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Mainly in sentence

1808 examples of Mainly in a sentence

I thought it was going to be a heavy dark film - and it might be on one level - but it's not at all on the other, mainly because it is about seeing the ('grown up') world from a child's point of view.
I have owned this movie for quite some time, mainly because SMG is in it and I'm a big fan of BTVS, but I had never gotten around to watching it until last night.
I mainly agree with slyttle, who essentially slated it, because i have been a big fan of the series for a long time too.
First of all, I have to tell I mainly watched this movie because the special effects was told to be made by the FX group and the poster was very promising about them.
Tane McClure and Gabriela Hall shine on their roles mainly because they display decent acting skills.
Though undeniably enjoyable, the popular poliziottesco subgenre - which proliferated in Italy throughout the 1970s - is also frustrating because one can never tell the quality of a specific title until one has watched it himself (this is mainly due to the fact that this type of film has been largely dismissed by the critics, while at the same time turned into a cult by fans): the thing is that a handful of titles definitely merit a critical re-appraisal, while many others are overrated by the aficionados.
I found the film cheap and mainly bought it because of Kinski I must admit.
The story of Joan of Arc generally appealed to me but the direction this movie took did not and this mainly due to the fact the storytelling itself is flawed.
At her new school she becomes friends with Ella (Alison Pill), mainly because they both like the same rock band, Sid Arthur.
I was hoping they would go into more detail with some of the other people featured in the film - mainly her friends at the landfill, but it was mainly dedicated to her.
Manhatta is mainly made up of static, or at best, phlegmatic shots, and has inter-titles quoting Walt Whitman.
There's a 25-foot-long crocodile running amok and yet this movie mainly criticizes how the Western world shamelessly turned its back on the poverty & civil war issues in Burundi.
One to see, (mainly for the graphical excellence), but there are better animated films out there.
Meanwhile in another part of town a cult run by a guy wearing old people's sunglasses, you know those huge black ones, is doing human sacrifices and worshipping the zombie epidemic mainly because the cult leader's son was turned into one.
The writing is terrible mainly because the subplot of the soldiers trying to capture the bad guy, but where the film really fails is when it takes an entire magazine to make the raptors stumble.
Neither as suspenseful as "Topkapi" or as humorous as "The Pink Panther", it hopes to get by mainly on its star appeal, as personified by Robert Redford and hot-at-the-time George Segal.
However there's not much acting to be had; with a script bereft of substantial dialogue and a fair smattering of time-consuming stunts, our two heroes mainly just get to bark at each other and mug at the lens, all the more surprising when you appreciate the screenplay is by William Goldman, late scriptor of "Butch Cassidy", the epitome of "buddy" movies and its little brother, the soon-come "The Sting".
These trials mainly involve getting into various unwanted and unplanned situations with several women.
I am quite mixed in my reaction to this movie - mainly because of the baggage that the director's name carries when it comes up on screen before the feature starts.
Other performances by Josh Hamilton, Tori Spelling, Freddie Prinze, Jr., and a sadly under-valued Genevieve Bujold are not quite as on-target, mainly due to the sophomoric writing.
The main value that this movie presents lays mainly in the presentation of the postnuclear world.
OK, this film is sold mainly on Stone Cold Steve Austin as it's star.
"Fracture" benefits mainly from the acting of two great actors, Ryan Gosling and Anthony Hopkins.
His performance consists mainly of looking where ever he's directed not reacting to whats happening around him.
And then there's the "comic relief," which mainly consists of Anthony Ray Parker's character whining about having to do stuff or telling some lame story that makes "Who's Your Caddy?" seem hilarious.
It's the sort of situation where her relatives sort of irk you, but you can't help but admire them (mainly due to Flora's snobbish attitude about everything).
Perhaps it's because it's the director's first feature film, but mainly because of budget constraints, "Civil Brand" left a lot of gaps in credibility, and visual creativity.
I happened to tune into this one just as it was beginning, mainly because the log line seemed interesting.
In desperation a bored viewer may grasp at the flimsiest piece of stale slapstick to let out a yawning chuckle, but mainly the film can only be enjoyed by those who find turkeys amusing.
As a gangster movie The Public Enemy is somewhat creaky, and mainly interesting as a look at the genre's origins, but Jimmy Cagney brings it to electrifying life.
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