but a depressing series of vignettes centered around it's main character, played by Frank Whaley (who also wrote and directed).
Beautiful
portrait
of a young man whose innocence is so pure that he is not affected by the harsh reality around him.
This is NOT a complaint about the play or the film--after all, Tennessee Williams was deliberately crafting a
portrait
of a terminally controlling and annoying lady.
We are privileged to see behind closed doors and see an authentic
portrait.
A beautiful
portrait
of Hamburg and its silent heroes.
but the problem with this movie is that it never lets its characters be human, it chooses just to show the darkest, most empty
portrait
possible.
While films like Foxy Brown, Cleopatra Jones, and Superfly featured larger than life characters that border on being comic book characters, Across 110th Street seeks to give a more accurate
portrait
of what was happening in the inner-cities in the early 1970s.
I'm talking mainly here about the scene where a professor friend of Virgina Madsen's character's husband regaled back to her in a smug, arrogant, know-it-all fashion over a big dinner at a fancy restaurant the origins of the Candyman character/myth that claimed he had sired a half-white child with the daughter of a man who commissioned him to paint his daughter's
portrait
as he was quite the artist, and as a result of this he was hunted down and basically butchered shortly thereafter by an angry racist mob led by the woman's enraged father.
This is a very revealing
portrait
that shows just how screwed up the military can be in times of war & in general.
There dominating presence creates a satirical and realistic
portrait
of what an egomaniacal acting couple's life might really be like.
It is rare for any film to present so human a
portrait
of a villain and still succeed in warning the audience so effectively.
To get rid of her, Richard agrees to paint her
portrait
as America.
I feel sorry for Marc, as he is
portrait
as the "uncommited gay guy".
This film is an interesting
portrait
into the business of lending.
"The Long Good Friday" isn't a
portrait
of the history of a certain mob family, but a tight and cohesive story detailing a few days in the life of a head mobster.
"Solas" is a wonderful movie with a great plot and great actors.Maria Galiana as an old and rural woman that goes to the city to see her daughter and her illness husband made me cry.Is an special movie with a good screenplay.I'm an andalusian boy and movies always has been unfair with Andalusia.In all those movies,andalusian were funny and stereotyped people of the flolcorical Spain.This movie show us how is the life of very rural women in my country.Also,"Solas" is one of the best movies about the relationship between a mother and her daughter that i've ever seen.As loneliness
' portrait
,"Solas" os powerful too.Is a movie that insinuate more than what show it,as all good movies.For all those whose dreams are not come true,this movie show us that the loneliness is not the best way to do.
The script of "Petulia" is a guide to moderation and restraint: the film does not emphasize nor is it redundant, but paints all those aspects as integral parts of the
portrait
of a British woman trapped in (and adapted to) the life of her rich and influential in-laws, and whose intent of rupture is as fragile, fragmented and banal as her personal structure.
As a
portrait
of the man, it isn't extremely successful.
The passing years have only added to the film's value, for it turns out to be a revealing
portrait
of changing attitudes to sex in the late sixties, when people of all ages with open minds were receptive to new ways of thinking about sex.
This is a grim and harrowing
portrait
of a Vietnam vet's hell.
Aside from that, it is a genuine
portrait
of human life that can appeal to non-Italians, such as me.
Collins, an absolute
portrait
of the valiant trouper who keeps plugging away no matter how bad the script gets, stars as shady land developer Marilyn Fryer.
It is a fascinating, funny, educational, and even touching
portrait
of one of the lesser known but most fabulous personalities to emerge from the New York scene.
the film is absolutely universal in its compelling
portrait
- in a way i think it is more like a samurai film; it speaks to bushido, to honor and duty.
It was a moving
portrait
of an imaginative man and a wonder to watch.
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