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Largely in sentence

3412 examples of Largely in a sentence

Although largely undistinguished, the cinematography shines during one brief scene when Wood is placed in a patio and, following the sound of a closing door, remains at the center while the camera's eye steadily pulls away demonstrating her helplessness and frailty.
Water shows the plight of Indian widows in the late 1930s, says in the end that the problem still exists largely by giving statistics in the end, refers to Gandhi several times in the movie before finally having a scene depicting him and does nothing extra ordinarily innovative or new in the movie.
The dialog is painful to hear and Hemmings' direction is largely inept.
The Palestinian situation is fertile and as-yet largely fallow soil for film-making.
Though they were knocked out more quickly than the usual Warner cartoons, the Snafu shorts largely maintained a surprisingly high standard.
Largely forgettable monster film from the 50s features truly awful special effects -- the "claw" in question is a giant puppet that would make Jim Henson want to kill himself.
After watching the movie i felt like i had seen countless movies with the same plot and method and also felt largely unsatisfied.
The acting is limited largely to growling and smirking.
Now, a few years later, they have changed so much that they are largely different people.
Dietrich is unwisely cast in a rather passive, reactive role for much of the film and her character remains aloof from viewers, while Herbert Marshal is unconvincing as her ill-tempered husband, and Cary Grant is largely wasted as a suave suitor who dashes in and out of the picture.
Sadly, all of my questions went largely unanswered.
Other chess players will come along and want to know whether this movie is worth seeing/buying, and I'm talking largely to them.
Your reaction to it will largely depend on your attitude about respecting the text of Shakespeare.
Needless to say the laughs were few and far between in the movie house for a largely white crowd (I was one of a very small handful of blacks).
Also, the accents of the characters were largely off from their TV equivalents.
This movie presents an idealized version of Gurdjieff's own largely fictional and fantastic account of his formation and "awakening" (which I would rather describe as his discovery of how much he could sway the minds and wills of certain types of sadly disoriented people).
By the time they show up, the voice-overs have largely been abandoned, and it plays as a ripe soap, with a sentimental fadeout that actually plays "Silver Threads Among the Gold" as background music.
This love story between an American journalist and an Eurasian lady doctor does not contain much conflict, since she is largely Westernized (having studied in London), nor any fireworks, since she behaves rather restrained.
Ace Ventura, Liar Liar and hell even Bruce Almighty where largely very funny pictures, but all of those ;projects have one thing in commen and thats Jim Carrey's presence.
The "Japanese" protagonist is shown as largely honourable but not beyond unwarranted cruelty such as when he murders a sedated monk so that he may have his duel.
Geoff provided the best of too few, largely poor jokes and Lipp and Briss's performances were big let-downs.
As it is, it will be largely remembered for the dreadful last few series.
The movie has very little in common with Wilde's original story, which was largely written to poke fun at the melodramatic Gothic novellas that were all the rage at the time.
To his credit, Wood tried to deal with subject matter that was largely taboo in 1953.
There are certain elements I don't care for, largely the blotchy animation which can be forgiven.
Other times, he tends to host guests involved in the latest celebrity scandal which contributes absolutely no intelligent information to the country and feeds a largely uneducated public that wants to hear the latest gossip about movie and TV stars.
Predictably, their well-laid plans backfire owing largely to the Kinski character.
I am normally not a fan of horror movies - largely due to the volume of crap that's been recently released.
I feel that Marcel Carne has captured the essence of that period between, say, high school graduation and when, by one's early 30s, people have largely settled into a routine, whatever that routine may be.
In most of his previous films Eastwood had played an active role, but here his role is largely passive- his character, Sergeant John McBurney, is a wounded fugitive forced to rely upon the charity of women in order to survive.
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