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Police in sentence

3345 examples of Police in a sentence

The police in NYC are always an easy target, and are shown as being ineffectual.
Picture is about an Indian agent John Clum's efforts to have reservation Apaches police themselves and the surrender of Geronimo are the picture's highlights.
There are the usual animosities between soldiers and Indians, and the agent's clashes with the military's preference to disarm the Apache police creates further tensions.
Poor production, including but not limited to, sacrificial police vehicles, at least a decade and a half old and dressed up just enough to appear as a working car before being blown up.
Several rent-a-helicopters that don't even get a generic "Police Department" sticker slapped on the side.
Also, are we really expected to believe that after so many police officers and civilians have been killed, and so many buildings in the city have been blown up, that the only person making any decisions as to how the whole situation is handled, is Joe Spano's beleaguered captain.
The police threaten to turn him over to the Gestapo if he doesn't cooperate by uncovering the real spy among the hotel guests.
"Traces of Death", unlike the other two, incorporates only news footage and clips taken from around the world as opposed to the really old police file photos and such which made up the bulk of the others.
The story immediately grabs the audience's attention and dramatizes the dynamics and issues relating to the government's response to terrorism and provides an interesting take on the challenges associated with police work and undercover infiltration.
Robert De Niro plays Jack Walsh, a ex-Chicago police officer who is currently a bounty hunter.
Pope and Mattelli are two police detectives, Mattelli white and Pope black, who investigate a bloody machine gun murder that took place in Harlem, in a location in which there rarely are any white people doing something else than business.
The two thieves are arrested by the station's police officer; a shape-shifter by the name of Odo.
We than follow the investigation into the crimes, which is a joint venture between a police detective and a TV talk show host.
Lynch's segment is magnificently skillful and striking, with a potted narrative of police, a 50's style family, and a bunch of space aliens holding a captive woman - it's almost as effective as the whole of Lost Highway and utterly distinctive.
Too much time is spent in the police station talking.
Bas Rutten makes a great bad guy, and as for Diana Lee Inosanto she can beat me with a police baton any day.
For the last twenty minutes or so, all the bad vibes magically, mysteriously vanish and the Beatles are the Beatles again, charging through 'Get Back,' 'I've Got A Feeling,' 'Don't Let Me Down,' and 'One After 909', before reprising 'Get Back' as London police show up to wag their fingers and tell the Fab Four to turn that noise down.
It is one of my personal favorites due to its brilliantly conceived plot of gang versus police, replete with paranoia and deceit.
Police ruled her death a drunk driving accident, but no one knows that for a fact, and nobody knows how much information she really had on the plant.
Also, it's weird to hear Scotty from Star Trek speaking without his brogue; Telly Savalas playing Kojak (essentially) without a lollipop and "Who Loves Ya, Baby?"; Angie Dickenson (Police Woman) acting all slutty: and some unknown kid actor (I don't think he ever did anything else noteworthy)trying to take this mess seriously.
Whyte and Dean send for the police in order to find out who the first woman was and who had her killed, and Doris (the second and real one) must be able to survive until midnight when she gets her inheritance.
You have a scary looking car that seems to be terrorizing kids at their school, so one of the staff members decides that, instead of calling the police, she'll take matters into her own hands and chase the man down herself.
The crime scene was so outrageous and the idea that relatives would be allowed to live in the house while it's under police investigation is so unbelievable it's almost laughable.
Although this was an early film, it is completely boring because of the proselytizing done by the supposed "communist state", which was in reality only an elitist central committee protected by the elements of the army and a secret police, much like America today.
In one scene, a crowd of extras stand on the far side of the street watching a police raid.
At the police station, Slater is informed that the police can't press charges because-quote-"You didn't actually see the thug shoot your brother.
There's some excellent dialogue and once you overlook some whopper implausibilities, the plot works well, as does the oddball cast of supporting characters, including the opportunist police lieutenant and the rogues gallery of ne'er do wells hoping to cash in on the amnesiac's memories.
There was always a surprise around the corner, whether one of pace or image or sound or performance or turn of the narrative - though in fact it's a very straightforward story, told in a linear fashion, but that description really doesn't do justice to a sequence such as when we go to the ballistics lab at the police station, Mifune learns about a bullet found at the scene of a crime, and then he dashes off without any warning - and we follow him - to a shooting range at which we'd seen him early on in the film, retrieving a spent bullet of his own, and then we dash back to the ballistic lab, and then go into a microscopic close-up POV ballistics man, comparing the two bullets.
Karate Cop is a title that makes little sense, since while Richard Marchini knows martial arts and is a futuristic law enforcer, being that there is obviously no law in this phony futuristic scenario, can one still be considered a police officer, if you no longer have a public to serve?
In the meantime enjoy relentless action in a realistic gorefest involving a competitive face-off between the 2 best hit men in the Far East, and some pretty smart and relentless police who are out to take them both down.
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