Political
in sentence
22739 examples of Political in a sentence
I'm astonished how a filmmaker notorious for his
political
left-wing fervor could make such a subtle, non-sanctimonious picture.
The
political
drama is effective, if not especially new or inspired.
"Man of the Year" tells the story of Tom Dobbs (Robin Williams) a
political
comedian (like Jon Stewart or Stephen Colbert) who has his own television show.
On his show he talks about all sorts of things but his main focus are
political
issues which he is very opinionated about.
The film shows the
political
riots who took place in Gothenburg in 2001 from a new perspective.
Set in a California detention camp in an indistinct future, an English film crew capture proceedings as young students and
political
dissidents are put on trial under a fictional 'Insurrection Act' that allows the United States government to suspend civil liberties for its own citizens in cases of emergency without the right to bail or the necessity of evidence.
A fairly enjoyable kidnapping caper set in New Orleans, but its main downfall in my opinion is that it packs way too much
political
intrigue and double-crossing, and not enough of the sexy young actors, scenes of vibrant colour, original cinematographical style and biting humour.
yeah sure its funny at times but i would consider it a
political
thriller masqueraded as a comedy.
The balance between
political
turmoil and personal intrigue that Gladiator hinted at but never really delivered is here in spades.
Or any number of entertainers, in music or movies, who become tools of
political
parties or commercial religious interests like Scientology and Kabbalah.
"Man of the year" reveals how much I yearn for honest and sometimes humorous takes on our current
political
situation.
The discourse against the Vietnam war is no longer a protest song against the war itself, but a strong song demonstrating how the young people of these late 60s managed to bring the
political
establishment down.
Modern Western man seems to be kind of out of sync and to need special evening classes to learn that democracy wants the majority in the world to be the majority, and the West is far from that majority, and that if the Soviet block had been able to understand that market economy is not capitalism but that market economy can be either socialist or capitalist the Berlin Wall would have fallen, but the other way round, and that China has learned that lesson marvelously well and is at the foot of the wall they have to climb over to learn that their socialist market economy has to lead to
political
democracy, but they will, just like Vietnam was able to reconstruct itself after thirty years of vicious war aggression and damage.
You can see this film as a
political
statement of the time, or just as an intelligently made thriller.
Despite the
political
problems, which influenced the movie's success (because the story happens during the Hungarian Revolution, the Cold War), "The Journey" is a very good film, but not well-known.
All the teams are stereotypes (this movie being from 1980, before
political
correctness screwed everything up): the "good guys", the "nerds" led by Eddie Deezen, the dumb beer-loving "jocks", the "we-don't-need-a-man-type ladies", especially the redhead.
It interweaves a personal and
political
tale that continues to haunt me, popping up in my mind's eye with frequency.
Jarl and Moodysson are part of an dying breed of
political
film makers.
It is absolutely heartbreaking to see how these innocent kids have been abused and drugged by the Swedish police and convicted to prison in
political
trials for sending text messages and as revenge for others actions.
I am not a historian, but all the events that preceded the decade (a few being the violent deaths of major figures of the American
political
and cultural scenes, the racial struggles, the emergence of the 1960s counter-culture, the increase of violence and death in the streets...) seemed to influence the vision of filmmakers who were willing to dare, be different, and create entertaining and intelligent motion pictures.
Coppola had the courage to take that economic and
political
conflict as the background of a search for answers to questions faced by any man every day of his life, without betraying the dramatic consequences of that war.
Unlike the later rip-off, "On The Waterfront" which seemed to take some of the same themes and twist them to fit the enforced Hollywood
political
correctness of the time, it told its story direct and with respect for the characters and for the reality it fictionally reflected.
But it's still genuinely funny, and Léo Joannon's story introduces elements of
political
satire (sometimes libertarian, sometimes communalist) one would expect to see from more socially conscious comedians like Chaplin or the Marx Brothers but never from Laurel and Hardy.
Many American pea-brains who worship and support the
political
half-truths of hucksters like Michael Moore would do well to sit through this movie more than once and see how hypnotic manipulators can scare, intimidate and lie to an underinformed public and get the people they fear or loathe killed, spindled and mutilated.
This film is not for everybody and if you do not understand
political
governments thoroughly, you will never get the point of this film, as proved by 90% of the reviews here.
But the film isn't a
political
statement and perhaps thankfully it shies away from too many scenes of debate although it does include one for the sake of argument anyway.
One of Starevich's earliest films made in France is possibly his only
political
satire.
Anyone who, after seeing this movie, complains about Connery's accent, or the lack of historical verisimilitude, or the realism of the
political
motivations, or any other extra-movie concerns, simply doesn't love movies.
PUNISHMENT PARK addresses the
political
divide in the United States better than any movie I've ever seen.
This movie is a story from the early 20th century that is strangely relevant to the
political
landscape of the world in the beginning of the 21st century.
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