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Houses in sentence

972 examples of Houses in a sentence

The police intercepts these huge cargos with live animals, intended to supply the pet market, or they seize the animals directly from the people's houses, and this is how we end up, every month, with thousands of seized animals.
We walked through these slums, identified houses where children would never go to school.
So, you can imagine how traumatized and how dysfunctional the houses are where our children come from.
So we changed these houses into people.
we look at their houses, we can look at their sofas, we can look at their stoves.
People in the audience in these opera houses, when they were built, they used to yell out to one another.
So what's a technology that will allow us to make ginormous houses?
They would go to coffee houses, where they would tell a story in front of an audience, often improvising.
They did build houses or form any kind of real society.
The opening scenes of wanton vandalism are not only pointless but baffling as well - it's never explained why the film opens with a tracking shot of people trashing each other's houses - and nothing improves from there.
First, I am always amazed that the living conditions of Drake/Josh, Zac/Cody, Hanna, Carly, Derek, Sunny etc. always make most houses look tiny and cramped.
I am sick and tired of watching all of these portrayals of Jamaicans as a bunch of dreadlock wearing Rastafarians who do nothing but sit around all day smoking weed on a beach or shooting guns in the air (When we're not living in our tree houses).
Of course, Jim Carrey was suppose to guarantee full houses but the game is over.
Finally, the family sees a car after it has been in a wreck and decides to report it to the proper authorities, only to find that the citizens of the town are all hiding in their houses, and the cops are hiding in the police station.
Jack-o is everywhere, he's in people's houses, in the woods, and yet he doesn't ever seem to do much of anything.
Granted the locations and houses very lovely (if not a little miscast-yes even the house were wrong for their parts) Keira was too modern, dull and frankly I found it unpleasant to watch her.
Where the world in "The Stranger" features a totalitarian regime out to squash the freedom of the citizenry, "Journey to the Far Side of the Sun" merely showed a true mirror world where handwriting, roads, houses, machinery of every kind, and of course internal organs were all in reverse (or mirrored) order.
This silly little film about an 11 year-old who carries a gun, steals cars, robs stores, burglars houses, extorts money from other kids, burns houses, shoots rats, buys drugs, distributes drugs to his mother and his friends, and then kills a guy.
I don't know how people can watch this - the only people who enjoy watching this are those who have no feelings and emotions and enjoy watching people die, houses burn down, car crashes, babies die, and cast members being killed off every week.
That sound you hear during the movie is supposed to be the sound of wind, but instead it's actually the careers of Randy Quaid, Brian Dennehy, and Thomas Gibson (Greg, of the Dharma & Greg duo) plummeting faster than houses and trucks and cows can fly away from one of the 15 tornadoes we see in the first 5 minutes of the movie.
Throughout the film we meet supposedly off the wall characters, who are actually very dull, and just don't quite work and who clunk through the horrific screenplay like men in armour suits, driving jeeps through mansion houses and spouting preppy existential obviousness accompanied by the whinings of Coldplay.
This movie showed me that it's probably harder to make a good movie than is evident from the truly professional fare we see in the first-run and art houses.
The annoying and murderous little creatures in this movie aren't your plain average goblins; they are "The Huldre": wicked little Norwegian demons that live underground and attempt to chase happy families out of their houses through influencing the youngest children.
I mean I believe a guy I know a few houses down must have dug out his video camera and made this crap in 2 or 3 hours.
The romance was not believable; the characters were not developed; the love affair made hardly any sense; it was miscast; and scenery was absolutely stupid because it was either (my opinion) like the ADAMS FAMILY GOES ON VACATION...just creepy, gypsy and cheesy; and the OUTERBANKS does not look typically like those houses on the surf; and who would spend the night in one during a hurricane if it was not theirs.
It is unfortunate that so many houses have to be shown while someone is still living in them.
Most of the people who are allegedly viewing these houses before changes are made should be moving into brand new houses or completely empty ones so they will not be insulting anyone.
Looking like an extra from a Clint Eastwood "Spaghetti Western" Harry who's been living in abandoned houses eating dog food get's very upset where his quite lifestyle as a squatter is interrupted.
This sequel has a mirror, this time, which houses the evil spirit of a psychopath which murdered an entire family with a shotgun in the Amityville home.
In Paris one of the smaller Revival houses shows in one of its salles a more or less continuous Lubitsch retrospective and I'm pleased to report that this played to a very appreciative audience right across the age spectrum though I doubt whether any were actually alive when it was first released in 1938.
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