Logic
in sentence
1214 examples of Logic in a sentence
The
logic
used in this scene was tremendous--I suppose a testament to Shakespeare more than anything else.
But then, S&E showed the scene where the band explains how they picked their name (using some "shady
" logic
and a bunch of "made up" facts), and then another scene where the band, and their rival band, both visit a school to promote getting involved (and, of course, NWH comes up with some "info" about how the rival band leader is a loser because he got good grades in school and was on the yearbook committee).
I found this movie so adorable and funny that it's status as a bomb defies
logic.
They guy earlier who mentioned that their biggest problem is that they are trying to figure out life in terms of
logic
(math describes logic), while life is not really a logical thing, is actually absolutely right.
are some lapses in
logic
at times,and the story doesn't always make sense.but
When watching this a second time, I listened to the theme song (which actually flaunts how incomprehensible the plot is, in the lyrics), relaxed my
logic
nerve and figured out what was going on.
Well, the footage shows him missing the bad guy and hitting his buddy, so... Other scream out-loud moments has to be his ex girl-friend dropping a grenade to the ground to enable his escape--a plan that defies all logic, physics, and absurdity.
Despite the lack of
logic
present in the storyline, Kill Shot is a highly enjoyable film.
Some journo once called it "the thinking person's Nightmare on Elm Street" and while I accept the
logic
of his conclusion I can't help but think it's a tag that is ill deserved and misleading.
It is hard to say enough about the
logic
and light-hearted fun this movie's makers have generated; it is one of the best-liked of all sports biography films, and by my standards one of the most enjoyable as well.
We as humans tend to fall into that trap quite often, letting the lack of
logic
and thought overtake us because people can't believe the contrary.
What I loved was the inner
logic
the film followed; logic, which just like
logic
in life, was rather illogical and confusing at times but in the end, when I thought about it, all the events and twists made sense.
The
logic
is that any ultimate sexual ecstasy can be indulged in as long as one is willing to eventually pay a high enough price for it in atonement in the last act.
What it hasn't got is
logic
and a solid plot but, to tell you the truth, that didn't bother me for one second.
Briefly, we are allowed to tell about the story: a girl comes into a European Cafeteria and then... Soft transit from nonsense mystery to narrative
logic.
The film has no message to speak of, acting is great but it is at the service of the style, and the script is short on
logic.
Under the circumstances, why then should they take their frustrations out on an anonymously unsuspecting and innocent Kansas family?.. Will Geer (Grandpa Walton) plays the prosecuting attorney who is sickened by this act of macabre capriciousness!! His argument is thoroughly convincing... His contention being: "These two men who demonstrated no mercy are now asking for yours" This is a line of
logic
which would induce me to render a verdict of a conviction if I were to be one of the members of the jury!! Absolute disdain for your precarious plight in life does not serve as vindication for orchestrating a capital crime!!
If we, the audience, can conclude that some 30 minutes in, it defies
logic
that the 'finished' product was wrapped up and presented as some kind of genuine horror-thriller.
The whole film is one and the same recurrent scene and plot turns urge a huge question mark in respect to normal human logic, patience and reason.
A fun little B-movie Zombie romp, about bank-robbers that pick the wrong night/town to rob a bank...as long as you keep in mind-it is what it is-it's enjoyable, especially if you are a fan of cheesy B-movies and/or horror...the acting is so-so(no Oscars will be handed out but I have seen much, much worse), the effects are OK(not on par with any of the Romero or big-budget horror movies...but I'm guessing they weren't working with a ton of money to begin with), and the plot/story is passable(in a movie like this
logic
pretty much goes out of the window and suspension of disbelief is the order of the day...or you can just laugh it up-you choose).
The casting and the peculiar violations of genre
logic
show vestiges of a much better movie than BAMBI.
Here again despite the appeal of Cruise, is a movie that lacks any cohesion, sensitivity, vision, or
logic.
There is a decent idea buried at the core of "The Whispering", but the script's
logic
is messy (why can some people see the demon-woman and others can't?
If you go to AUGUST RUSH with the intention of poking holes in it, you can find little glitches and
logic
flaws.
Meanwhile the overly complicated plot relies on moronic coincidence to drag itself from one empty set piece to another, and the gaps in
logic
are filled with unmemorable pop songs, orange filters, Harold Faltermeyer's keyboard/electric guitar/bin lid/biscuit tin score, shoulder pads, bright red lipstick and big sunglasses.
The ending is not the most satisfying for my taste, seeming to negate what has gone before, but
logic
is not of the essence here.
Meanwhile there are now generations who believe the Woodstock myth: That one should follow one's instincts and intuition minus
logic
minus reality.
I personally didn't care about their "motivations" or their "backgrounds" as I have ceased to expect any
logic
from life.
There are many puzzles to solve but it keeps you anyway asking if there is a
logic
for all these victims.
The ultimate post-modernist statement: not only the complete deconstruction of
logic
and convention but also breaking every rule of satire surrealism, and overproduction.
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