Particularly
in sentence
6679 examples of Particularly in a sentence
It's pretty to look at with lovely photography,
particularly
the Yarmouth sequences, but, JUST PLAIN DULL!!!
Walt was
particularly
fond of quality.
Aside from Frank Kress (who played Abraham Gentry), an appearance by Henny Youngman and the last seconds of the movie, there really wasn't anything
particularly
good about this film.
For a movie with a runtime of only slightly over an hour and a half I have to say that this movie dragged in places,
particularly
in the last 20 minutes or so.
I agree this novel of Jane Austens is the difficult to portray
particularly
to a modern audience, the heroine is hardly a Elizabeth Bennet, even Edmund is not calculated to cause female hearts to skip a beat.
Baldwin directs himself as the wise courageous hero but spends most of his time in power struggles with women,
particularly
with the caricatured repressedwoman in their tunnel team who is always asking for and denying reassurance.
The characters are not
particularly
well-drawn, except for the four or five leads; in the climactic battle scene, it's difficult to tell who's the bad guys and who's the good guys.
Particularly
irksome is his producer Lee(Cyia Batten), a tyrant constantly barking orders to everyone, her poisonous attitude creating much tension..she's the type of producer who wishes to capitalize on a small town eruption regarding the killer, using the hockey team cover story as a front to exploit the tragedy occurring in White Plains.
I'm sure that the folks who made this movie think they're doing something wonderfully politically correct, because they manage to criticize U.S. wars in Afghanistan and
particularly
Iraq by suggesting that the U.S. does war well, but doesn't clean up afterward, thus sowing the seeds for future trouble.
A bright, young, attractive & intelligent student named Eve (Kelly Overton) is given a
particularly
difficult patient to study.
The kids are not
particularly
deep but hey, that works for teens.
I
particularly
enjoy watching the "project" come together.
I
particularly
enjoyed the showdown at the end.
The book, while not
particularly
great, was decent, but this movie completely changes it.
They say that he could ride pretty well back in the silents, but he doesn't do anything
particularly
impressive in these later sound films.
This film attempts to cash in on the success of Richard Curtis movies,
particularly "
Love Actually" (which I loved) - a series of disparate scenes following the love lives of various couples.
Instead, it was an agonizingly slow paced and not
particularly
interesting film that I would definitely not want to see again.
Making a film based on a true story,
particularly
one as incredible and horrifying as the 1972 Andean plane crash, is hard for even the best filmmakers.
In a remote little area in Greece, more
particularly
near an archaeological site, multiple tourists vanish because Baron Peter Cushing and his docile followers keep feeding them to a fire-breathing Minotaur statue.
The Motion Picture Association of America has seen fit to advise potential viewers and this is
particularly
useful to parents and guardians that this film which is hereby titled "Frostbite" is given a "R" rating.The "R" rating has specific information which allows any person who not knowing anything about a film to know something about what this film provides.The "R" was instituted for Sexual Content including Nudity and Perverse dialog,language, crude sense of humor and drug use.There is no reward in viewing such a film though it would be useful to know if this could be removed as a possibility at all I would as this reviewer remove such a possibility.This is a film whereby merely a 1 was not the equal to a number as it did not qualify as a film to be counted,in fact such as this purpose is with this film so should such a purpose be with this films place at all.This is a unwholesome and undesirable offerring that should of been given a much stricter interpretation because at no point is conduct or language suitable for viewing and this kind of film may wish for a Blacklist rather than a stricter definition as to its content.It is suggested hereby that the stricter definition would allow,it is hereby put forth a criminal charge.It may any way irregardless of its rating.This is a unsavory world which would damage any persons viewing this film as its purpose is to commit an offense.It is an offense and it is offensive in its purpose.There is no sense of humor in the film but a depraved and indifferent purpose as to its undesirable underpinning.Without reservation this is a do not see list and perhaps not entirely necessary to say to any adults considering but to any whose interests concern the environment to which there children grow up in,do not allow nor provide any young person the viewing of this film it is unfriendly.Society often sends the wrong message when these kinds of problems are in the public domain let this not be one of those times.
Sadly for The Descent its release in the UK on 7th of July coincided with the very day of the London underground tube/metro terrorist atrocity that killed almost 60 and injured hundreds - not a
particularly
good night/weekend to pop out to the cinema, especially to see a scary-as-sheesh film about likable women being trapped in a deep, dark, claustrophobic underground caving system.
One
particularly
irritating scene has McLaren in an abandoned airplane hangar, waiting for a plane, being hounded by reporters and giving them their "big story".
There's something about this type of story that
particularly
seems to apply to people like me.
I am not a
particularly
fan of his but I have to hand to him: he knows how to make entertaining movies.
This movie has different tear-jerker, dramatic, serious underlying themes
(particularly
with a scene with Steven Seagal).
A film that should be seen by all,
particularly
for the phenomenal performances of the main characters, and shuddering set pieces (the incarceration and hanging scenes, in particular.
The acting,
particularly
Bolkan, is also very good.
Fulci fans who were weaned on his 80s grotesqueries like THE BEYOND and ZOMBIE will find more artistry and less gore on display here than they might anticipate, but they'll still enjoy a
particularly
nasty chain whipping scene in a cemetery (bizarrely, yet effectively, set to singer Ornella Vanoni's ballad "Quei giorni insieme a te") and a long tumble down a rocky embankment that Fulci liked so much that he reused it in his film THE PSYCHIC (1977).
I
particularly
liked the bar scene with Hitch and Sara.
Fulci proves himself fully capable of dishing out one hell of a dark and disturbing giallo with childing killing, black magic, and of course a nice full set o' knockers... Though I'm
particularly
more fond of Fulci's "Lizard in a Woman's Skin" and "New York Ripper", "Don't Torture a Duckling" dominates the giallo genre as a moody and compelling murder mystery!
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