Nowhere
in sentence
1390 examples of Nowhere in a sentence
So fall gets here and it's
nowhere
to be found!
We have Antonio, who is a young man living in Nordestina, a town in the middle of
nowhere
in the north east of Brazil, and who is deeply in love with Karina.
Sequels are a capricious lot with most
nowhere
near the stature of the original.
It's
nowhere
near a great film, but its importance lies in Otto Preminger's dedication to making it feel real and on the edge of melodrama and naturalism.
A group of friends break down in the middle of
nowhere
(one had a flat tire, the other's Jeep mysteriously won't start).
It's getting you
nowhere.
A bus drops off a nameless man outside a run-down Standard Oil gas station in the middle of
nowhere.
Last year I saw "Chungyang" and
"Nowhere
to hide", now I catch up with Hur Jin-ho's directorial debut "Christmas in august".
The game is very imaginative, its long and can make you jump when unexpected monsters appear out of
nowhere.
Young, ambitious nurse Ms. Charlotee (Rosie Holotik) is sent to work at a mental asylum out in the middle of
nowhere.
In fact, that would have been more probable plot-wise because the idea of the best-friend's boy-friend kind of came out of
nowhere.
It's
nowhere
near a masterpiece like Kieslowski's 'A short film about killing' or as explanatory as 'Dead man walking'.
The story is about several people all caught in a cabin somewhere in
nowhere
because of a raging blizzard.
What I really liked about it is that the two ideologies (Nazism and Communism) were
nowhere
in the film.
Junior Brown gives both the leads a run for their money during his scene with them, he's so convincing that you could believe the crew drove to the middle of
nowhere
and knocked on the first door they came to.
Also the fact that in the middle of firefight in the mountains heavy grenade launcher pops out of
nowhere
(and any half-bright person knows that it's virtually impossible to hump 40-50 lns launcher on the march anyone).
Let me start by saying "London" still holds up after all these years and the transformation sequence is by any standard quite impressive, the film was funny, and scary, also a bit of gore....Now lets get to "Paris" its enjoyable, a few scars, lots of gore not as exciting or eerie as original but it does have a few laughs in what has become quite the fashion these days in films so maybe in that sense it was ahead of it's time, the transformations al'a CGI while good for the technology of its time are
nowhere
near as impressive as the original.
She has no one besides her young deaf maid to keep her company and chance encounters with two former lovers from her geisha days lead
nowhere
- all they really want is to borrow money from her.
While
nowhere
close to being one of his best films there is still a lot to like about Shame, and it is a good movie.
The Last Dinosaur was one of those "out of
nowhere"
movie-of-the-week films in the 1970's that was pretty exciting for the time especially to fans of Japanese Tokusatsu films.
In 1968 when, "SYMBIOPSYCHOTAXIPLASM: Take One", was released, it came from out of nowhere, and struck like a psychedelic thunder bolt.
The film serves as an anthology of four urban legends told from the point of view of four teenagers whose car breaks down in the middle of
nowhere.
Intelligent, nail-biting drama came out of
nowhere
in 1979 and soon was on the cover of every newspaper in America (when life imitated the film).
Three young nomads on the run from their own lives team up on something of a road trip through a desert in the middle of
nowhere
(as most modern noir does).
Dave and his crewmen are isolated between earth and jupiter, with
nowhere
to escape.
Nowhere, because they don't exist.
And I don't know how closely the movie follows the novel, but two have the Jewish girl show up out of
nowhere
just so show that Arturo has a nice, warm heart, but some stereotypes don't amount to anything.
Her bony face, with its sharp features, is
nowhere
even close to radiating the kind of feminine beauty of a de Havilland, the cuteness of a Myrna Loy, let alone the likability of an Irene Dunne.
The characters and plot are completely uninteresting (as is Fulci's mad camera work, which is usually a redeeming factor in his films), and any grasp of suspense is
nowhere
to be found.
However, as these are
nowhere
near as good as the ones in the first, even this isn't raising it above a rating of 1.
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