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Narrative in sentence

1451 examples of Narrative in a sentence

And it's not just stories in general that we are attuned to, but particular narrative structures.
Opposite stories with an identical narrative structure.
Our good nature has been thwarted by several forces, but I think the most powerful of them is the dominant political narrative of our times, which tells us that we should live in extreme individualism and competition with each other.
Who are my friends?"; to exercise the love of social complexity and the narrative intelligence that drives most of their play behavior; and which embeds in it values about noticing that we have lots of choices in our lives and the ways that we conduct ourselves.
His narrative stretches over 30 years of his life, jumping backwards and forwards in time to speculate on family secrets and deep-seated mysteries.
Scribbling by night under the watchful eyes of his lover Padma, Saleem’s frame narrative echoes that of "1001 Nights," where a woman named Scheherazade tells her king a series of stories to keep herself alive.
Saleem’s narrative often has a breathless quality— and even as Rushdie depicts the cosmological consequences of a life, he questions the idea that we can ever condense history into a single narrative.
We all have an internal narrative that's our own inner story.
While the book is set at the point of Rahel and Estha’s reunion, the narrative takes place mostly in the past, reconstructing the details around the tragic events that led to their separation.
But more importantly, radio can help us build a more inclusive narrative about Kenya.
This landscape of torture is the setting for "Inferno," the first in a three-part narrative poem written by Dante Alighieri in the 14th century.
To tackle this I asked myself, "How can I translate the mechanisms of empathy, the cognitive, affective and motivational aspects, into an engine that simulates the narrative ingredients that move us to act?"
My goal is to find out what combination of narrative ingredients are the most appealing and galvanizing to specific target audiences to enable social justice, cultural and educational organizations to create more effective media.
The Limbic Lab consists of two components: a narrative engine and a media machine.
While a subject is viewing or interacting with media content, the narrative engine takes in and syncs real-time data from brain waves, biophysical data like heart rate, blood flow, body temperature and muscle contraction, as well as eye-tracking and facial expressions.
Then our predictive model finds patterns between media imprints and tells me which narrative ingredients are more likely to lead to engagement in altruistic behavior rather than distress and apathy.
Already the Limbic Lab's narrative engine helps content creators refine their storytelling, so that it resonates with their target audiences on an individual level.
It is my hope that we make an ethical commitment to harvesting the body's intelligence for the creation of authentic and just stories that transform media and technology from harmful weapons into narrative medicine.
And to get there, we all need to reimagine marine conservation as a narrative of abundance and empowerment, not of austerity and alienation; a movement guided by the people who depend on healthy seas for their survival, not by abstract scientific values.
So, as we lose the context of our identity, it becomes incredibly important that what you share becomes the context of shared narrative, becomes the context in which we live.
Our narrative here is real fMRI data that's mapped visually and sonically.
It is actually a different narrative.
The additional detail about her playing poker gives us a narrative that resonates with our intuitions— it makes it seem more plausible.
But it hasn't been as easy as I thought to change the narrative and the thought process on how we think that hunger can be solved.
Obviously this is not interesting at all in the sense of the narrative.
Their stories tended to be different, black photographers, and they had a different narrative about black life during slavery, but it was also about family life, beauty and telling stories about community.
Let's talk about how the narrative of Africa is being told, and who is doing the telling.
So as I speak before you today, I stand here in the full knowledge that we can all reexamine ourselves, we can all reexamine our situations, we can all reexamine our circumstances and not play the victim narrative.
The victim narrative will not take us anywhere.
All of those accidents that wound up creating the life narrative that we inherited.
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