Portrait
in sentence
420 examples of Portrait in a sentence
These two, thankfully, do not peck at each other's heads, and scenarist Harwood is careful not to fall into a love-hate pattern (which could possibly be perceived in the film's first act); but, without a juxtaposition of servant vs. celebrity, there's nothing much to behold in this
portrait
except for the deterioration of narcissism, the hint at what once was.
I hated this condoning
portrait
of a mentally ill.
Mehta made her directorial debut with a 24-minute Canadian short film 'At 99: A
Portrait
of Louise Tandy Murch' (1975), but it was her Canadian feature film about the life of Indians living in Canada that brought her fame back in east, her country by birthright, 'Sam & Me' (1991).
PUBLIC ENEMIES is a kind of throw-back to those early 1960's gangster biographies like
PORTRAIT
OF A MOBSTER, MAD DOG COLL and KING OF THE ROARING TWENTIES.
If it is true that sadomasochism is a two-sided coin which contains the whole in the diverse expression of its opposites, then the cinematic
portrait
of Erika Kohut has its reality.
Jeremy Brett is also strong,offering a touching
portrait
of the anguished artist Basil Hallward.Peter Firth,while not originally my vision of Dorian, handles the role with style and grace...and later with a convincing strain of cruelty.
The beautiful
portrait
tells the story of Ben Marshall, (Rupert Grint) a seventeen year old boy being held captive in the heart of his religiously neurotic mother Laura (Laura Linney).
Fortunately "distant" doesn't have that much to spare the audiences and what we see on the screen is a bare
portrait
of human beings.
The most vivid
portrait
of small-town oddity I've seen in a long time -and I'm not just talking about Australian films.
Writer/director Mario Costa ably crafts a sordidly compelling
portrait
of a severely sick and twisted piece of sniveling low-life work: the plot unfolds at a steady pace, the tone is appropriately gritty and serious, and the exciting action scenes are staged with real skill and brio (the shoot-outs in rock quarries are especially gripping and thrilling).
It's true the film shows a too heroic
portrait
of Custer, but that's not important.
You could see this movie as a
portrait
of an extreme neurotic, or a person who suffers from obsessive-compulsive disorder (fashionable words): The character has a compulsive need to confess "crimes" or bad thoughts; Especially crimes he hasn't even DONE.
At first, the film seemed harsh and judgemental, but, as it revealed itself, it actually became quite a complex
portrait
of the current society.
He never made another film, but created a brilliant
portrait
of homosexual self-hatred in this film that is both caustic and affecting.
While there is a definite prurient appeal in watching Ricci fall out of her skimpy outfits, her performance is risky and mature--not a trace of Wednesday Addams to be found, and she easily holds her own with Jackson, who personifies "the blues" in his
portrait
of a flawed, God-fearing man.
Rarely have I ever seen a movie being able to
portrait
the dream of being in a rock band as good as this.
In continuation of Hustle & Flow, Brewer paints his
portrait
of the American South almost as a mythological land one would expect to see in a Fantasy or Ancient Greece epic.
Lucio Fulci's "Don't Torture a Duckling" paints an exceptionally unflattering
portrait
of small-town Sicily plagued by series of brutal murders of young boys.This surprisingly well-directed film(especially in comparison to later Fulci's gorefests)is distinguished by overall atmosphere of perversity,nastiness and two truly grotesque scenes of brutal violence.The soon-to-be-dead children are depicted as casually cruel and budding peeping toms;Bruno's near-seduction by the naked Patrizia(Barbara Bouchet)really has to be seen to be believed.Highly recommended-especially in pair with my another cult favourite "House with the Windows That Laugh"(1976).
The
portrait
of Sally Bowles in this film is a tour-de-force by the young Julie Harris, who sweeps every scene into a magical and captivating web of sparkling personal charm.
It is more of a
portrait
of how deceptive women can be- that they can be more dangerous than men, hence the title has much to do with the statement of the film BEGUILED- to be deceived.
Watching the apartment of one such call-girl(Rachel Ward)Sharkey falls in love with her
portrait
on the wall(I know,I know)and when a woman's body is found with its face shot off in one of the rooms,he thinks its her.(Well,I did say it was a movie that loved movies).
Now, I can add the sounds of music to the ever-changing
portrait
of Istanbul.
"Fame" is a very well done
portrait
of the students who inhabit New York City's High School of the Arts.
Writer/director Ramin Niami does a beautiful job of weaving these scenes together into a funny and moving
portrait
of a city of the past.
Together they create an explosive
portrait
of fractured love -- one that unwittingly conspires to mend amidst the hardest forms of adversity and illusion -- the blindness of human emotion.
What makes the book very good was all the puzzle like story combined with the excellent
portrait
of Vatican.
A
portrait
of the king, who loves the shepherdess, kills the real king and takes his place.
Portrait
of people struggling to survive and overcome a most terrible time.
He has done three paintings in particular: a self portrait, a painting of a shepherdess (which he has fallen in love with), and a painting of chimney sweep (of whom he is jealous).
The self
portrait
of the king climbs down out of his frame as well, and does away with the real king (You think I'm making this up?
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