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Gallery in sentence

334 examples of Gallery in a sentence

The view is denied in the galleries where we receive just natural light, and then exposed again in the north gallery with a panoramic view.
These are Current Windows, where we replaced all windows in a gallery in London, in Soho, with this modern version of stained glass.
It was our first show, and it changed the nature of the appreciation of culture, not in a gallery, not in a theater, not in an opera house, but live and on the streets, transforming public space for the broadest possible audience, people who would never buy a ticket to see anything.
I don't have a photographic memory, and nor is my head a static gallery of sensibly collected think pieces.
Underneath the bridge, we've worked with Rodney Graham and a handful of Vancouver artists, to create what we called the Sistine Chapel of street art, an art gallery turned upside down, that tries to turn the negative impact of the bridge into a positive.
Somebody was up at my house and saw the paintings and recommended them to a gallery, and I had a first show about two-and-a-half years ago, and I showed these paintings that I'm showing you now.
So, the gallery wanted me to have another show in two years, which meant that I really had to paint these paintings much faster than I had ever done them.
It also means that if an artist wants to invade something like a swimming pool, they can begin to do their exhibition in a swimming pool, so they're not forced to always work within the confines of a contemporary gallery space.
And we've got this 3,000 square-foot gallery and we want you to fill it with your reef."
So I had no idea what it meant to fill a 3,000 square-foot gallery.
And she nearly had a fit because Christine is a professor at one of L.A.'s major art colleges, CalArts, and she knew exactly what it meant to fill a 3,000 square-foot gallery.
And to cut a long story short, eight months later we did fill the Chicago Cultural Center's 3,000 square foot gallery.
I could, quite literally, fire myself into the gallery.
This is a whole wall of bananas at different ripenesses on the opening day in this gallery in New York.
You know, normally you work in isolation, and you show at a gallery, but here, the work was coming alive, and it had some other artists working with me.
And I thought: Well, if this is a model for creation, if we make music, primarily the form at least, to fit these contexts, and if we make art to fit gallery walls or museum walls, and if we write software to fit existing operating systems, is that how it works?
And we're just pulling the wall off the gallery.
It's in the same gallery or in the same museum.
It's just two holes on the gallery wall.
But for all intents and purposes, it comes off as another truly film in their gallery.
While the film has one redeeming feature, namely some striking shots e.g. the shot of the sheep hanging from the tree, the scene of the funeral procession on the raft, or the scene of the boats leaving the village (which seemed influenced by the scene when the warships approach in the fantastic "Fellini Satyricon"), these were more photographic than cinematographic, and would have been better appreciated hung on a wall in an art gallery than embedded in a painfully slow-paced film that comes in at a whopping 162 minutes and suffers from terrible dialogue, extremely poor character development, over-acting, uninspired symbolism and heavy stylisation.
"Death Wish 3" is the movie equivalent of a shooting gallery.
Kim Basinger and Mickey Rourke star in this controversial story of a wall street exec and an art gallery employee who hook up and begin a very experimental sexual relationship.While the acting by Rourke and Basinger is ok, the flim doesn't allow their characters to truly form.
If you want to see art, you go to an art gallery.
Although I could sum this pathetic episode of Night gallery in two words, those two words being "horse manure," I am obligated to write a minimum of ten lines.
Spanish novel director Jesus Ponce creates one of the most perfect gallery from the latest year of Spanish cinema.
Several young adults are invited to attend a special event at a gallery filled with dolls, only to find they are targets of a vengeful spirit.
Closer in tone and subject to a Nikkatsu violent pinker than other Scorpion entries, it is stunningly photographed, directed with lurid enthusiasm, and populated with a rogue's gallery of villains and degenerates.
Except for Hopper, there is no character development, only a collection of cardboard cutouts that pop up periodically for no discernible reason like random targets in a shooting gallery.
salem's lot, the night stalker, night gallery, even don't go in the basement or crowhaven farm were far better.
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