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Funeral in sentence

289 examples of Funeral in a sentence

A group of obnoxious teens go to a former funeral parlor for a Halloween party.
It concerns the rivalry between two funeral directors in a small British town.
Another good fighting sequence was at a cops funeral where the ninja provide more people to bury.
The funeral scene is hysterical!
Kevin Tenney's "Night of the Demons" is an enjoyable horror film that reminds me a little bit "The Evil Dead".On Hallowen night,a group of teens throws a party in Hull House,an abandoned funeral home on the outskirts of town.Lead by Angela,they perform a seance-like ceremony and accidentally awaken the evil spirits that inhabit the place.One by one,the uninvited evil force possesses the teens,turning them into bloodthirsty demons."Night of the Demons" is a perfect horror film.It is scary,gory and pretty atmospheric.The characters are well-developed and the gore by Steve Johnson is pretty good.There is a gruesome impaling,a tongue being bitten off,fingers shoved into eye-sockets,etc.The scene,where Suzanne(Linnea Quigley)shoves a tube of lipstick through her nipple is a hoot.Give this one a look.Followed by two sequels.
(For anyone interested in film technique another movie by Kalatozov, I AM CUBA, has at least two superb set pieces - one of them a long tracking shot that begins with a funeral procession through the streets of Havana, rises two stories to a cigar factory, tracks though the window and follows the procession down a long, long avenue - all without a cut.)
I found this a very enjoyable light hearted comedy set in Wales with some truly funny sequences highlighting the rivalry between two funeral directors.
A humorous voyage into the normally somber funeral business.
During the "fake" funeral Blethyn learns of her husbands' infidelities and plots her revenge.
From the beginning of the movie where Cochise goes to Preach's home to get ready for school to the sad ending of Cochise's funeral, this movie is one that will get you laughing all the way.
The producers of this film offer to pay funeral expenses for anyone who dies of fright while watching this movie.
Gosh, how could they miss the gold madness, profligate wealth, gun battles in the silver mines, Mark Twain getting run out of town and beat up after a showdown, the crooked railroad, the Opera House fire, Artemis Ward, Bulette's huge funeral, the Chinese tongs, the black saloons, the Auction . .
So a white guy from an overly stereotyped Italian family in Rhode Island brings his African American girlfriend home (Insert GASP here) to his grand father's funeral.
reads the script & plot synopsis) over his character's funeral procession, a mere 5 minutes into the movie.
Then strange things start to happen as the lady discovers a funeral taking place on a hill that suddenly disapears (that was creepy) as well as seeing the little boy belonging to Orson Wells at the playgroud that he later asks the lady to help him bring back to life.
Since most review's of this film are of screening's seen decade's ago I'd like to add a more recent one, the film open's with stock footage of B-17's bombing Germany, the film cut's to Oskar Werner's Hauptmann (captain) Wust character and his aide running for cover while making their way to Hitler's Fuehrer Bunker, once inside, they are debriefed by bunker staff personnel, the film then cut's to one of many conference scene's with Albin Skoda giving a decent impression of Adolf Hitler rallying his officer's to "Ultimate Victory" while Werner's character is shown as slowly coming to realize the bunker denizen's are caught up in a fantasy world-some non-bunker event's are depicted, most notable being the flooding of the subway system to prevent a Russian advance through them and a minor subplot involving a young member of the Flak unit's and his family's difficulty in surviving-this film suffer's from a number of detail inaccuracies that a German film made only 10 year's after WW2 should not have included; the actor portraying Goebbels (Willy Krause) wear's the same uniform as Hitler, including arm eagle- Goebbels wore a brown Nazi Party uniform with swastika armband-the "SS" soldier's wear German army camouflage, the well documented scene of Hitler awarding the iron cross to boy's of the Hitler Youth is shown as having taken place INSIDE the bunker (it was done outside in the courtyard) and lastly, Hitler's suicide weapon is clearly shown as a Belgian browning model 1922-most account's agree it was a Walther PPK-some bit's of acting also seem wholly inaccurate with the drunken dance scene near the end of the film being notable, this bit is shown as a cabaret skit, with a intoxicated wounded soldier (his arm in a splint) maniacally goose-stepping to music while a nurse does a combination striptease/belly dance, all by candlelight... this is actually embarrassing to watch-the most incredible bit is when Werner's Captain Wust gain's an audience alone with Skoda's Hitler, Hitler is shown as slumped on a wall bench, drugged and delirious, when Werner's character begin's to question him, Hitler start's screaming which bring's in a SS guard who mortally wound's Werner's character in the back with a gunshot-this fabricated scene is not based on any true historic account-Werner's character is then hauled off to die in a anteroom while Hitler prepare's his own ending, Hitler's farewell to his staff is shown but the suicide is off-screen, the final second's of the movie show Hitler's funeral pyre smoke slowly forming into a ghostly image of the face of the dead Oskar Werner/Hauptmann Wust-this film is more allegorical than historical and anyone interested in this period would do better to check out more recent film's such as the 1973 remake "Hitler: the last 10 day's" or the German film "Downfall" (Der Untergang) if they wish a more true accounting of this dramatic story, these last two film's are based on first person eyewitness account's, with "Hitler: the last 10 day's" being compiled from Gerhard Boldt's autobiography as a staff officer in the Fuehrer Bunker and "Downfall" being done from Hitler's secretary's recollection's, the screen play for "Der Letzte Akte" is taken from American Nuremberg war crime's trial judge Michael Musmanno's book "Ten day's to die", which is more a compilation of event's (many obviously fanciful) than eyewitness history-it is surprising that Hugh Trevor Roper's account,"The last day's of Hitler" was never made into a film.
The final WTF? shot has the funeral home owner in a straight jacket and screaming, "I'm not crazy!"
What was the purpose of walking so much and going to the funeral of a stranger for no apparent reason.
this movie begins with an ordinary funeral... and it insists so hard on this ordinary funeral feel that i lost interest within 5 minutes of watching, and started skipping scenes.
well, i ain't one of the dark kids from Southpark, i want a movie that within 10 minutes gets me well into an interesting story, i won't sit and watch 10 minutes of nothing but preparations for a funeral.. my grandma on her last years was fascinated by funerals, perhaps she might have enjoyed this "movie".
It was about Jennifer Cassi(Phillips) who comes to her twin sisters funeral.
The movie is basically the story of a Russian prostitute's return to her home village for the funeral of a sister/friend.
The core of the movie is the funeral, wake, and later controversy over the future of a community of crones that make dolls and sell them to buy vodka but are now missing the artist who made their dolls marketable.
I've gotten more laughs going to a funeral then I have watching ANY Stiller flick.
And she's SO devastated over his death, she doesn't go to his funeral, much less, tell his family the "good news"!
This picks off with Karen White's funeral (she was killed at the end of the first film).
The funeral follows the wedding.
While attending her funeral, a mysterious lady dressed in black catches his attention.
Fawcett plays the wayward black sheep daughter come home only to find that she missed the last days of her mom's life as well as the funeral, much to the chagrin of her more stable and presumably more sensible sister.
In the funeral of the famous British journalist Joe Strombel (Ian McShane), his colleagues and friends recall how obstinate he was while seeking for a scoop.
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