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Heroine in sentence

350 examples of Heroine in a sentence

And the heroine doesn't rescue any of them, or bring anything useful back "home"; it seems that tricking that evil lady into traveling through space was the only part of her mission that couldn't be more easily accomplished by the missiles that blow up the ship at the end.
Dorothy McGuire, swathed in furs for most of the picture, isn't a canny, clever heroine at all; when she's upset, she turns inward and stony.
Other times it plainly isn't, but you will wait in vain to see the heroine report to authorities that she has just been raped.
The funniest part is watching the heroine "fight off" the attacker.
The director is unfairly prejudiced against the 'goy' characters -- content to let them be grotesque cardboard caricatures -- and inexplicably indulgent towards the homewrecking behavior of the heroine.
You have a heroine who isn't very likable and is killed not far into the movie and a villain who is creepy, but makes you feel for him.
one of the most awaited movie!i thought himesh will do a bit of acting but Alas all my hope went wrong..given that the heroine is 15 yrs old!!!!omg!!what did they thought before considering the actress..may be its because no boby wants to work with HR(as he is called in the film,(human resource as many people wrote in mazagines!)nevertheless it was a disappointment.i
The story is a very common Geisha story, and characters behaved very inconsistently, thus making it extremely difficult for me to connect with the heroine.
Surprisingly, the only good parts about the movie came from something completely unexpected and unadvertised: the relationship between Marie-Loup, the heroine, and her children (one natural, one adopted).
The main character Alyssa was supposed to be endearing, the heroine who you root for to be saved,(or in this case, save herself) But instead she merely grates, and makes one wonder, are all pro ballerinas really that stupid?
The only redeeming value is the winning presence of the actress who plays the "dominated" heroine; she is a beautiful and athletic woman, which the director doesn't forget to exploit in various sleazy ways - she just happens to be an aerobics teacher.
Especially jaw-dropping is the scene where the heroine, after enduring a break-in and the attempted murder of her mother by her seemingly ubiquitous stalker, decides to relieve the stress by going shopping!
Fanny is not an entertaining heroine, and I would contend that she is not meant to be.
Take a few dark and stormy nights, fog coming in from the coast, obsession and doubt, two brothers who have a mysterious connection based on hatred, a suspicious disappearance, a shoe in the night silently grinding out a glowing cigarette butt, and, finally, a tremulous heroine who finds herself threatened as much by her own doubts as by one -- but which one? -- of the men around her. Sounds like we might have a good 80 minute noir.
This is quickly followed by more deaths, all linked by their relation to our heroine having been on bad terms with them before their passing.
It's an interesting story but the problem with this movie is how quickly the audience is told what's going on and then it's kind of a horror movie with the heroine fighting off the bad boy of the group that's taking things to the next psychotic level.
It can work onstage, but it looks hilariously stilted in this soap-opera adaptation, which soft-peddles its heroine's bad behavior and never explains why she has so captivated so many men.
Not to mention the heroine getting shot in the chest, yet she starts limping!
I agree this novel of Jane Austens is the difficult to portray particularly to a modern audience, the heroine is hardly a Elizabeth Bennet, even Edmund is not calculated to cause female hearts to skip a beat.
The writing is incredibly bad with people coming in at just the right time and revealing exactly what the heroine is doing to try to escape.
Kagome, the main character, is the stereotypical anime heroine (and far too reminiscent of Akane, the main character of the original comic author's previous work Ranma 1/2); she is kind to other females, but treats many males, especially her love interest, with unfair, unabashed, unjustifiable brutality.
Of course, from early on we knew our persnickety heroine would lighten up, win over the locals, and find true love, but that doesn't make it any less woeful that the movie had to take such completely expected turns.
...left behind when the ostensible heroine's Venus flytrap makes any man whose sexual advances are forced upon her--ahem!--disappear.
It tries to be one of those movies that has two struggles the heroine has to overcome, one from the past and one from the present which she fails to do convincingly.
But what I love about it is the strong character of the heroine portrayed by Jessica Jones, who is a Eurasian doctor, who stays humble and steadfast in her altruistic mission and stays loyal to her love.
I think the heroine overshadowed the hero.
Nevertheless, "The Beast" qualifies as a Continental western because it deals with wholly unscrupulous characters and the action could be classified as film noir because the hero and heroine are trapped by intolerable circumstances that compel them to resort to criminal activities.
Pistol-packing Pam Grier takes names and kicks butt as the heroine in "Asylum of Satan" director William Girdler's entertaining blaxploitation actioneer "Sheba Baby," co-starring D'Urville Martin and Austin Stoker.
The chief problem with "Sheba Baby" is that our heroine gets too many convenient breaks.
You'll enjoy a send up of Darth Vader for the villain (the breather), a female Batman for the heroine (but much cuter with much less costume), and a running joke that involves cigarettes and the police captain that's very funny.
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