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Heist in sentence

150 examples of Heist in a sentence

Could they possibly replicate the tension and thrill of the masterful heist of Ocean's 11? We'll never know, because they didn't try.
Instead, they made a light and truly funny parody of the heist genre.
If you want a gripping, logical heist, don't watch this.
The ultimate gritty heist film.
In all too many ways, the movie is reminiscent of previous heist films such as RIFIFI and GRAND SLAM and many others.
New guy at an armored car company gets talked into becoming involved in an armored car heist by his fellow drivers in order to score some quick cash.
Harry a robber down on his luck trying to make one more heist.
Just as in Rififi, the most compelling scene in the movie is the perfected silence of the jewel heist.
The actual heist scene is one of the best I have ever seen.
We have some thieves pulling a jewel heist and when one does something wrong the alarm is triggered and the cops chase them and when the car turns around at a road block one of the thieves (Paul Nash, Jacinto Molina, whoever he is here) gets shot.
This film is a work of pure class from start to finish, for a moment forget the famous 28 minute no dialog heist, forget that it's set in Paris and forget it's Noir.
The film itself, the premise and the execution make this a pure gold experience.. it's sharp intelligent and thought through in great detail, just like the heist itself.
It shows that a heist is hard work and ultimately not worth doing.
This 1955 heist film follows Tony le Stephanois, recently released from prison for theft, as he undertakes the robbery of his life.
He teams up with his old heist buddies and they bring in an expert safe-cracker, Cesar from Milan (played by Jules Dassin, who also directed.
The much missed Richard Jordan plays 'pinky' an Ex-pat American, whose Just been released from prison,he finds himself A job as an Electrician in a bank, it all goes well until he finds Himself Embroiled in a bank heist with his ex cronies, David Niven Plays the mastermind Ivan, Its an enjoyable little romp, hopefully studio canal or anchor bay, will come to the Rescue.
Rififi deservedly gets a lot of mention for the famous heist scene, and, indeed, that scene deserves all the credit it gets.
If you want a clever heist movie, better stick with 11.
What helps make this one one of the more notable is (of course) the heist itself, which plays out wordlessly in real time, and the demeanor of the lead.
Sending his wife Therese and two young sons ahead to Nice, Abel and his next in command Raymond Naldi do one final heist, to fund their new lives back in France.
The heist proffers a meagre half million francs, way less than their sources had suggested, despite this and with the police in chase they both make it to Nice, where they hideout briefly.
The plot is fairly believable with some very humorous moments in one scene which revolves around a bank heist.
I don't even think this is the best example of the much-loved heist subgenre.
I still like other heist movies a little bit more (Jules Dassin's "Topkapi (1964)," just to name one), but there is no denying that this film is a good piece of pulp entertainment and a good example of what people refer to as "cool" cinema.
A recent re-issue of the French crime film (original title 'Du Rififi Chez les Hommes'), with its famous 20-minute silent jewel heist sequence, now comes in the US in a gorgeous new print from The Criterion Collection with improved subtitles and some extras.
I have seen a lot of heist movie but The Italian Job& is one of my favourites.
Du Rififi Chez Les Hommes/Rififi(1955) can on the surface be described as a French variation on John Huston's seminal heist film, Asphalt Jungle(1950).
Everyone likes the coolly created, memorable heist movie.
No other heist film has come close to it, before or after.
While the 30 minute heist sequence is the most famous part of the movie(and rightfully so)the film actually gets better afterward.The director Jules Dassin knew what he was doing when he decided to not have any music during the heist scene or the final shootout, but instead inserted a great climactic score during Tony's final ride towards his destiny.
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