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Paths in sentence

338 examples of Paths in a sentence

We didn't have the Andes as our site, but after nine years, that's exactly where we ended up, the lines of the temple set against nothing but pure nature, and you turn around and you get nothing but the city below you, and inside, a view in all directions, radiating gardens from each of the alcoves, radiating paths.
People's paths are riddled with suffering, as everything is centered around money, and things, instead of people.
In one case, two circus elephants that had briefly performed together rejoiced when crossing paths 23 years later.
And I also discover as I move into this fear, that I can learn many new things and find paths to things like practical solutions as well as the core of healing and health.
We can find optimistic futures; we can find paths forward; we can move beyond hope into action.
Now at the start, I said the first lesson from this study was not to be born into poverty or into disadvantage, because those children tend to follow more difficult paths in their lives.
As Khmer artists work to revive our culture and country, we find that there are many paths in which to move forward into the future.
How is it that two regions that started off so similarly in such similar trajectories take such different paths?
Quite the opposite– the ducks have since washed up all over the world, and researchers have used their paths to chart a better understanding of ocean currents.
There are many paths to happiness and fulfillment.
MineSafe uses information from the community to suggest paths that have been declared as the most transited without accident or incident caused by a land mine.
Imagine, for a moment, if we can crowdsource information from all of them to help people like Adriana and her children to find safe and reliable paths.
We need to work hard to write stories that don't just show us the possible dystopian paths we may take for a fear that the more dystopian stories we tell each other, the more we plant seeds for possible dystopian futures.
So, we need to write new stories, stories that, 300 years in the future, people will be able to look back upon and remark how they inspired us to new heights and to new shores, how they showed us new paths and new possibilities, and how they shaped our world for the better.
The last common denominator in these two lines was 600 million years ago, and it was a worm with very few neurons, so very divergent paths but convergence of complicated behavior.
It's my co-conspirators that have shown me the path forward, and actually, it's my co-conspirators that keep me seeking out the unconventional paths to go down.
I wrote a one-and-a-quarter-million dollar federal transportation grant to design the plan for a waterfront esplanade with dedicated on-street bike paths.
It even encouraged me to pursue some more fulfilling career paths that may otherwise have been inadvisable.
When they separated, they made choices that led to very divergent paths for their sets of rules.
All of our hopes and dreams, what we want to accomplish, is different, and our paths will be different, they are all stories.
In each of these five paths, we need at least a hundred people.
This is: try a little bit here, back the hell off if it's an issue, expand it if it seems to go OK, meanwhile, have other paths going forward.
The acoustic transit time for each of these paths is about three hours.
The film attempts to lead the audience down convoluted paths without any sense of symbolism or meaning, to make them sympathize with one-dimensional characters, and above all hopes that they will ignore the underdeveloped plot, full of unreconciled loose ends, by hiding it under a veneer of CGI effects and neo-surrealism.
While trying to capture the wildlife of the area on film, our photographers cross paths with a game hunter, who is stalking the animals for another reason.
There are wonderfully rich images throughout and paths suggested but not followed (exactly what is going on with the somber wife of the pedestrian tourist wedding director?).
But, one of the young Mormons is a repressed gay who "happens" to cross paths with a very "out" young L.A. party boy.
A clever structured script by Jordan has characters crossing paths and getting caught in the web plot.
The whole purpose of this segment is to show how Valentiné and Auguste - who may be made for each other - almost cross paths (as happens several other times) but never quite do so, until circumstances throw them together on the ferry at the end of the film.
Credit goes to screenwriter/director Matthew Ryan Hoge for creating a lyrical prose about two suburban families who have crossed paths in good times and bad.
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