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Largely in sentence

3412 examples of Largely in a sentence

The movie consists largely of Dorf and others tooling around Budapest, with several time outs so that Dorf can reassure Hoskins, who never leaves his study presumably because of his great girth, that he is not wearing a wire.
Now I would agree with such assessment as far as Wood's concerned, whose exuberant enthusiasm largely compensated for his glaring lack of talent.
The trick has largely worked.
This disturbing subject has been largely ignored by the movies, with the exception of Lilya-4-Ever and Paul Williams' London to Brighton.
In this sense, words and 'straight talk' represent the breakdown of the normal process of communication, which for the Japanese is largely non-verbal.
another thing notable about this film is Vic Morrow, who is playing a character largely similar to Robert Shaw's character in "Jaws".
Filmed largely on location in Chicago and helmed by Columbia College graduates Michael Ojeda and Joel Goodman, Lana's Rain is supposedly about two refugees from the Bosnia war moving to Chicago and trying to make their way in this strange new world.
The frustrated viewer may be forgiven for concluding either that neither producer nor screenwriter had read anything relevant beyond a short encyclopaedia article or two (though, doubtless, both looked at many an illustration of the time: costumes and sets are largely accurate) or that both deliberately chose to reinforce the stereotypes to which the ignorant subscribe (Parliamentarians were dull, bigotted fools; Royalists were noble and brave; etc., etc., etc.).
Both his person and his character stand out, perhaps largely due to the colossally boring nature of those around him.
Its just drug use after abusive situation after drug use all twisted up in a largely boring cafe.
Which isn't to say that David Bowers' 3-D animated sci-fi is a screwed-up experience -- thanks largely to its amusing one-liners and side characters -- but its theme of a boy trying to fit in among those who are different from him fail to stand up to the likes of, say, "Pinocchio," and "Iron Giant."
The strippers at the club, I understand, are, or at least some of them were, actual performers at the actual club, Crazy Horse West, where the movie was largely shot.
For once the mobsters are largely portrayed as nasty, psychotic pricks instead of some Disney like Mr Cool.
Moreover, Hooper's wise decision to keep the violence largely off-screen enhances rather than detracts from the film's alarming power to scare and disturb; this welcome and refreshing concession to the viewer's imagination ensures that the movie never deteriorates into a mindless and revolting bloodbath while still allowing the jolting outbursts of sudden brutal violence to retain their ability to startle the audience.
It strives to be like "Animal House" and "American Graffiti", and it largely fails.
Bearing all this in mind, plus the fact that "Mulberry Street" actually shows the courage and ambition to be a different and largely atmosphere-driven new horror film, I'd say it at least deserves the respect and appreciation of avid horror fanatics and amateur filmmakers all over the world.
No wonder why it's not too well known, as it's largely dismissible.
The three largely different sides of Wes Block come dangerously close to one another when he starts to investigate a serial killer who frequents the red light district.
Sticks and Stones is a coarse, crude, violent, and largely pointless film.
The film is clearly "pre-code" meaning the code was down in ink but largely ignored by studios until enforcement in 1934.
The playing is excellent, Tierney, who I've only just discovered as an actress (largely through watching old film-noirs!) is again radiantly beautiful as the ashamed kleptomaniac, desperate for a cure, but at the same time conveying her character's complexity and inner toughness as she finally breaks the hypnotic spell cast on her by Ferrer.
Its claim to be a true erotic film became widely accepted - largely on the strength of its last very intense love making scene between Carre Otis and Mickey Rourke.
I have to confess that - aside from the broad brushstrokes - I'm largely unfamiliar with the novel by Nathaniel Hawthorne, and so am not able to speak to the faithfulness of this movie to that story.
This one is dull, inane, badly paced, sloppily rendered, (mostly) badly acted, silly, predictable and largely devoid of notable special effects.
Even a quarter century ago on its initial release, the film was largely ignored by audiences despite glowing reviews, Academy Awards, and critics kudos.
Ken Russell has never been very nimble with actors, but one expects more fireworks with this large cast (they are largely posed and wooden).
Like many countries of Latin America at the time, the nation was ruled by a brutal regime run largely by the military.
This film is ostensibly about the overfishing of sharks and what that may mean for shark populations and marine ecology, but within the first few minutes of the film you realize that "Sharkwater" is largely about writer/director/producer Rob Stewart and how heroic and unique he fancies himself to be.
Some decent actors are largely wasted in this pale sci-fi tale.
It's largely grown back and is green and fertile again, dominated by the stark gray gutted monolith of the mountain.
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