Gender
in sentence
1388 examples of Gender in a sentence
In fact, much of the humour in the film which provides essential relief from the heavy subjects of taboo lesbian love and
gender
issues, stem from this satire of the seemingly ordinary.
I'm doing a thesis on blurring the boundaries: the female cross dresser and am using Tipping the Velvet the book as my main text, any comments on
gender
and sexual identity,
gender
and sexual confusion,
gender
as a performance,
gender
as a fiction,
gender
imagery, cross-dressing as an erotic fantasy and as revolution, the effect of the male costume etc etc would be much appreciated!
And the themes that are expressed repeatedly by the female lead, Ginny Leith - a detached head kept alive by machines, I-Vs and clamps - seem to confirm that the film was meant to simultaneously exploit and critique
gender
stereotypes.
There were many worth watching, despite the tired plot of
gender
reversal.
And, although each of the speakers is female, I'm gonna leave
gender
outta this.
I always get frustrated by films that were obviously written by one
gender.
I suppose for those who know nothing about the realities of the military this is probably a "feel-good" film on
gender
equality.
it's not just a race thing, it's also a
gender.
Yes, there are some deeper insights about
gender
relations, but we won't follow him so far...
DON'T watch this "film" if you're offended by nudity of either the male or female
gender.
The film has a greater power and intensity than the novel because Visconti is able to create the filmic equivalent of Cain's narrative structure but offer a more complex exploration of
gender.
It shows the struggles of both an Indian person wanting to break outside her cultural barriers and women wanting to break outside the
gender
restrictions found in sports, especially in England at the time.
Malone's cousin takes him out the night before his big game on an adventure with many twists and turns involving two gym bags, a drug lord, some tough bikers, some cops, and some prostitutes ... and the movie keeps us guessing as to which characters are on which side of the law, what the contents of either gym bag is, and even what
gender
a key biker is.
Julie Waters is outstanding and Adrian Pasdar a revelation in a very warm, very real, and extraordinarily entertaining look at the complications
gender
dysphoria and transvestism cause in a young executive's life.
The King of Masks is a beautifully told story that pits the familial
gender
preference towards males against human preference for love and companionship.
This is the only movie I know of that has such polarized views based on
gender.
The final two members of the cast are the effervescent Jess (Shellie Conn), an events planner who's a wild child who sleeps with anyone and everyone,
gender
not specific, and Katie, (Sarah Parrish) a somber doctor who's affair with a patient AND his son have sent her career and love life spiraling out of control.
I was 12 which is the age group this film is directed at, I'm also male, the
gender
that this film is intended for (the overwhelming majority of Miyazaki's protagonists are female).
This is a psychological drama and in recounting which of these old films have stuck in my memory, I figured out is my favorite
gender.
A film that can so easily combine sex,
gender
relations, politics and art is a rarity these days.
So while thematically it remains a movie about
gender
and difference, the structure ensures that it is also a movie about MOVIES - but on an almost unprecedented level of complexity.
Although the film's social attitudes and
gender
roles are dated, it's all great fun, and even the gentle kidding of the Salvation Army is harmless and reflects no real animosity toward organized religion.
Enjoy Hoffman's performance but don't expect anything profound; this movie does not aim at
gender
politics, merely cliches and predictable audience tittering.
Despite the Industrial Revolution and the consequent leaps and bounds of technological progress childbirth and womens' health was very much a side issue in a patriarchal society.Colin's father has no interest in his son's upbringing despite - or,arguably,because of the fact that his wife,whom he clearly loved had died giving birth to the boy.He is an intelligent man and knows that such an attitude is not reasonable,but it is the status quo for a man of his position .That he loves and understands children is made clear by his attitude towards Mary and his defence of her against Mrs Medlock,but his
gender
and his own upbringing are not easy forces for him to overcome.
A child's-captivated-ear indoctrination into the myths which so easily lead us astray (into false hope, then deception, then dried-up going-through-the-motions stub-toed, danceless mere existence) frames what is broader in scope in this film compared to the previous two: there is no age or
gender
delimitation of focus here as we see random-encounterers young and old, female and male, show their vulnerability to idealized visions which leave them floundering.
What a beautifully written story about acting, gender, theater, illusion, romance, and discovery of one's own identity.
THE ARCHITECT is a film based on a play by David Grieg that deals with social class dichotomy, lack of communication in families,
gender
confrontations in youths, and coming to grips with decisions of the past that later haunt.
This movie would be well viewed by Samurai film aficionados and people interested in
gender
roles in cinema.
and i mean copy, well there were some differences like the
gender
of good/bad guys or the city but everything was the same, only there was more shooting and sex.
After watching this movie, it all makes sense - as Americans, we are all entitled to the same rights and privileges regardless of our race, creed,
gender
and sexual identity.
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