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Locations in sentence

687 examples of Locations in a sentence

Isle of Man locations.
I am usually one of the harshest critics but to me this film was just brilliant, strange as this may sound I could almost smell the air and feel the textures of the locations.
The fact that much of the films is filmed in the actual locations where the crime took place, even inside the very house, add additional chills.
Rent the DVD and watch it for yourself if you haven't yet, this film succeeds where many have failed (Dogma comes to mind) to poke it's nose under the tent, both by using humor and very clever analogies coupled with telling backdrops and locations.
The film is actually very funny as well as warm hearted and shows some beautiful locations masterfully captured by the sharp eye of the obvious brilliant cinematographer Suki Medencevic.
The locations were ideal for the ganster plot, and the director shows his talent by taking on many roles for his project.
Lots of talent, clever script, lots going on and beautiful locations.
A group of friends decide to take a camping trip into the desert-and find themselves stalked and murdered by a mysterious killer in a black pick-up truck."Mirage" is obviously inspired by Spielberg's "Duel" and Craven's "The Hills Have Eyes".Still this slasher yarn offers plenty of nasty violence and gore.The film's gory highlight is a sequence involving a man having his arm and leg chained together around a tree and then having his limbs dismembered when the chain is pulled by a truck.There is also a little bit of suspense and some exciting stalk-and-slash sequences.The acting is pretty lame and the script is quite weak,but the film is fast-paced and shocking.B.G.Steers who plays the villain is fairly threatening.The desert locations provide some atmosphere and the gore is rather strong.Overall,if you like low-budget horror films give this one a look.8
Guido Mancori's polished cinematography offers many strikingly gorgeous shots of the exotic locations.
It's not quite as glossy as the Hollywood treatment, but it's close, and I thought that the locations and the costumes actually worked better.
The filming locations are effectively dark and eerie and the extremely sober music makes the already harrowing tone of the movie even more petrifying.
Utilizing a very small number of locations and characters, and also using water in almost every scene both as a cleansing and drowning metaphorical symbol throughout, this movie, though clearly suffering from a minuscule budget, reminds me in many ways of the more fully realized and more recent scenario, namely the French film "SWIMMING POOL" which it seems to me at least may have borrowed liberally some useful ideas from "UP AGAINST AMANDA."
A film that has the feel of a fairy tale, but has a solid grounding in reality due to its use of authentic Manhattan locations and "true" geography, perhaps the best location filming in NYC I've ever seen.
The authentic locations are remarkable.
The locations and beautiful technicolour cinematography, bring us back to a time long since past.
This crew is a group of good, young filmmakers; thoughtful in this script - yes, allegorical - clever in zero-dollar effects when time and knowledge is all you have, relying on actors and friends and kind others for their time, devotion, locations; and getting a first feature in the can, a 1-in-1000 thing.
Stealing locations, shots etc... the list goes on and on.
My uncle visited Australia and my town, in 1968 to check out locations for "A girl in Australia" and created a great movie about a proxy bride after the second world war.
According to Harron they used film stock that is no longer produced and fifties style studio lighting even for the outside locations to give the colour portions its distinctive look.
I liked all the NY characters and I loved the locations.
The original benefited from a huge number of things---it was all in black and white, it had a great jazz score and it was filmed at the real locations, including the home of the doomed Clutter family.
Takes place in the best locations in New York.
When the story moves to Dawson, that is when I feel Anthony Mann, who used the outdoor locations so well, could have made the most if he filmed in the actual place.
The film is moody, shot in stark black and white, and makes very good use of locations.
I grew up in Scottsdale and I went to Arizona State and really enjoyed seeing locations where I spent so much time.
It certainly showed the laborious activities to find locations, setup shots, and capture stark images whose final destinations were art studios worldwide.
Part One played around a bit much with trying to find different ways of showing Che Guevara's personality through different types of film stock, different locations, and cutting back and forth between an interview and the Cuban revolution.
Yes, that's right - it was mostly accurate as far as history went/goes - but it pulled no punches on venturing beyond usual portuguese-film territory: things like using real locations in the middle of traffic-congested Lisbon and recruiting a real crowd to stand in for the real crowd of almost 30 years ago.
The climbing sequences however are very well done because instead of doing the whole film in a studio somewhere the locations they chose felt very real and the Ariel views of the mountain ranges are marvelous adding a touch of reality to the movie.
Entirely shot in natural locations in the Mediterranean.
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