Historical
in sentence
2205 examples of Historical in a sentence
This is a weak and tedious film--at 68 minutes it still seems longer than "Barry Lyndon"!--it nevertheless is of
historical
interest, and has its genuine absorbing moments.
What is most disappointing is the
historical
inaccuracy of this movie and how it is so far from the
historical
accounts from Biblical texts.
I completely understand the
historical
significance of Rocketship X-M, but that doesn't make it a good movie.
A lot of the negative reviews here concentrate on the
historical
accuracy of this film.
Not only is there nothing even vaguely like this in "The Legend of Sleepy Hollow", but it's
historical
BUNK.
Not so lengthy it gives the directors the possibility to explore it's many levels, a good actor can play the role of his lifetime, the film has deep meaning in any
historical
period.
All in all, the main problem with JUANA LA LOCA (and this is what makes the difference with far superior
historical
films as LA REINE MARGOT or ELIZABETH) is the lack of a director's point of view.
This a strange turn in Aranda's career, as he was able to develop it in other works (LIBERTARIAS and AMANTES come to my mind), creating very personal and interesting movies, while this JUANA really is no more than a routine academic
historical
piece... and a not very good one at that!
There is not much clarity to be found in helping the audience understand the motivations of any of these
historical
figures.
The trajectory of the figures' lives is presented to us as a microcosm mirroring the
historical
trajectory of America's teens through prohibition and its spoils, ending with the (arguable) ruin of its moribund central figures (save Deborah- a make up department fumble or intentional one wonders).
Much can usually be forgiven in period pieces that ask us to recall important
historical
events and spice them with enough love interest to keep the story going.
Sure it's a
historical
site and it's accurate to the time, but it was obvious that the scenes were not all set in Québec City.
A very bad film, an amalgam of clichés and
historical
inaccuracies.
This film takes a lot of liberties with the known
historical
facts.Even little things like Flynn licking one stamp after another, when he almost certainly would have used a moistened sponge, is one of the annoying things.
There are certainly bright moments,
historical
elements and some good acting, but overall I can only recommend this for DVD/tape at home.
Historical
movies always take liberties -- conversations are concocted where no one could actually know what was said, customs are adjusted to be comprehensible to modern audiences, etc.
However,
historical
films about actual
historical
personages should make at least a minimal nod to history.
It looked as if it was made by some
historical
society to be shown in your local 'Pistol Pete' museum.
The movie uses random events of
historical
significance as its backdrop and willy-nilly criss-crosses the lives and time-lines of its 3 central characters.
There is not a shred of
historical
accuracy, in fact reality is reversed.
Right from first glance of it's cheesy looking cover art, one may cast doubts upon the integrity behind this serious subject, shown on front case relegating the search for Jesus's tomb to a generic action font that looks more National Treasure or Tomb Raider then any informed debate and examination of the
historical
burial site should.
As an
historical
epic, it could have had so many more chances to be a rich saga... but it's really no more than just another cheap '70s action flick with a based-on-real-events story and an eyepatch-sporting Sonny Chiba.
When Paul Newman and Robert Redford were cast as the outlaws Butch Cassidy and the Sundance Kid, we didn't care if they were accurate
historical
models of their true characters because most of us had never even heard of these men until we saw the movie.
In addition contains a considerable number of
historical
errors.
Although allegedly autobiographical, this movie demonstrates very little insight both into the protagonist's psychology (resulting in a flat, fragmented characterization) as well as into larger-scale
historical
processes, and my hope of either learning something new or improving my understanding of contemporary Iran remained unfulfilled.
On paper this
historical
drama could look vaguely promising.
In terms of
historical
accuracy, this is the absolute worst Roman film I have ever seen.
Vicente Aranda has made a terrible
historical
movie.
During the second half of the film, I felt as if I watched no
historical
epic but an extremely disgusting porn.
It fails in delivering the "message" it tries to give, fails in its storytelling, clumsy
historical
settings and above all in its rhythm.
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