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History in sentence

8318 examples of History in a sentence

My place in movie history will forever be solidified with my appearance in the graveyard scene.I should have looked at this as a omen.I hate to say it but be warned If you place this in your DVD be prepare to put your toe on the trigger of the shotgun you'll soon have between your teeth.
Less than two hundred and fifty years ago, the last of the great pirates wrote their names in blood and fire across the pages of maritime history.
I came to the conclusion a long while ago; the Chuck Norris is one of the worst actors in cinematic history for one simple reason.
The paintings show an apparent timeline, showing significant events throughout history, such as the building of the Great Wall of China.
I mean if you are going to tell the story of a member of your family that has been ignored by history, would you really tell it with the man who relegated her to obscurity at the main character?
I advise everyone who reads this to write a petition to get this movie off of our film history so we can never hear from it again.
Beautiful images, propaganda and history as toy.
But the history of Nouvelle-France is hardly a side note, and the love story is banal and fails dramatically to make the viewer care for the lovers' fate.
Although it is an interesting history of the Waverly Hills Sanatorium, the whole ghost theory is up to your interpretation.
It's hard to believe that oprah winfrey produced this piece of junk, the show couldn't even hold a candle to cooking shows of the past, including emeril lagasse, rachael ray is the most annoying talk show and cooking show host in TV history, not since ainsley harriott has had a terrible cooking show host I've watched, at least ainsley harriott has some good moments and some style, this one has no style at all, she's terrible as host, the kitchen looks atrocious, the writing is horrible, the teleplay is over the top and the opening credits are so bad, it makes me sick.
Although based on one of history's most studied and interesting texts, the film just became sort of dull.
This is history!
Bad history!
A feminist tract in which if you the viewer believe that: i) wild animals are seldom tamed by singing but instead attack, kill and eat (the line that grizzlies never attack unless provoked was a hoot - unless "provoked" means that it sees flesh); ii) homosexuality is both immoral per se -- and its acceptance almost always associated throughout history with signs of a society's dissolution and decay iii) few women are bisexual (in this one, virtually every woman is presented as having no preference for men or women) iv) divorce is far worse than infidelity v) land is there for human beings to use, develop and enjoy vi) it is as incumbent upon a mother of an adult son to keep in touch as it is upon the son vii) a mother raising her son alone is an unfortunate and real tragedy for the child viii) the idolization of a parent for worthwhile ideals is a good and healthy thing ix) adults continue to bear a responsibility for their sexual behavior, no matter their age, and the duty to engage in this most intimate and giving of acts only within the most intimate and openly sacrificial of relationships: marriage -- believe me, you are NOT going to like this film!
A woman as rich as she is insecure has a history of alcoholism and nervous breakdowns, helped no doubt by a smooth-talking gigolo husband who openly cheats on her.
It is mostly, if not completely, inaccurate so much so that the main character does not even resemble how history has him look physically.
Literally from start to finish, "The Number 23" desperately attempts to be a mysterious and uncanny thriller and therefore uses all the dreadful clichés from the big book of cinema history, including heavy-voiced narration, flashbacks, disorderly structure, characters with multiple personalities, numerous plot twists that grow increasingly absurd and sinister asylum settings.
Of all the movies in the history of movies I can't imagine someone sitting down and saying, I want to spend X amount of dollars (or pounds sterling) to remake that flawed classic film called "Breeders."
As with most historical movies nowadays, there are some inaccuracies as history is manipulated to better suit the story, which is understandable for the most part.
An abysmal attempt to explain every single mystery of Pinhead and the puzzle box, covering literally centuries of history, in a film that runs UNDER 90 minutes... On display is sub-par to wretched acting, sup-par to wretched B-movie special effects, and a ludicrous and insulting attempt at dark humour, while STILL attempting to keep the whole project completely serious.
The Worst acting ever.These actors deserve the Academy Award for the worst, and I mean worst acting roles in the history of the cinema.
The figure of empress Elizabeth of Austria (1837-1898) is, indeed, mostly associated with Romy Schneider and the Sissi trilogy by Ernst Marischka (1950s) where beauty, gentleness, sweetness but also history are ever present.
The Tabonga is arguably the slowest monster in moovie history, right up there with the clanky, over-built robot from "Robot Monster vs the Aztec Mummy" and the perversly slow carpet monster from "Creeping Terror".
In my opinion, Cimarron is the worst choice for best picture in Academy history and the award should have gone to City Lights or Little Ceasar.
The revisionist history -- making the evil Marquis de Sade a semi-heroic romantic -- is mind-boggling enough.
What I wanted to point out is how this film took the largest science project in history and made it look small.
A film about an interesting and sensitive period of history, filmed in beautiful surroundings, managed to present an appallingly trivial and clichéd production, grossly clumsy script, poor continuity, intrusive slushy music, sugary casting, and pallid acting.
But this movie is about Beethoven -- a real historical person who is so widely known and so deeply embedded into our musical experiences and I expected the movie to be true to history at least in the primary elements.
As we are well aware, movies are not set out to be a direct incorporation of history, but it is a disgrace when a movie is made which has absolutely little to no correlation.
To be fair, he is probably a genius but among history's greatest scientists, people like Einstein, Newton, Gauss, and many others easily are even more highly regarded.
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