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Photography in sentence

741 examples of Photography in a sentence

The film seems surprisingly cheap, with soupy photography and drab sets - even the whiz-bang Elvis number at the end looks cut-rate.
I thought it interesting that in a lengthy interview with producer Michael Hausman included on the DVD, he disclosed that the two stars had "very different ideas" about the script, that the director was nearly impossible to work with, that the director of photography had impossible demands made of him, that the crew was constantly angry about being made to sit around waiting, and so on.
The photography and acting lent an incredible seductiveness to the interaction between the two, ending with her admitting to having another man who was "older".
As other viewers have mentioned, this film was an interesting experiment in photography.
I makes excellent use of time lapse photography to display the passage of time in the movement of light and shadow, people, water, clouds, etc.
The stark but unimaginative lighting and photography stems from the fagged out noir cycle.
He also does fairly well here, but the rest of the film suffers from a low budget, poor writing, and so-so photography.
The photography and lighting are first class and the sound recording admirably matches the overall high level of technical skills employed.
You cannot claim that the screenplay is so great or the photography is perfect or something technical.
The landmark photography is by the great Conrad Hall.
saw this in preview- great movie- wonderful characterizations- witty and intelligent dialog- actors were fantastic- Peter Falk will be up for an Oscar- Paul Reiser was charming- photography was marvelous Reiser was at the theater when we saw the film, and he gave a vivid account about the making of the film- it had been a long dream of his to write a semi-autobiographical account of relationships between sons and fathers, and more specifically between him and his father- this was achieved in a dramatic and entertaining fashion- the supporting cast was well chosen and gave the film a feeling of family- i recommend this film to anyone who is longing to see intelligent drama and wonderful performances
Pre ''Thunderball '' or even before Cousteau became common , there was Mike Nelson sparking the imagination of kids .I'd be willing to wager that more than a few kids developed their passion for oceanography or biology or one of the sciences from watching this show .Underwater photography also progressed , the fascination for exploration is easily stimulated thru watching this show .
"Le Locataire"("The Tenant")is without a doubt one of the most important horror movies ever made.Polanski stars as a Trelkovsky,a timid file clerk living in Paris,who answers an advertisement for an apartment,only to find that the previous tenant attempted suicide by leaping from the apartment window.Trelkovsky is compelled to visit her in the hospital and there he meets Stella(Isabelle Adjani).Trelkovsky immediately moves in when the previous tenant dies and,at first,is quite pleased with having found such a nice apartment.His happiness is soon replaced by waves of paranoia as he becomes increasingly suspicious of his neighbours,who seem to be trying to provoke Trelkovsky into repeating the previous tenant's suicide.This film is great.Polanski manages to create a surreal atmosphere of dread and paranoia.Plenty of brilliant moments such as the classic scene where Trelkovsky discovers the previous tenant's tooth in a hole in the wall,or the fever dream where he wanders into the building's bathroom to find the walls covered with hieroglyphics.The photography by Sven Nykvist is truly beautiful."The
Not one boring second, a fantastic cast of mostly little known actresses and actors, a great array of characters who are all well defined and who all have understandable motives I could sympathize with, perfect lighting, crisp black and white photography, a fitting soundtrack, an intelligent and harmonious set design and a story that is engaging and works.
From the vibrant locations and photography to the effective editing, everything is forthright and well-done.
Other inventors had previously filmed actions - like Edison's motion photography of a sneeze - but the Lumiere brothers developed equipment that tremendously advanced the medium.
The direction, photography, and editing are also first-rate, and it's a great time capsule of London in the '60s.
It's about action, dialogue, comradery, acting, direction, music, and photography, and it's marvelous on all these factors.
But what makes this movie such a classic, is the direction and astounding photography and use of fog and lighting, that was so different from the usual American film, and more in the tradition of German expressionism.
In addition the digital photography is the best of the lot so far.
The photography is amazing, with darkness covering the greatest parts of the movie, and the music suits the dark character of the film.
It had an overall meditative quality from the music, to the beautiful photography, and listening to the often cliché things about life that Andy Goldsworthy would say as he worked or in between shots.
On all fronts: script, cast, director, photography, and high production values, etc. Proves Eva Longoria Parker is head and shoulders in rom/com above bad actors such as Kate Hudson and Jennifer Aniston, who mug and call it acting.
There is no doubt that the TV adaptation is visually striking, with some lovely photography and a very haunting music score.
Rafi, the lyrics by Kaif Bhopali and not to mention the cinema photography when the sailing boat goes out against the black background and the shining stars.
The photography, the music, the director and the music makes this beautiful, soulful movie into an experience of life.
A must see for anyone who loves photography.
The photography (including real outdoor shots which are a thrill) is amazing, playing around with different shades of lush heavy gold.
The black/white photography darkens the mood and the photography is magnificent.
(I would be remiss in not recognizing cinematographer William H. Daniels's contribution, particularly his superlative day-for-night, open-range photography.)
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