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Police in sentence

3345 examples of Police in a sentence

If you're looking for a movie that examines how undermanned rural police departments are when facing a well-financed, well-organized gang, Wild Rebels is the wrong movie.
And I say: if a Catholic priest witnesses a murder, and clearly sees the face of the killer, he CAN report it to the police, even if the murderer has confessed to him afterwards.
The police are boring.
They freak out and instead of contacting the police and telling them the truth they make out like runaways from the scene expecting to be framed for the murder.
After the police find out about the death, they start questioning the main characters and, of course, they have to work thru their goofy lies to figure out what really happened.
This movie is interesting at times but drifts into ridiculousness as they personally seek out the problem instead of getting the police involved early on because of their pride.
Predictable Unmotivated Pointless Caricatures Contrived Actors did what they could Actors clearly indicated they were embarrassed to do this Not one emotional connection REAL SEQUENCE FROM FILM "Who you callin?" (sic) "The police"(sic) "You can't do that, Stevie.
Other than being drunk, the police have nothing on him.
Later one of the police officers is shot dead.
Conroy doesn't know it but a local newsman whose paper has been accusing Conroys department of police brutality snaps a picture of Conroy trying strangle Willis and Conroy is fired.
He seems to casually approve of police brutality.
He seems to operate on the motto of the old Communist Bulgarian secret police; "Everyone is guilty of something, we just have not found out about it yet."
This witless script, by Michael Angeli, concerns a police sketch artist who draws his own wife's face from a murder witness's testimony, and while that's not a bad idea for a plot, it would be much better suited to an hour-long TV series.
The local police have had a spate of grave robberies to deal with & when local barmaid Sue Layton (Ceia Coley) suspicions grow that something nasty is going on.
Violent sequel to RoboCop was directed by Irvin Kershner (Never Say Never Again, The Empire Strikes Back) will never be as good as the original, because it is almost humorless, and it is extremely mean, and should have been rated NC-17, because of scenes with infants being involved in gunfights, people threatening to brutally murder very young infants with REAL automatic weapons, and even scenes with a 12 year old using lots of explicit profanity, giving drugs to lots of random people, shooting and graphically shooting up and killing policemen and SWAT officers, opening fire on police officers when lots of small and young children are present, and a whole group of children using strong profanity and beating up the store owner (who is a very old man) of an electronics store and stealing and destroying lots of items there.
Even in the tradition of "wrong man accused" it fails, because the police never seriously accuse the professor, and the killer is never after him.
He played Swenson the man who comes to the door on crutches to talk with the police.
Then when the police finally arrive, they don't believe her and she is locked up in a rubber room.
Basically cool kid Richard Haywood (Half Nelson's Ryan Gosling) and Justin Pendleton (Bully's Michael Pitt) team up to murder a random girl to challenge themselves and see if they can get away with it without the police finding them.
What saves this film from becoming a Hallmark spectacle and debacle of the usual sort, whenever films about serial killers are concerned, is the direction, which is a double-edged sword; director Scott L. Flynn sheds focus enough upon the b-actors not to let their flaws shine through too much, but at the same times created a truly dull and stereotypical view of the American police through the King-angle.
They even have a police officer by the name of "Falfa" (Harrison Ford's character in the original) who makes a "cameo".
After escaping from pursuing police officers, one thing leads to another and Scorpion finds herself getting it together with a prostitute and her retarded brother.
MacArthur, in turn, has to deal with a police sergeant, James Gregory, bent on teaching him a lesson.
Some of the scenes with Bissell, as the theater manager, and Gregory, as the police sergeant, are a bit heavy-handed and dated.
That is why the man with the shovel ( or was it a broom ) was so side-splittingly funny when he was telling the police officer about some funny looking man down at the bar the other night.
An accident near their house on the night they have a party brings the police around.
He confronts Bule, who admits he did it and promises to go to the police the next day.
Of course, James then isn't so eager to rush to the police.
The local police force keep busy trying to track the killer and whittle the list down to five or so main suspects, including voyeuristic village retard Giuseppe (Vito Passeri) and an elusive, grungy, voodoo doll-poking backwoods witch named Maciara (Florinda Bolkan).
There's also Don Alberto (Marc Popel), a handsome young priest who runs the local boy's school, Andrea (Tomas Milian), a journalist helping to aid the police, and the beautiful Patrizia (Barbara Bouchet), a gorgeous, but seriously screwed-up drug addict who seems to have a thing for very (I mean, VERY) young boys.
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