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Photography in sentence

741 examples of Photography in a sentence

Colors are muddy and brownish and the photography has very 80ish look to it.
The photography is simply outstanding.
The combination of the superb black and white photography and the 'Eugene Onegin with a twist' plot made this a real knock out for me.
I also recall the jazzy-brassy score and the bare black and white photography.
A beautiful score from Badalamenti, exquisite photography of rural life (love those aerial corn-field shots), and a sly director's hand that reveals man's basic humanity, this is a beautiful slice of life film.
However, I think the photography was amazing!
The photography, editing, cinematography, music combined to transport us to the dangerous side of a tourist destination.
Karloff and Lugosi, of course, shine as always, and the film furthermore profits from great sceneries and an excellent photography.
Other than the casting of Karloff and Lugosi, the film's greatest qualities are probably the atmosphere due to great settings and photography, as well as the wonderfully cheesy and highly entertaining storyline.
It holds up very well indeed more that 50 years later in every category - screenplay, acting, photography, set design, sound design...it really is a classic of sorts.
This is a fascinating western, and even with the photography of the famous James Wong Howe, it does not have the beautiful scenery of "The Tall Men" or "The Big Trail", also directed by Walsh, the idea was to give it a dark mood.
Worse, it's a visual insult, with tatty color photography that only serves to expose the cheap production.
The images, the camera set-ups, the framing of shots and the clarity of the black-and-white photography are all done well.
On the technical side there was enjoyable urban and rural photography of Britain but there were also several very over-exposed sun-bleached shots.
fun, fun, fun; well made in every detail; fantastic score, beautiful photography, story with twists, lots of action, fun actors - having fun doing the movie and being fun to watch, this western comedy is a delight.
Personally I see nothing compromised or shallow about mixing in a healthy dose of gratuitously beautiful, highly stylized photography for the pure raw aesthetic bliss of it.
The photography and 60's period production design is flawless.
The photography in the movie is exquisite.
Also mentioned are the films of Astaire and Rogers, and their use of black and white photography.
The photography of the Norwegian landscape is astounding, and the acting is subtle and completely believable.
I bought this film on DVD in a local secondhand DVD shop,ours being region 2,i was surprised that you can not get this on region 1 area or region 0 which a lot of modern dvds are now,i suppose if you really look around you will find them.I thought the film was very good for 1954,the photography was good,the horse riding scenes on the cliffs were exciting,and the music was good,it was subtle and gradually built up to a climax,but never became to intense,the film was quite atmospheric almost as if you were with them,the directing was clever.the
Sharp dialogue and gleaming photography are the other major assets.
The attempt of the director to give the film a photography reminiscent of the chromatic games of Suspiria is simply pathetic, and is nonetheless the better thing of the movie.
He's interested in photography and one day while taking pictures in the woods he runs into Satonaka Shizuru, a quirky waif and classmate, adorably played by Aoi Miyazaki.
Pretty much everything in this picture is 12th-rate, except for two things: the photography (which looks very good) and Rosalind Allen (who looks even better).
The photography in daylight is banal and cluttered, with an excellent feel for Thailand's countryside, but the night scenes are glowing.
The sets and staging are all well done, costumes and makeup are far better than average, the photography is very well done, and the acting is for the most part first rate.
The photography, plot, and the direction are classic Hitchcock elements.
Sean Bobbitt's time lapse photography and dogma style 16mm cinematography combined with Michael Nyman's emotive music is a really fantastic combination.
I fell in love with this movie because of its brilliant actors, beautiful photography, intense atmosphere (ranging from serene to depressing) and last but not least because of the main musical theme.
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