Midst
in sentence
934 examples of Midst in a sentence
The weekly guests 'sitting-in' for Ebert fare better, but who wants to pick a daisy in the
midst
of a cow pat?
An outsider, Tom, with radical social and intellectual ideas, enters their
midst
and becomes a catalyst of change here as a romance develops with Audrey.
Marcia Mae Jones who was so powerful in "These Three" plays Nannie, one of the little children in the
midst
of the intrigue.
For Claude Chabrol,a cinéaste who has made over 50 films,this film must be like one of his loving children.However,his admirers might view it in a different light as it might appear as a minor work for them but many serious viewers would nevertheless feel that there are some nice things to observe in this film.Au coeur du mensonge is a film about people who are grappling with truths and lies in their lives.This film is more of a character study even though it is true that there are two crimes depicted in the film.These vile acts are merely a pretext for small town people to talk of pretentiousness and infidelity.Au coeur du mensonge is also a story about two artists;one of them is a fake and other one is not so sure of his inherent abilities.There is also a woman in their
midst
who is torn between these two men.The message of this film is simple:To understand a lie,one has to go to its heart.When we watch Sandrine Bonnaire and Jacques Gamblin, we realize that the truth is not so complicated as it is always visible on surface level.
Unfortunately, in the
midst
of all her success her life falls apart.
Another head scratcher involves Pacino's ever changing hair length, style, and color all during an 88 minute period--guess he made a few stops at Supercuts in the
midst
of solving his own murder.
In the
midst
of horrific brutality, we are reminded of the immense power of compassion, love, and even sometimes, humor.
at least he's not worried about coming up with puns in the
midst
of deadly situations this time around.
She and her kids live in a cramped apartment in the
midst
of a squalid slum.
Things escalate rapidly from there, and Mulder and Scully wind up in the
midst
of occurrences which are particularly baffling even to them.
Locals on the Island of Fera find themselves in the
midst
of a searing heat wave while the rest of the mainland of the UK is in the middle of a normal cold snap in November.
The film is interesting to watch because it shows the controversy over the difficult roles that many in the Catholic Church felt compelled to play in the
midst
of the situation.
It's a breath of fresh air in the
midst
of Hollywood plastic productions.
The Israeli military continues to demolish Lebanon with gay abandon whilst Hezbollah returns fire with its rockets; Shia and Sunni are at each others throats whilst Baghdad, Basra et al crumble in the
midst
of unacknowledged civil war; thousands die every day from aids, hunger, poverty, disease and neglect.
The movie fails to include one of the most important parts of the story, which is included in the Seder service for Passover, which Jews celebrate every year: after the Hebrew people were freed, and they are in the
midst
of their rejoicing, God basically yells at them and says "How can you be joyous when my children have died?"
I mean they pulled out ever device you can think of, from snatches of Jules Verne's Mysterious Island with huge insects to jumping around on a staged deck, supposedly in the
midst
of a raging storm at sea.
Like the Wolfe book, which it follows pretty closely, it provides you with a truckload of information about the astronauts and the program that NASA didn't want revealed in the
midst
of the Cold War.
This is the kind of stereotypical film which gay media should denounce for what it is: a bit of eye candy in the
midst
of an implausibly tragic and ridiculously predictable story, with bad actors (excruciatingly bad in most cases) in a screenplay that almost seams dreamed up by the Christian Right rather than the egregiously untalented (not to mention unattractive as a "leading man") Gregory Christian (producer, director, writer, and star).
Also, while made in the
midst
of the Universal horror period, it demonstrates some of the best elements of that genre, however it also pre-figures the oncoming decade of sci-fi flicks of the 50s, but with a more intelligent, and mysterious, plot than most of the B sci-fi films that followed.
Nikita squares this problem away just with the protagonist: a young punk (Anne Parillaud, in her most recognizable, near star-making performance) who kills a cop in the
midst
of a shoot-out is sentenced to life, but then sort of resurrected following the lead of a member of a covert spy organization, and given an ultimatum: become a spy/assassin, or die.
However, even before they arrive in the
midst
of a medieval war they have all had several turns at arguing with each other.
This sort of fictionalized love story in the
midst
of a biopic seems nothing short of insulting to the viewers, as well as to the historical women who suffered greatly for their cause.
But beyond the amusing laughs of Alan Funt's situations lies a surprising glimpse into the uncensored attitudes of American culture in the
midst
of social upheaval.
In the
midst
of fighting between the two nation-colonies of Ishtar and Aphrodia, a group of monocycle racers accidentally befriends a feisty reporter (Susan Somers) who hopes to advance her career through gritty reports on the war from the Aphrodian side.
When in the
midst
of a case, he was excited and engaged and focused -- none of which Everett showed in his performance.
The idea of tenderness in the
midst
of so much rottenness (literally, in the first segment!).
In the
midst
of high art-deco glory, both men battle each other to death.
One might wonder why there's even a love interest angle between Paula White (lovely and most-oft scared or in good-mode crying Bessie Love) and the news reporter in the
midst
of all of the mayhem in the jungle.
And he made Sahara in the
midst
of WWII.
The film is set in Russia in the
midst
of the war.
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