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Narrative in sentence

1451 examples of Narrative in a sentence

Filmmaker Marc Recha and his non-identical twin David are the stars and the narrative is voiced by their younger sister.
Film certainly can be a narrative medium, but by no means is it the ideal medium.
It is a western of exceptional beauty and narrative purity, well acted by members of Ford's 'stock company', including Jane Darwell, Alan Mowbray, Ward Bond,and Harry Carey, Jr.Like almost all of Ford's films,it is a meditation on freedom and community.
Moreover, the fantastic elements of the narrative are given substantial credibility by being firmly grounded in a throughly believable dark, harsh and gritty world.
The narrative in Japanese adds a threatening quality and intensity that the Latin version does not have.
Gentle and genial film seems to have been overlooked as a triviality...and to be fair the narrative is a bit tenuous and lightweight as drama....but I feel the simple wonder and joy of the scenes depicting the first impact of a new art on an alien and sceptical society have a radiance and naturalness which capture the century long romance between cinema and audience better than any film in years.
eventually he makes contact with Trinity who he assumes to be a man of course - told in the narrative and something that firmly puts us in his own perspective despite what we already know - on a hacker chat-room, and solves a riddle which forces him in a hurry to catch a train.
India and its people are essential ingredients of the narrative, and except for the main characters, the roles are played beautifully and persuasively by locals recruited during the film's production while on the road between the Indian towns and villages that form the film's setting.
The film actually has some major narrative problems.
Few film makers have made as good of use of their editors and attention to narrative that Nolan has.
It would be unwise to judge that that either narrative or documentary to be more authentic than the other.
Striking cinematography and good narrative (via flashback) take us through the uneasy relationship between the suspect and the son of his lawyer.
Not an ordinary narrative film by any means but for those who like that something different, this is certainly that.
(I would qualify him as a much better actor than his sister, Julia, who is overrated, but that's another review...) Roberts plays the down-on-his-luck ex-reporter with the perfect mix of narrative precision and jaded idealism: two ingredients that are part and parcel of any effective film noir.
Softer colors and less stunning compositions of the shots than some of his previous films, in my opinion, allowed the narrative to take the focus.
The opening narrative, music and paintings by Norman Rockwell set the tone for me.
Overall though, it is a tribute to the narrative strength of the film that the story maintains a strong and lively pace while still unfolding in its own time, and the film comes to a conclusion, natural and genuine, that nevertheless does not seem expected.
The vintage footage, the incredible stills, the current personalities intermeshed with the vivid shadows of the brightly lit past, the heartfelt and not over-done narrative, all beautifully edited together in such a way as to make a landmark documentary of a genuine slice of American history.
It's as continuously beautiful to look at as a Bertolucci, but the relationships here are more convincing and the narrative more engaging than some of that master's work.
What can I say about this film other than the narrative is one of the most exciting in film history...and based on a true story!
It's a pretty capable procedural and surprised me with its subtextually rich narrative that shows his distrust for small minded small-town mentality and the inefficiency of the police, as well as the twisted ideals of the Catholic church, the last of which seemed to have cut this film at its knees when it was first released and could have possibly given the director another direction so early on.
Sharp wit, excellent narrative and no Hollywood polishing; a totally immersible film which has you gunning for the bad guys!
This film attempts to describe the horror faced by one particular family - a common narrative device - in the atomic bomb world of Hiroshima.
Actually, on the poetic side (which is much more important than the narrative), Giorgino is a tale about eternal peace and love which can be achieved only through eternal childhood of soul.
Compared to its more filmically showoffy predecessors, Persona and Hour Of The Wolf, Shame is seemingly a more classic film, in terms of narrative.
The trailer goes nowhere near and only scratches the surface of the film and rightly so too, not because it has that obligation to keep its real narrative under wraps, but because what actually transpires, will provoke entirely different lines of questioning, some of which are frustratingly not answered in the film, leaving you to your own devices to interpret the series of events.
One of the most poetic narrative films ever made, WAGONMASTER is nonetheless a difficult film to immediately like.
The name of the movie and the scene when Radha walks through flames in her kitchen are symbloic of Hindu Mythology's Lord Rama's wife Sita's walking through fire for the proof of her immaculacy, as per the same narrative which appears in the film too.
It's very much a musician's film, because of the paucity of spoken dialogue - and what dialogue there is, is not important to the structure of the narrative.
Of course, its source material is James Joyce's short story of the same title, and much of his narrative structure is kept fully intact.
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