Particularly
in sentence
6679 examples of Particularly in a sentence
I love the dialog in this film -
particularly
that of Grapewin but also of Wallace Ford as the "Great Luvalle" and Fred Kelsey as Sheriff Jenks.
But my review is as follows: -The story is confusing, more supernatural than ever -The acting is horrible,
particularly
on Adrian's part.
Making a documentary about a philosopher is a
particularly
difficult proposition; with most other subjects, we welcome and enjoy varying interpretations, but, with philosophy, we tend to resist variance, because the very aim of philosophy, at least until Post-Structuralists came along, has always been to arrive at the Truth.
I have read some quite negative reviews of this film, with many being upset by the lack of coherence with the book despite taking it's characterisations etc...I agree that the film does not follow the book
particularly
well but it is a film, for film watchers, not a book or a film for book readers so stop criticising it on that level.
The main theft scene was well-done, and the technical wizardry of the thieves quite impressive
(particularly
given the 1967 production date).
The acting was okay and the CGI was not
particularly
great, but what do you expect from such a low budget film?
This was really one of my favorite films...serious and well-acted,
particularly
by Dennis Quaid as Doc Holiday, taking nothing from the other fine actors in the cast.
The last fight sequence, however, is handled
particularly
well.
Coppola did not learn his lesson (the way he edited this movie is
particularly
embarrassing), and he returned to the genre in the '80s with two mega bombs, "One From the Heart (1982)" and "The Cotton Club (1984)."
Particularly
interesting is the way in which Joey's nemesis, Reese, goes back and forth in his views of Joey.
The leads aren't very likable and I didn't
particularly
care if they got together in the end.
It seems really contrived,
particularly
because several of the characters were absolute caricatures.
It is
particularly
annoying given that the "plot" chosen to replace it is so bog-standard and predictable.
I don't
particularly
like violent films, I'm not a huge action fan, and I dislike thrillers.
The acting by the kid who plays Patch, and by Peter Fonda, is
particularly
poor.
I
particularly
liked the ending and thought that was a very clever bit to end such a film with.
The scenes of these tenants being moved to a soul-less huge apartment complex where every room is the same and people just sit on benches waiting to die struck me as
particularly
horrific.
I
particularly
admired the ending (spoiler ahead): sticking the "bindi" on George Washington's forehead - an excellent subtle invitation for a critical look on what drives work (and inevitably life) that the movie did not pretend to tackle head-on yet illustrated throughout: after all, placing the missing piece isn't foreign to Seattle.
The only problem is, none of the characters are
particularly
interesting.
The relationship with his blind roommate is not
particularly
drawn out either (you're half-way through the film before you realize it's his roommate, and not a relative).
It also conveyed a feeling of raw realism that was
particularly
well conveyed by Margeurite Moreau and Brian F. O'Byrne.
That being said, this movie features some of the funniest lines I have ever heard in a movie,
particularly
from Michael Keaton, who made one of the GREATEST entrances ever in what was his first film.
The problem, though, is that even if you do know who everyone is and what the references were about, it just wasn't
particularly
funny.
A
particularly
funny(that's right funny) part was when the shark trapped a group of people and they were all moaning and crying.
I'm not
particularly
fond of the animations in this, either.
i
particularly
like the the whole maid scenario, those are some of the best scenes of the movie, like when she is making the bed and this old geezer grabs her.
And, of course, A. R. Rahman's score is terrific --
particularly
when pouring out of a theater's surround-sound system!
We watched this the other night because of the reputation of the cast -
particularly
Mark Gatiss and David Tennant - not to mention the "iconic" nature of the name Quatermass.
Lang's roots in German expressionism are evident here, as shown
particularly
in the design of Fonda's isolated prison cell, during a fog-enshrouded prison break, and in that final, heavenly shot.
I have seen some rather hideous films in my life, but frankly this one qualifies as one of the all time worst,
particularly
in light of the immense talent of writer & director Stephen Norrington, an otherwise fine cast, and some incredibly gifted technical people such as the editor and the cinematographer.
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