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Leaving in sentence

2936 examples of Leaving in a sentence

When they try to escape, there seems to be some sort of force stopping them from leaving and trying to kill them off.
Frank, the "regular fellow," does get his comeuppance, but by his own hand, leaving John presumably to be a ward of the state again.
They shouldn't have bothered leaving it open for a sequel.
Thus leaving us with Wee Baby Burke and his sluggish monotoned delivery to tell us all about the picture we are about to see.
Leaving aside the overly melodramatic narration, the way that the narrator/director mispronounces many Thai words and shows an alarming lack of local knowledge, I saw no attempts to check the stories he was being fed, and no background information was looked into to validate the stories he reported.
We then get a story moving into total fantasy as the bones and skull of what looked like a rhinoceros come to life and start leaving parts of bodies all over the town.Naturally the police don't believe the theory that the remains of the bodies have been killed by a creature who chewed them to death!.
But Rosi's film begins with him leaving this country; it relates the long career that he had in Italy, in the drug trade, a time that Americans know little of -- it doesn't form part of the legend.
3. Go up the creek to Quincy's Chickee, leaving the horses.
Leaving the awful acting, the stupid ending and almost everything about this movie behind, it was OK.
The Five Senses does that, from the beginning to the end, in a way where you know leaving your seat will cause you to miss a vital part of the movie.
They are all forever torn apart as they patch up their histories and sorrows and Asoka's new wife ends up leaving him after the birth of their children.
By the 45 minute mark, I just couldn't care less how the movie ended and contemplated putting the truck in gear and leaving the drive-in me and my wife were watching this at.
Leaving aside the tired and seedy clichés of the death row genre, which this film wallows in, and the unpleasant evocation of the crucifixion, this film is just plain inaccurate, a bit-part player's parasitic exploitation of her tiny role in a bigger story.
You Only Live Once is Director Fritz Lang's second American film after leaving Nazi Germany.
Unfortunately, the sad old teacher didn't developed beyond self-pity throughout the entire movie, leaving me with the definite impression that he "..got what he deserved, no more and certainly no less".
I saw 12- 18 people leaving the movie halfway.
The leaving of Anigone's blind father in the barren forest really pulls at your heartstrings.
This "Twilight Zone" like story is of a man who kills a woman and dumps her body on the back of a passenger car on a train leaving town.
And like Emperor's Club, both teachers, although leaving their intangible, yet indelible mark on the young men they taught, are shown to be quite weak and naive in matters of the world and politics.
In fact, I dare say when I was leaving the theater, the only crime I felt had taken place was fraud!
Witnesses describe a woman who sounds a lot like Bain leaving the area just after her now ex's failed flight.
It features the efforts of a band of three to rob gold kept in elaborate safes on a train leaving England to support the Crimean War.
Setting up theatre IN THE HOUSE (!), performing some serious kind of operation there(there would be some serious scarring and everything), and then just putting her back to bed and leaving?
And leaving the schizophrenic son to hide out in his room, after nearly poisoning his mother to death... no one, not even his father, seem to check up on him, or even know exactly where he had got to.
It has a weak, unconvincing story that seems to rush by at an unsatisfying fast pace, leaving us humble viewers with nothing even remotely pleasing or memorable.
You would think the setup of a volcano blowing up at a remote, yet crowded location, leaving a handful of survivors to fend for themselves until they can be safely rescued would be a good one.
A poor farmer struggles to keep his family fed after leaving the security of working as a farmhand to develop his own farm.
'The Unguarded Hour' takes its title from the existentialist premise (expounded in this film's dialogue) that every man's life contains an interval in which circumstances conspire to deprive him of all his defences, leaving him a pawn of fate.
The minute they walk into the office the patient from the next room lets out a scream and Lou is up and leaving.
It's hard to believe that Above The Line talent like Gordon Douglas, Harry Brown and Horace McCoy could fall so badly into the old Flashback trap; you know the one, one character begins to tell another or, in this case, a crowded courtroom of something that happened in the past and almost as soon as we're in full flashback mode the character narrating disappears leaving us to watch a series of events at which he was not present and by extension could have no knowledge of.
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