Identity
in sentence
1935 examples of Identity in a sentence
For he has an identical twin, it seems, and the twin has assumed his
identity.
I guessed the
identity
of the disfigured man fairly early on and I think that most people will manage that.
Also, why is she required to go "undercover" to teach these kids and keep her real
identity
from the male members of the teaching staff?
Poor handled material about a real story concerning a young woman (Williams) who has all her data and her
identity
too stole by an ambitious and ill minded secretary (Sciorra).
Meanwhile detective Jack Cates (Nick Nolte) for the past four years has been trying to discover the
identity
of a powerful drugs dealer known as the Iceman, after a shoot out with one of the Iceman's men Jack finds a picture of Reggie & figures he can help him find the Iceman.
His secret
identity
was a teenager who couldn't pick up girls.
From the hip hop Hindu, to a kid who does not want to acknowledge his
identity
the South Asian/ Desi college kids have a romantic and funny adventure in freshman year.
Saturn 3 suffers from an
identity
crisis.
It's an incredible story portraying Native American legends, and also shows the struggle that modern day Native American teens go through when trying to find their
identity.
A mysteriously silent and beautiful female becomes number one lead for them and target of police investigation and questions and the more the film runs, the more we get closer to the truth and revealing the
identity
of the violent killer.
Parillaud is compelling, as at first, she almost seems unaware of her
identity
as a woman.
After watching this movie, it all makes sense - as Americans, we are all entitled to the same rights and privileges regardless of our race, creed, gender and sexual
identity.
Turetskii Gambit / Turkish Gambit is a good movie, a loyal adaptation of the book by Boris Akunin (Although the makers chose to change the
identity
of the Turkish spy at the end - obviously to shock the audience already familiar with the book.
Actually this film is more of an
identity
crisis drama and murder mystery rather than a horror movie.
When she wakes she has forgotten her identity, thinking she is a Dakota Moss, a stripper she created for an English assignment, so she is denying her supposed
identity.
"Dakota" is now trying to unravel the mystery of her identity, how she and Aubrey co-exist, and the person/people who abducted her.
More than anything it is an occasion for Scorsese to talk about the NY upper society of the late 1800, and it's rigid way, sometimes desperate (see Ryder's character), often cruel to maintain an
identity
(paradoxically built on the European upper class mold) despite the changes that were happening.
As a passive observer of compelling and authentic portrayal of a journey of a Girl finding her true identity, I had suspended my reality and enjoyed the experience.
His deranged stepfather executes the sheriff that is going to arrest Thomas, and assumes his identity, wearing his clothes, driving his car though the roads in Texas and entitling himself as Sheriff Hoyt (R. Lee Ermey).
Secondly, the film only had one or two plot twists and there really were no other potential people portrayed in the movie who could have been the murderer, so the
identity
of the actual criminal wasn't in much doubt--even when a little plot twist was added to make you possibly doubt it was really him.
Still the camera-work is quite stylish and the red herrings are slick enough to keep you interested in the actual revelation of the killer's
identity.
Another thing that surprised me was the unexpected seriousness, I actually found myself thinking about some of the character's observations on careers and goals, how sometimes we can totally lose our
identity
when all we try to do is to please others and maintain a decent salary.
Race, identity, culture and politics are deeply complex sensitive issues.
The third tale involves a homicidal maniac whose
identity
you'll probably figure out long before it's "revealed."
The movie moves swiftly from Kansas City where Payne's character Joe Rolfe is before Miranda thoroughly grilled to where he takes over the
identity
of gangster Phil Harris who was one of the robbers.
One such character, Leatherface, stands out for the fact that he was born without a face, thus using human skin to gain an
identity.
There are several cases of mistaken
identity
which makes this a lot of fun.
It is a movie based on each of the 4 main characters personal
"Identity
Struggle" and nothing more than that.
The story itself could have been interesting as we follow a couple who have to escape from their hometown (I suppose due to political reasons but that's never been explained) but everything is seen through the eyes of a boy who is called Harry (his new identity) as in his own created world his hero is Harry Houdini.
This is a very ambitious attempt to deal with themes of identity, child abuse, guilt, redemption and acceptance (all wrapped around James Joyce and his Ulysses, for Christ sake!)--with almost none of the requisite writing or directing talent to back up all that ambition.
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