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Leaves in sentence

2207 examples of Leaves in a sentence

And what looks like two big heaps of leaves, is actually two single leaves that get shredded up by the harsh desert conditions over time.
And it actually never sheds those leaves, so it also bears the distinction of having the longest leaves in the plant kingdom.
It's bushfelt region, which is dry and prone to a lot of fires, as so what these trees have done is, if you can imagine that this is the crown of the tree, and that this is ground level, imagine that the whole thing, that whole bulk of the tree, migrated underground, and you just have those leaves peeping up above the surface.
Because when I was capturing traces, you know, this thought comes to me always: is it, only when the object touches the thing and it leaves the trace, or is there other ways to capture it?"
And so, when a coral colony is killed by an El Nino event, it leaves this indelible record.
And these are three possibilities that we are working on to build hybrids, driven by algae or by the leaves at the end, by the most, most powerful parts of the plants, by the roots.
Because our dental anatomy is actually made, not for tearing down raw meat from bones or chewing fibrous leaves for hours.
You just open it, twist leaves, and you see a whole new world of minute insects, or little spiders of one millimeter, one-and-a-half, two millimeters long, and you can distinguish between the good ones and the bad ones.
That leaves me and countless others like me, who depend on closed captions to follow a movie, completely out.
The film, made in 1979, tries really hard to be Stanley Kubrick's "A Clockwork Orange" (1971) only that film, in all its strangeness, actually makes sense and leaves an impact.
Ugh, I don't know what kind of mic they were using to record but it sounds like someone is walking over dead leaves throughout the entire thing.
They let kids all come to the prom with no shirts, in skin tight leotards, ass shorts and one girl was dressed as Eve wearing only fig leaves?
Because these consequences are not spelled out, the movie leaves the viewer feeling sympathetic to Mr. Wilson (hey, check out his latest projects on the Internet) instead of seeing him as an individual whose actions were contrary to the best interests of his country and the West as a whole.
It leaves so much time in-between the dialog for someone to add in their own comments.
It does offer one unique trait, which is this: It leaves you to decide what happens to each of the passengers, letting your imagination fill in the gaps.
It takes about 70 minutes to get Katie to China (which we know that she will) and leaves 30 minutes to wrap things up.
It builds up suspense well enough then leaves you agitated providing no shock or jumpy moment.
The comedy gangster movie is a genre that should have lots of contrast, the stupid dealers in Lock Stock and the shoot out that leaves everyone dead.
They confess all details of what they have been willing to do, their sexual contact with her, and eventually they are all brought together in one place, all intent on being with her, and all involved with the final shootout that leaves one dead, one running away (and eventually dying) and one stunned, and the unexpected guy she chooses (but at the same time obvious, cos it's sex-obsessed Douglas).
It leaves you hoping that his character will reappear in the movie but after 20 minutes you give up hope.
The action really isn't all there and the movie overall leaves much to be desired.
After her father leaves home leaving precise orders, about taking care of the house and his beloved bird, appears a secretary, a renegaded son and all sort of NOT funny stuff happens in the house.
I suppose it's just bad direction which leaves the actors drifting.
The film just leaves one thinking, "This story could have been told in 30 minutes, without all the stretched out nonsense."
The elementary writing leaves no fact to the imagination and leaves no room for suspense.
"Belle-Maman" leaves you with only a nauseated contempt for its morally bankrupt and clueless protagonists.
It has an interesting premise, a killer leaves an Ace of Spades calling card at the scene of his crimes, while alerting the victim in advance.
Instead he's going after their friends, I guess, or anyone who hangs out in warehouses and leaves automatic weapons laying around.
But the director's weak swats at symbolism, philosophy and social commentary were completely off the mark, and it leaves us, the audience, feeling confused & disordered.
A pick-up truck pulls up & an angry Father chucks his slutty daughter Virginia Monroe (Claudia Christian) out & leaves her there, but she isn't alone as the shadowy figure of Nestor Duvalier (Brion James) watches her from a short distance.
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