Movement
in sentence
3281 examples of Movement in a sentence
There is no
movement
to the music after a chapter ends, he rhymes the same word several times in a row.
They'll also be pleased to see that given a modest budget by today's shock-horror standards, he has exhibited new freedom of
movement
and imagery.
During the feminist movement, men were, "put in their place," regularly and some of that actually needed to occur.
It has gone too far, past being equal, rebounding now to hating men and leading many women to trying to live without them, a really, really stupid outcome of the entire feminist
movement.
There will NEVER be another Pac.. Please believe it.. Anyway...I watched the move again recently and it's great the music and the vibe and
movement
of the film is gritty and honest.
In fact, we're not made very much aware that there is a serial killer- save for a few mentions here and there- until halfway through the movie, and by the time we are it's full-throttle in a kind of expertly manipulated suspense, not in the usual sense but through an ominous musical score by Pierre Jansen and a
movement
of fluidity with the camera that tells the story sort of conventionally but not at the same time.
Further, there is little in the way of body language or eye
movement
to reflect the irresistible force.
I found that feeling never left me for the duration of the film, even when I made an involuntary
movement
to catch a rope thrown at us to more fully exploit to wonders of 3-D.
So much of the 9/11 Truth
movement
makes total and logical sense.
As the Nazi
movement
was gaining power, Berlin residents like Sally Bowles played by the one and only Liza Minnelli had relationships with men and lived on her singing at nightclubs until she meets Michael York (When will he be knighted?)
From he modest petition drive she is thrust quickly into the limelight as a leader of the 'peace movement.'
It seemed to be all talk and little action or
movement
(the formula for pure cinema is just the opposite).
Whether it is a horse, a ship, or people marching, the different expression of
movement
and the implication of each and everyone of those is vividly portrayed.
The film focus on the early women's right
movement
in the late 19th Century.
In 1763 in colonial America, Martin Garth(howard Da Silva), a trader, secretly trades guns to the Indians in order to stop the westward
movement
of settlers, Garth tries to purchase young Abby Hale (Paulette Goddard), a British servant for his own interests, but a Virginia Capt.
Images and sounds call extremely little attention to themselves at first but each scene and each
movement
ventures further into your soul and once it's there, it never leaves.
This is a character tailor-made for Jeremy Irons or perhaps John Malkovich, someone with wit and
movement.
hes from new york, not south Africa, i fail to see how he'd have a strong enough connection to the Afrikaner resistance
movement
that he would tattoo their symbol to his body?
I have studied the women's movement, and I have found the movie accurate and well told.
Ask anyone with a cursory knowledge of classic cinema what the early talkies were like, and the chances are they will mention something about the lack of camera
movement.
Vidhu Vinod Chopra has always been the master stylist...repertoire is full of cinematic brilliance...whether it was Parinda where he showcased a underworld gangster with haunting memories...or 1947 a love story..a power house packed romantic film in the backdrop of Quit India movement...or it was Mission Kashmir where estranged son and father fought and valley burnt in their anguish...his narration has always been packed with a grip, sheer brilliance of dialog delivery, daunting back score music and use of lights and camera angles which reminds you of Guru Dutt's work...no doubt Vidhu has his traits in all his protégé, be it Sanjay Leela Bhansali, Hirani or Pardeep Sarkar... so when one hears it took him five years to pen the screenplay of Eklavya, the expectations had to be high.
It's exhilarating to see Hitchcock, in a silent film no less, stage the implied murder of a woman by showing movement, shadow, a pause, then a seemingly over-the-top close-up of the woman screaming, then cutting to the next day or whatever.
It is often said that these early Lumiere shorts are primitive because they have not yet mastered basic film grammar, such as camera movement, editing or the close-up, films like these being a simple, static set-u;, the camera pointing at the scene from a middle distance.
The music, dancing and ending were so goofy and portrayal of the "young people" almost insulting that it is no wonder an anti-establishment
movement
was flourishing at the time.
Phone call after phone call to Kurt Russell, with little or no forward
movement
of the storyline.
And behind all of this is a terrific, light score that magnifies the airy
movement
of the script.
ANIMALYMPICS is definitely one of those films that pretty much defines its time and place - it's got a soft-rock score by 10CC's Graham Gouldman, some shiny chrome-effect logos and bumpers (the titles that pop up at the start of each segment), references to late seventies pop culture including disco fever and surf bums, and it's pre-political correctness so there are plenty of stereotypes (if you're offended by the joke early on about all Asian people looking the same, represented by a herd of puffins, you'd better tune out or get a sense of humour) and, believe it or not, a lot of none-too-thinly-veiled sexuality from our anthropomorphic heroes - the animators do have a habit of going slightly over the top with any
movement
that involves breasts or rear ends!
The jokes, the facial expressions, the modernisms, the tempo and lyric changes, the movement... all done to entertain.
It doesn't exactly work like a Swiss watch
movement.
The only sounds are those of human movement, work activities, church bells and chirps from the surrounding forest.
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